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The Beats: A Graphic History [Paperback]

Harvey Pekar , Paul Buhle , Ed Piskor
3.5 out of 5 stars  See all reviews (25 customer reviews)

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Book Description

April 13, 2010
In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.
 
What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

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The Beats: A Graphic History + The Portable Beat Reader + The Dharma Bums
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Editorial Reviews

From Publishers Weekly

Well researched and earnest, this book might work best as a superficial Cliffs Notes on the beats, but in no way does it inspire or open the mind as the works of the authors covered do. Much of this volume feels like leftovers from coauthor Pekar's American Splendor, and one wonders if that magazine's "drab and normal" style of illustration is appropriate for the more adventurous/experimental/flamboyant beats. Nor does it help that the art used on the best-known authors (Kerouac, Ginsberg and Burroughs) feels rushed, with little detail and little variation. Because Joyce Brabner's script about "Beatnik Chicks" takes a genuinely critical eye to an aspect of the beats others prefer to ignore—their rampant sexism— it's probably the best and most passionate writing in the collection, with Jerome Neukirch's art for the bio of proto-beat Slim Brundage being the artistic standout illustrations. Lance Tooks, Peter Kuper and Nick Thorkelson also make strong contributions, while Jeffrey Lewis's story on poet/musician Tuli Kupferberg is a wonderful puzzle piece to work through; it's the most ambitious entry and may be the truest to the artistic vision of the beats themselves. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 10 Up–Buhle has brought together a heady group of writers and artists to create a well-informed, engaging, and dynamic presentation of the core precursors and descendants of the Beat ethos in both literary and popular American life. The first half of the volume, drawn by Piskor, interweaves the development, achievements, and interactions of Jack Kerouac, Allen Ginsberg, and, to a lesser degree, William S. Burroughs. Details such as Kerouac's left-handedness and Ginsberg's changing physique across his life span are shown, while snippets from their writings are suitably incorporated into the text, which is both discursive and critical. The remainder of the volume comprises 22 pieces, most by Pekar, exploring related figures, like Michael McClure and Lawrence Ferlinghetti; contemporaries whose personal circumstances varied enough from the core of Beats to demand artistic and life expressions that differed from the canonical Beat identity, including LeRoi Jones, Diane di Prima, and Kenneth Patchen; and related arts including visual and jazz. Joyce Brabner, Trina Robbins, Peter Kuper, and Lance Tooks are among the 17 contributors to the volume, which belongs in every library where any Beat literature has a home. This is a perfect gateway to both the art and the era for today's teens to access the Beat world.–Francisca Goldsmith, Halifax Public Libraries, Nova Scotia END --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 208 pages
  • Publisher: Hill and Wang; First Edition edition (April 13, 2010)
  • Language: English
  • ISBN-10: 0809016494
  • ISBN-13: 978-0809016495
  • Product Dimensions: 8.3 x 5.4 x 0.5 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Best Sellers Rank: #310,469 in Books (See Top 100 in Books)

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Customer Reviews

I am a big Harvey Pekar fan and so of course I did enjoy this book. Ryan Pennell  |  2 reviewers made a similar statement
Anyway...wish I felt I was being nitpicky but I'm not. The Passionate Ornithologist  |  4 reviewers made a similar statement
Most Helpful Customer Reviews
21 of 21 people found the following review helpful
5.0 out of 5 stars Can't Beat This March 29, 2009
Format:Hardcover|Amazon Verified Purchase
In The Beats, as in Students for a Democratic Society and Macedonia, Pekar is dealing with pivotal events that shaped his life and times on and off the streets of Cleveland. In this these works are essential companions to American Splendor. Readers are fortunate that a talent like Pekar is allowed a platform to explain why what happened to millions in his era happened. It would be hard to truly understand Pekar and the peers he generally speaks for, common folk, without some background on the context.

Pekar puts on the same glasses he uses to discern his own life to discern this group. His vision is intentionally stripped of fawning, platitudes, and the intellectual apologetics that often dominate accounts of the more famous beat characters. The fusion of music, literature, film, politics, and just enough, but not too much mass media, is what grabbed us and changed our lives. Pekar tells the story the way we heard the story, and saw parts of it, in the 50's, 60's, and 70's. Other than in often hard to find Beat writings, which tended to make big names like Kerouac seem a constant romantic wanderer, minimizing the sad, right-wing, drunken momma's boy, all we heard were bits and pieces about their lives. Certain books we were fortunate enough to find, like Lawrence Lipton's The Holy Barbarians, focused on Beat unknowns and presented a lifestyle that was alluring as well as repellent. (Though Ginsberg is inspiring at times, Burroughs makes me want to get a government job and go to church.) This tension made most of us, after brief flings in hippiedom, spend our lives as VA file clerks, teachers, social workers, nurses, small business coffee house and used bookstore owners. Pekar eloquently depicts this tension in simple panels, such as on page 20, with Kerouac's mom saying, "Welcome back!
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9 of 9 people found the following review helpful
3.0 out of 5 stars A Decent Introduction May 25, 2009
Format:Hardcover|Amazon Verified Purchase
The less you know about the Beats, the more you'll like this graphic history. I say that as someone who read a lot of Beat literature, met a number of the characters in this book, and knows quite a bit about them.

First, let me say that I am something of a Harvey Pekar fan (more was than am, I guess) and have been since the late 80's, when I came into touch with American Splendor, his graphic magazine, or comic book, whichever you choose to call it. What he was doing then was genuine art, real genius, truly pushing out the edges of graphic presentation.

This book is a far cry from art, but overall, with the particular exception of the shameless self-promotion by an otherwise old favorite--City Lights Bookstore--it's a fairly pleasing blend of craft and commerce. My rating would be 3 1/2 stars if Amazon allowed it.

One proofreader's note. If Mr. Pekar is going to take multiple stories and present them as a single bound volume, he might want to figure out a way to not repeat himself. That's sloppy editing which creates trying reading.

If you know the history of the Beats and want a walk down memory lane, this is nice, shady, if unsurprising street on which to do so. If this is all essentially new to you, and you want to find out something about an extremely important literary and cultural tsunami that occurred in mid-twentieth century America, and that is still causing waves, give this book a read. The graphics, while uninspired, make it an easy dose of art history to swallow.
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2 of 2 people found the following review helpful
4.0 out of 5 stars Definitely a must read. May 18, 2010
By Mad Dog
Format:Paperback
Nicely written and illustrated, The Beats gives an abreviated history of The Beat Generation, starting with Cassidy, Kerouac, Burroughs, and Ginsberg, then quickly branching out from there.

It is Pekar's history and makes a nice primer for those interested in exploring the Beat Generation further. But as a work of comic litterature it is nothing special. It is for the most part a simple history.

What makes it worth the price of admission is the piece by Joyce Brabner (Pekar's wife) called "Beatnik Chicks". The other stories are essentially illustrated history (and certainly never rise above that). Brabner, on the other hand, writes an bitter, ironic commentary on role the women who were left behind played. You think Kerouac was a hero? Babner paints him as a deadbeat father, and she's probably right. Ditto for most of the other major male figures.

Normally, *being a male*, I might be inclined to attribute at least some of Brabner's rage to reverse sexism, historical revisionism, and contextural distortion; but while they might have revolutionised litterature, Babner doesn't excuse them from being a bunch of mysogynist bastards. Her story is honest and passionate and angry and tragic -- ironically the very things the Beats espoused in their work, and all elements sadly missing from the rest of the book.

It's a good book, but more work of Brabner's caliber would have made it a great book.
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1 of 1 people found the following review helpful
4.0 out of 5 stars 4 clicks May 7, 2012
Format:Paperback
Harvey Pekar presents a brief look at an artistic movement from the mid-20th century known as the Beats, focusing on the three major writers of this movement: Jack Kerouac, William S. Burroughs and Allen Ginsberg, while also looking at some of the minor artists and the historical context of this time.

The best part of this slim volume is the looks at the lives of the Big 3. While I knew about these writers lives and have read their major works, I still learned some things about them I didn't before reading this. Kerouac was very conservative given his reputation for free-wheeling, being as he was misogynistic, homophobic, and racist, all of which were odd stances as he was bisexual himself and had many Jewish friends (Ginsberg for one).

Burroughs' life was as sordid as I remembered it though I hadn't realised his own son's had been quite so horrific either. I liked how Ed Piskor drew him throughout as a kind of vampiric zombie, he didn't seem like a nice person despite the art he produced.

Ginsberg's life was full of political activism and he could rightly be considered a celebrity because of his work and his connections to just about everybody within the Beat movement. He also comes across as the nicest person the group, a man with demons of his own but didn't deal with them destructively nor allow them to destroy him.

The second half of this 200 page book takes up the rest of the Beats, none of whom I recognised and tells you how well researched and interested in the subject Pekar was. Through brief strips you get to know these people and a variety of artists illustrate these parts (Ed Piskor illustrated the first half of the book, Kerouac, Burroughs and Ginsberg).
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Most Recent Customer Reviews
4.0 out of 5 stars Who were the Beats? Answer without Nostalgia.
This is actually two books. The first part is the Harvey Pekar's take on the Beats with the bulk of it devoted to Kerouac, Ginzberg and Burroughs. Read more
Published 3 months ago by Loves the View
5.0 out of 5 stars Good introduction to a different era
I bought this in a wave of re-discovering Burroughs. At least this book didn't use modern sensibilities to wash over Burroughs. Can't believe all the apologists out there. Read more
Published 5 months ago by B. B. Bridenbaugh
4.0 out of 5 stars a smart, unromantic look at the beats
This is a really enjoyable, boiler-plate history of the Beats. The main focus for the first 100 pages is on Kerouac, Ginsberg, and Burroughs. Read more
Published 14 months ago by jafrank
5.0 out of 5 stars CraZy man, CRaZy! A fun read and BANG! in the dark.
I loved this crazy graphic novel that hits on Beat culture right between the eyes. It is a brilliant collage presented with style and originality. Read more
Published 16 months ago by Rocketman Ray
1.0 out of 5 stars hard to stay awake
Reads like a 10th grade history report. A coworker and I have exchanged a few graphic novels and this was the latest. As someone who wasn't really interested in beat lit. Read more
Published 22 months ago by J. A!
4.0 out of 5 stars Like a far-out overview
The story of the main three Kerouac, Ginsberg, and Burroughs are well-presented with great illustrations. Read more
Published on May 14, 2011 by Neil The Unreel
3.0 out of 5 stars A Real, like, Jumble, Maaaannnnnnnnnn
Ok...cool comics, but often the info given is wrong. Pekar needed a copy editor and fact checker badly. C'mon ALAN Ginsberg!? ALAN? Everyone knows it's ALLEN. Read more
Published on August 9, 2010 by The Passionate Ornithologist
4.0 out of 5 stars A diverse and interesting portrayal of the Beats written by Pekar and...
This book is "by Harvey Pekar et al." with "art by Ed Piskor et al." While the majority of the text and art are by Pekar and Piskor, the book is actually 25 different pieces on... Read more
Published on July 31, 2010 by F. Orion Pozo
2.0 out of 5 stars Not a satisfying survey
Pekar's text is ok. Nothing stands out in memory, though, after reading. I can't say I'm any more knowledgeable about this generation than I was before reading (which is to say:... Read more
Published on July 12, 2010 by Christopher
3.0 out of 5 stars For fans only...
This book is probably drastically improved if you're a big fan of the main Beat poets. But if you were, you'd probably have already known a lot of the stuff contained within. Read more
Published on June 30, 2010 by Clayton Hollifield
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