From Publishers Weekly
Well researched and earnest, this book might work best as a superficial Cliffs Notes on the beats, but in no way does it inspire or open the mind as the works of the authors covered do. Much of this volume feels like leftovers from coauthor Pekar's American Splendor
, and one wonders if that magazine's "drab and normal" style of illustration is appropriate for the more adventurous/experimental/flamboyant beats. Nor does it help that the art used on the best-known authors (Kerouac, Ginsberg and Burroughs) feels rushed, with little detail and little variation. Because Joyce Brabner's script about "Beatnik Chicks" takes a genuinely critical eye to an aspect of the beats others prefer to ignore—their rampant sexism— it's probably the best and most passionate writing in the collection, with Jerome Neukirch's art for the bio of proto-beat Slim Brundage being the artistic standout illustrations. Lance Tooks, Peter Kuper and Nick Thorkelson also make strong contributions, while Jeffrey Lewis's story on poet/musician Tuli Kupferberg is a wonderful puzzle piece to work through; it's the most ambitious entry and may be the truest to the artistic vision of the beats themselves. (Mar.)
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From School Library Journal
Grade 10 Up–Buhle has brought together a heady group of writers and artists to create a well-informed, engaging, and dynamic presentation of the core precursors and descendants of the Beat ethos in both literary and popular American life. The first half of the volume, drawn by Piskor, interweaves the development, achievements, and interactions of Jack Kerouac, Allen Ginsberg, and, to a lesser degree, William S. Burroughs. Details such as Kerouac's left-handedness and Ginsberg's changing physique across his life span are shown, while snippets from their writings are suitably incorporated into the text, which is both discursive and critical. The remainder of the volume comprises 22 pieces, most by Pekar, exploring related figures, like Michael McClure and Lawrence Ferlinghetti; contemporaries whose personal circumstances varied enough from the core of Beats to demand artistic and life expressions that differed from the canonical Beat identity, including LeRoi Jones, Diane di Prima, and Kenneth Patchen; and related arts including visual and jazz. Joyce Brabner, Trina Robbins, Peter Kuper, and Lance Tooks are among the 17 contributors to the volume, which belongs in every library where any Beat literature has a home. This is a perfect gateway to both the art and the era for today's teens to access the Beat world.–Francisca Goldsmith, Halifax Public Libraries, Nova Scotia