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The Best of McSweeney's Hardcover – December 31, 2013

ISBN-13: 978-1938073595 ISBN-10: 1938073592 Edition: First Edition

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Product Details

  • Hardcover: 624 pages
  • Publisher: McSweeney's; First Edition edition (December 31, 2013)
  • Language: English
  • ISBN-10: 1938073592
  • ISBN-13: 978-1938073595
  • Product Dimensions: 9.1 x 6.4 x 2 inches
  • Shipping Weight: 2.9 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #141,327 in Books (See Top 100 in Books)
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Editorial Reviews

Review


Voted as one of “Ten Books to Restore Your Faith in Print” by Flavorpill

“The first bona fide literary movement in decades.” —Slate

"An inimitable retrospective on modern storytelling." —Publishers Weekly

"An impressive warehouse of treasures." — Willamette Week

"The Best of McSweeney’s is not just a giant tome to read and admire—it’s a thing to behold."––Rebecca Rubenstein, Kirkus

About the Author

McSweeney’s began in 1998 as a literary journal that published only works rejected by other magazines. That rule was soon abandoned, and since then McSweeney’s has attracted work from some of the finest writers in the country, including Denis Johnson, Jonathan Franzen, William T. Vollmann, Rick Moody, Joyce Carol Oates, Heidi Julavits, Jonathan Lethem, Michael Chabon, Ben Marcus, Susan Straight, Roddy Doyle, T. C. Boyle, Steven Millhauser, Gabe Hudson, Robert Coover, Ann Beattie, and many others. At the same time, the journal continues to be a major home for new and unpublished writers; we’re committed to publishing exciting fiction regardless of pedigree.

Customer Reviews

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Most Helpful Customer Reviews

10 of 11 people found the following review helpful By Matt M. Martin on January 6, 2014
Format: Hardcover
McSweeney's has always been a journal known more for its place as a literary phenomenon than as something actually read, which makes it easy to forget that the journal earned the ability to be weird by also featuring some extremely good writing. In other words, sure there's a lot of window dressing on most McSweeney's issues, which beckons unflattering descriptions (precious, twee, pretentious, etc.), but the actual content makes the journal worthwhile. And the fact is that, despite whatever reputation it carries, McSweeney's has been publishing solid writing for 15 years now.

All of which makes this "Best Of" collection a little off-putting, in that it, well, isn't. The very best things McSweeney's has ever published are alarmingly absent: Anthony Doerr's "Memory Wall" is not here; neither is Jim Shepard's "Tedford and the Megalodon" or Douglas Coupland's biji from Issue 31, Joe Meno's "Stockholm Syndrome," Stephen Millhauser's "The Tower" (or "American Tall Tale" or "Rapunzel"), Brian Baise's "It's Nice When Someone Is Excited to Hear From You," J.T.K. Belle's "Carlos the Impossible," Jonathan Franzen's "Ambition," Robert Coover's "The Queen," Edmund White's memoir from Issue 18--anything from T.C. Boyle! Where are these pieces?! It's like getting the greatest hits of a band and not hearing the band's biggest single, but hearing some woeful b-side instead.

As for those b-sides, we have a David Foster Wallace piece Wallace himself was too bashful to include under his real name. It's a stinker, too, a 50-page marketing seminar about snack food products that overstays its welcome by a good 48 pages. Julia Hecht's very boring essay on Marimekko dresses is included for some reason, as is Andrew Sean Greer's tedious, predictable play-by-play of his visit to a NASCAR race.
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5 of 5 people found the following review helpful By Jason DeLine on December 23, 2013
Format: Hardcover Verified Purchase
After subscribing to McSweeny's Quarterly Concern for two years, I was very excited to add this to my collection. I was not disappointed with the book. This is a great collection of fun, off beat stories that are fun to read.
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1 of 1 people found the following review helpful By Nicole on January 21, 2014
Format: Hardcover
I purchased this as a gift for my boyfriend. Really, I just wanted him to have to house it so that I could read it whenever I want. So far we're both happy with this arrangement - both the chosen pieces in the book as well as the use of bookshelf space.
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By herbert on May 24, 2014
Format: Hardcover Verified Purchase
This is a very interesting and nicely packaged collection of the best of what was published in the McSweeney's Journal.
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6 of 113 people found the following review helpful By Chris Roberts on December 16, 2013
Format: Hardcover
More than A Few Reasons not to publish with "McSweeney's Thingamajig"

They run the magizine out of Brooklyn, which is barely one step above Paris. Brooklyn is peopled with besotted, semi-beings who skulk the filthy streets trench footed...

Nobody on "staff" wears a wife beater T-shirt or even a fedora. They're not even from Brooklyn, but hipster carpetbaggers...

Every other page is Dave McEggers this and Dave McEggers that...hint...nobody cares...

The logo on their masthead looks remarkably similar to a doodle in the men's room at the Greyhound bus station in Appalachia...

Their adamant refusal to have submissions addressed to "fiction editor" or "poetry editor" makes one believe there really is no "McSweeney's Thingamajig."

Their list of "Do's" and Don'ts" for submitting attempts to be funny, but a laugh harder would be watching a distraught nobody jump off his roof...

You'd have a better chance at sighting Big Foot, then tracking down a print version of the mag...

When you do find a copy, the guy behind the counter always says the same thing, "I'm saving it for the drunk lit major down the block."

If you do find a copy, the minute your fingers touch the cover, it disintegrates into a cloud of pulpy, yellow, hipster dust...

Once you peruse what's left of it, your disheartened and not a little enraged to find the entire issue is devoted to the interpretation of "Hieroglyphic Literature."

And finally, because "McSweeney's-Thingamajig-Internet-Tendency-Whirlygig-What The-Hell-Ever" is irrelevant and the rest of the world is not...

Chris Roberts, God Walking
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