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The Best of Georgia Gibbs: The Mercury Years [Original recording remastered]

Georgia GibbsAudio CD
3.8 out of 5 stars  See all reviews (8 customer reviews)

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MP3 Music, 25 Songs, 2013 $11.49  
Audio CD, Original recording remastered, 1996 --  
Audio Cassette, 1996 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Kiss Of Fire 2:26$0.99  Buy MP3 
listen  2. Tom's Tune 2:27$1.29  Buy MP3 
listen  3. While You Danced, Danced, Danced 2:59$1.29  Buy MP3 
listen  4. Cry 2:50$1.29  Buy MP3 
listen  5. So Madly In Love 2:24$1.29  Buy MP3 
listen  6. My Favorite Song 2:37$1.29  Buy MP3 
listen  7. Seven Lonely Days 2:09$1.29  Buy MP3 
listen  8. For Me, For Me 2:28$1.29  Buy MP3 
listen  9. The Bridge Of Sighs 2:42$1.29  Buy MP3 
listen10. Home Lovin' Man 2:58$1.29  Buy MP3 
listen11. I Love Paris 2:31$1.29  Buy MP3 
listen12. Autumn Leaves 2:47$1.29  Buy MP3 
listen13. Somebody Bad Stole De Wedding Bell 2:21$1.29  Buy MP3 
listen14. My Sin 2:04$1.29  Buy MP3 
listen15. How Did He Look 2:58$1.29  Buy MP3 
listen16. Wait For Me Darling 1:54$1.29  Buy MP3 
listen17. It's The Talk Of The Town 4:12$1.29  Buy MP3 
listen18. Tweedle Dee 2:30$1.29  Buy MP3 
listen19. Dance With Me Henry (Wallflower) 2:17$1.29  Buy MP3 
listen20. Sweet And Gentle 2:29$1.29  Buy MP3 
listen21. I Want You To Be My Baby 2:28$1.29  Buy MP3 
listen22. Goodbye To Rome 2:47$1.29  Buy MP3 
listen23. Kiss Me Another 2:16$1.29  Buy MP3 
listen24. Happiness Is A Thing Called Joe 2:46$1.29  Buy MP3 
listen25. Happiness Street 2:34$1.29  Buy MP3 

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Product Details

  • Audio CD (August 20, 1996)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Polygram Records
  • ASIN: B000001ENQ
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #152,470 in Music (See Top 100 in Music)

Customer Reviews

3.8 out of 5 stars
3.8 out of 5 stars
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Most Helpful Customer Reviews
26 of 28 people found the following review helpful
Format:Audio CD
I grew up listening to many of my parents 78rpm records. One of my favorie singers was Georgia Gibbs. I loved her soaring voice and the way she was able to tackle any type of song - rock, country, ballad, ect. As opposed to many female vocalists of the 50's, Georgia Gibbs was versitile. For many years, I searched for more records by Georgia Gibbs - and this was not an easy task. I was able to find many of the songs on this album, however the condition of the records was usually not very good. This CD from Mercury Records is FANTASTIC! "Kiss Of Fire" is, without a doubt, a classic. Just as classic are "Tweedle Dee" and "Dance With Me Henry" - although there are many who feel that these two songs were stolen, Georgia Gibbs versions of these songs are perfect and, upon listening to them, it is hard to take anything away from the quality of her work. "I Love Paris" is sung perfectly, with little fanfare. You could listen to "I Want You To Be My Baby" a hundred times and not tire of it. "How Did He Look?" is full of longing - but again, not overdone. Just enough to make you feel a little lump in your throat. Georgia Gibbs is the most underrated female vocalist of the 1950's and I applaud Mercury for putting this collection together. If you are in the mood to listen to a truely talented artist, one whos voice knows few limits in terms of style and emotion, this CD is a perfect fit. I hope Mercury issues a Volume 2 and some of the other labels Ms. Gibbs has recorded for will take heed and reintroduce Her Nibs to a new generation.
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15 of 17 people found the following review helpful
5.0 out of 5 stars A Great, and Underappreciated Artist August 26, 2005
Format:Audio CD
Georgia Gibbs is one of the greatest (and least appreciated) vocalists from the big band and classic pop eras. Miss Gibbs has been much-maligned over the years by a certain group of ignorant "historians" who have little-to-no understanding of the workings of the record industry (as in the "review" by B.M. Peters below).

1) Up until the post-WWII years, the majority of music sales were for sheet music, not records. Records were viewed to a large extent by the music industry as a means of selling sheet music. In those days it was common for each record label to have a popular song recorded by one of their artists. It was not unusual for record charts from the 1940s to have as many as 5 or 6 hit versions of a single song simultaneously on the charts. Georgia Gibbs, who'd been singing professionally since the 1930s, was a part of this tradition.

2) The practice of "covering" hits (as described above) continued to a lessening degree into the 1970s. In the mid-1950s (which is when the controversy pertaining to Miss Gibbs' recordings occurred), it was still going full-force.

3) Like most recording artists at the time, Miss Gibbs was not in charge of selecting her material. The r&b songs in question were not her choice. She preferred ballads (which, in this writer's opinion, is where marvelous voice is best showcased).

4) The ridiculous attack on Miss Gibbs stems from a public campaign by LaVern Baker to discredit Gibbs (while promoting her own records). Baker's records are slow and draggy, and obviously inferior to Miss Gibbs' versions. These records were covered by many other artists as well (Teresa Brewer had a minor hit with TWEEDLE DEE) -- including several r&b artists, whose arrangements were even closer to Baker's than was Gibbs'.
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10 of 13 people found the following review helpful
5.0 out of 5 stars The Voice I Fell In Love With December 27, 2002
Format:Audio CD
This is a great album by a wonderful vocalist whose voice has kept me spellbound since I stumbled upon a couple of her old 78s when I was 12 years old. Back in those days (the mid-70s) it was impossible to find anything by her in record stores (I searched record stores in NJ, PA, DE and NY for 20 years without the least bit of luck). Thankfully, CDs have made a lot of previously inaccessible songs readily available.
As far as this album goes -- I love it to pieces. I'd only ever heard a couple of the tracks on it, so this was a brand new experience for me. Georgia Gibbs' voice is amazingly beautiful and thoroughly enthralling. She gets some deep, husky tones in on these that, literally, send shivers up my spine.
I've recently heard the original recordings of the notorious "cover" records (Dance With Me, Henry and Tweedle Dee) and Georgia's versions are by far the superior takes. There's no question as to why Georgia's versions were the ones that became the big hits.
My only regret with this album is that two of my favorite songs from the 78s I owned (also MERCURY) are missing: A Lasting Thing, and Cherry Pink & Apple Blossom White. Here's hoping MERCURY brings out a Part II -- soon.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Elitist Music Snobs Aside .... August 30, 2007
Format:Audio CD
.... the fact is, Georgia Gibbs appealed to enough listeners to have 3 of her singles for Coral, 25 for Mercury, and one each RCA Victor and Roulette sell in the millions and therefore score decently on the Billboard charts, the one true measuring stick to determine a musical artist's commercial popularity. And isn't that what most - if not all - strove to achieve? Hit singles? That's what brought in the money and so that's what the record companies went for - those with commercial appeal. That, of course, won't wash with the elitist snobs, those sycophants who want to be seen to be "in the know" by dumping all over those who achieved a mass following, such as Gibbs, Teresa Brewer, Pat Boone, Barry Manilow, Tony Orlando, Engelbert Humperdinck, Tom Jones, etc. etc.

Yes, Georgia "belted out" many of her tunes, but so what? So did Ethel Merman, recognized today as one of the best Broadway musical performers ever. That was her style, for the most part, and she had a devoted following that carried her well into the early years of the birth of R&R.

Born Fredda Gibbons on August 17, 1920 in Worcester, Mass., she first sang on radio in 1937/38 on The Lucky Strike Show, then later as a band singer with the Hudson-DeLange, Freddie Trumbauer, and Artie Shaw orchestras. Late in the 1940s she joined the Jimmy Durante-Garry Moore radio show, and it was during this period that Moore anointed her as "Her Nibbs, Miss Gibbs."

Her first solo hit single came in the spring of 1950 when her version of If I Knew You Were Comin' I'd've Baked A Cake reached # 5 with the backing of Max Kaminsky's Dixielanders for the Decca subsidiary, Coral Records.
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