The Best Of Doc Watson 1964-1968

Doc Watson | Format: Audio CD

Product Details

• Audio CD (April 20, 1999)
• Number of Discs: 1
• Label: Vanguard Records
• ASIN: B00000IIW2
• Also Available in: Audio CD  |  MP3 Music
• Average Customer Review: 5.0 out of 5 stars  See all reviews (17 customer reviews)
• Amazon Best Sellers Rank: #36,169 in Music (See Top 100 in Music)
  • #21 in Music > Indie Music > Country > Traditional Country
  • #29 in Music > Indie Music > Folk > Traditional Folk
  • #31 in Music > World Music > North America > Appalachian

Editorial Reviews

Amazon.com

Few musicians are as adept as Doc Watson is at making the remarkable seem routine. Song after song on this 23-track label retrospective demonstrates effortless flat-picking virtuosity. Listen to the fleet, precise picking on "Beaumont Rag," and you'll immediately recognize why the North Carolinian's skills are the envy of just about anyone who's ever tried to master folk guitar. Yet his plainspoken baritone vocals on "Tennessee Stud," "Shady Grove," "Little Sadie," and others speak of his devotion to his songs. Watson in his prime could play rings around just about any picker alive, but he's never gone in for hollow showboating. Culled from six of the nine albums Watson recorded for Vanguard between 1964 and 1971 (though the most recent inclusions here are from 1968), this album is a condensed alternative to the four-disc Vanguard Years box set. Four previously unreleased tunes add to the value of this worthy intro to an American master. --Steven Stolder

Most Helpful Customer Reviews

58 of 60 people found the following review helpful

5.0 out of 5 stars Doc Watson is a fast guitar picker and bluegrass innovator! March 7, 2001

By Volkert Volkersz

Format:Audio CD

As an impressionable teenager in the mid 1960s, I was one of the youngest members of the Seattle Folklore Society (the folks who later started the Northwest Folklife Festival). In those early days, they would rent small halls and bring in old black blues musicians like Rev. Gary Davis, Mance Lipscomb and Jesse Fuller, and relatively unknown folk musicians like Buffy Sainte Marie and Doc Watson.

Watson is an incredibly talented blind guitar and banjo picker from the Blue Ridge Mountains with a resonant voice. The night I saw Doc Watson, he was ushered to a lone chair at the center of a small stage, and within one or two songs, I felt like I was sitting at his kitchen table, as he sang songs from the mountains of North Carolina with a decidedly bluegrass flavor. At the time, I just knew he was one of the fastest flat-picking and fingerpicking guitarists around, who held the respect of anyone who had taken up the instrument in the Sixties.

What I didn't know then was that Watson is largely responsible for shifting bluegrass guitar from a supportive rhythm guitar role (so that fiddlers and banjo pickers could shine) to playing leads, which is standard practice these days.

Vanguard Records, the company that released these original 1960s era recordings, came out with this "Best of" album in the late 1990s, with over 65 minutes of tunes, many of which have become standards by other artists, like "Rising Sun Blues" (known to most of us as "The House of the Rising Sun," although with a different tune), "Tennessee Stud" (a great horse song), "Down in the Valley To Pray" (an inspiring white spiritual), "Tom Dooley" (quite different from the Kingston Trio version), "Alberta" (about a girl, not a province in Canada), "Black Mountain Rag" (still one of my favorite bluegrass guitar instrumentals, "Grandfather's Clock" ("...it stopped short, never to go again when the old man died"), "Doc's Guitar" (if only I could play half that fast), and "Crawdad Hole."

While a few cuts on this album are done with a bluegrass band, on most he is alone, or with one other guitarist (including his late son, Merle). On these more intimate cuts it still feels like he's sitting at his kitchen table playing just for me (or you, if you get this CD). If you like bluegrass, or simply some of the best acoustic guitar ever recorded, this is highly recommended!

20 of 20 people found the following review helpful

5.0 out of 5 stars Doc Watson Is a National Treasure June 21, 2005

By Steve Vrana HALL OF FAMETOP 500 REVIEWER

Format:Audio CD|Amazon Verified Purchase

Arthel "Doc" Watson is perhaps the finest flatpick guitar player to ever pick up a guitar and this generous 23-track anthology goes a long way to support that claim. All tracks are taken from the six studio albums he recorded for Vanguard from 1964 through 1968.

I first heard Doc Watson on the Nitty Gritty Dirt Band's WILL THE CIRCLE BE UNBROKEN where he performed his signature song "Tennessee Stud," included here from his classic SOUTHBOUND album. While not as good a singer as he is a guitar player, there is an earthy quality to his vocals, which is especially effective on the a capella gospel number "Down in the Valley To Pray."

On many of these tracks, Watson is accompanied by his son Merle on second guitar. Listen to their delicate interplay on the instrumental "Dill Pickle Rag."

As an added bonus, the final four tracks are previously unreleased. First, is a solo performance of "Grandfather's Clock" with Watson accompanying himself on guitar and harmonica. Next is the Carter Family's tragic tale of "The Cyclone of Ryecov." Then there is the brief (1:23) guitar workout "Doc's Guitar." The final is the traditional "Crawdad Hole" performed live.

Doc Watson is one of our national treasures, and if you're looking for a solid introduction to his music, this is an excellent place to start. [Running Time - 65:55] VERY HIGHLY RECOMMENDED

20 of 22 people found the following review helpful

5.0 out of 5 stars A great musician October 24, 1999

By A Customer

Format:Audio CD

Only out of curiosity did I decide to listen to folk music and to my surpise I enjoyed it. Then I heard the music of Doc Watson and was moved in only a way a great musician and song can. Having grown up in the city and listening to "Rap" and "Rock and Roll" I am glad I decided to give folk music a listen to, many a night have I enjoyed the melodies and messages of folk songs.