The Bedlam in Goliath

January 29, 2008 | Format: MP3

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Product Details

  • Original Release Date: January 28, 2008
  • Release Date: January 28, 2008
  • Label: Universal
  • Copyright: (C) 2008 The Mars Volta
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:15:53
  • Genres:
  • ASIN: B00130VASW
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (114 customer reviews)
  • Amazon Best Sellers Rank: #4,556 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Every song on this album is great.
B. Jones
Their musical wanderings on this album seem to have purpose, and at times the "noises" the guitarist emits from his guitar sound very menacing and downright scary.
eternal now
Any Volta fan needs this album, and I think even non-Volta fans can enjoy many of the songs on this record.

Most Helpful Customer Reviews

33 of 40 people found the following review helpful By Scott Bresinger on January 29, 2008
Format: Audio CD
(The Bedlam in Goliath" by The Mars Volta)

On their fourth studio album, The Mars Volta have definitely decided not to take it easy. From the very moment it starts until its ending 75 (!) minutes later, the band works in full steam ahead hyperdrive mode, rarely stopping for breath. One could be halfway through the album before realizing the first track is even over. On the upside, it shows a band determined to prove they're now the hardest working men in show business; on the downside, the songs tend to blend together into a massive rush of LOUDERFASTERNOW!!! Although working with the same prog-punk blueprint they've been developing over the years, here they seem to reject the more jam-band approach of Frances the Mute or Amputechture. All of the songs on the new album fall below the ten-minute mark, which for them is concise (disgruntled fans of the first album may want to check this one out). Their love of latin rhythms continues, however, aided ably by new drummer Thomas Pridgen, who gives the impression he's actually two men. The twin guitar attack of Omar Rodriguez-Lopez and (former Chili Pepper) John Frusciante, while using every style they can think of (including feedback noise), here they at least stick to the song at hand. This is not to say they're not coloring outside the lines, but they play it at such light-speed that the impression one gets is of Miles Davis' On the Corner interpreted by meth-addled robots.
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11 of 14 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on January 31, 2008
Format: Audio CD
I'll give the Mars Volta this -- they can spin a concept album out of just about anything. In this case, a cursed/haunted ouija board from Jerusalem.

And their fourth full-length album "The Bedlam in Goliath" is a suitably haunted, demented affair with some vibrant moments buried in the crazy lyrics and tsunamis of distorted, chaotic hard-rock. It just grabs you and pushes you to the edge, with the force of its dense music -- and if you like it weird, it's a blast.

It starts off loud -- a blazing twisting bassline, hammering drums and Cedric Bixler-Zavala's howling vocals buried somewhere in the twisting melody. And it's folllowed the equally eruptive "Metatron," a swirling storm of clashing riffs and sharp drums... really, it's like an extension of the first song,

With the distorted buildup and electric riffs of "Ilyena," the Mars Volta try out some different sounds -- blazing droning tsunamis of twirling bass'n'guitars, epic rockers with the power of a sandstorm, landslides of sputtering hoarse riffs, howling psychedelica, wailing laments, and the tight, serpentine power of "Ouroborous."

Admittedly, the Mars Volta can't keep up this energy continually -- "Tourniquet Man" is a messy tangle of distortion, horns, halfhearted drums and a continuous drone of synth in the background. "Askepios" flirts with this sound, but is saved from total boredom by its louder moments.

The Mars Volta has been dabbling in this stuff for years now, though they stumbled with an album that was more about the weirdness than the music. Fortunately, while it has some limp moments, "The Bedlam in Goliath" is more about the eruptions of vaguely psychedelic, extremely uncatchy hard rock -- in other words, what they do best.
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3 of 3 people found the following review helpful By B. Syminiuk on February 3, 2008
Format: Audio CD
I have had the pleasure of owning this album for 2 days now and, it just keeps on growing on me. I've been a fan of TMV since 'De-loused' but found 'Frances the mute' and 'Amputechture' to be a little pretentious. Not the case here. 'The bedlam in goliath' runs right out of the gate and does not let up. Before i delve into this review i must confess that i am a huge king crimson fan and an even bigger Tool fan so, TMV fit right in with my musical tastes.

I didnt even know that this album was out until the drummer in my band texted me and told me so. I immediately jumped out of bed and showered, hopped in my car and drove to coconuts. I proceeded indoors where i found a copy then walked back to my car. Now, as with all new releases i must soak it all in. So, i continue home, pack a battie and pop in 'Bedlam'. BAM! right away they barrage you with a full on assault of twisted sounds and then cedric hits a register higher than the almighty himself. I am not going to give a track by track review since people seemed to have covered that already. The concept behind 'The bedlam in goliath' is, omar was in jerusalem in a curio shop and came across a ouija board which he brought home. The band say they used in night after night and the same spirits would come through. The short of it is, the band claims they were haunted by these spirits which interferred with the making of the record. All hub-bub aside, this is an amazing release and MUCH better than what i had expected from them.

Also worth mentioning is the new drummer, forgive me for not knowing his name off hand. He manages to out-shine jon theodore in many aspects of the music and feels like an overall better fit for where they seem to be venturing. If your a fan of progressive/space/experimental music grab this album and prepare to shift into hyper-drive.
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