From Publishers Weekly
Starred Review. In spare yet hypnotic prose, Moore (One Last Look) examines the bond between a young psychiatrist and a mentally ill patient in her devastating sixth novel, set at an upstate New York federal women's prison. Sloatsburg Correctional Institution, a former sanitarium on the west bank of the Hudson, is dangerous, understaffed, underfinanced and overwhelmingly grim. The place epitomizes what's wrong with our nation's prison system and stands as a warning about our growing mental health crisis. Moore deftly shifts perspective among her principal characters—Dr. Louise Forrest, Sloatsburg's psychiatry chief; Helen Nash, a suicidal inmate who's been convicted of killing her children; Capt. Henry "Ike" Bradshaw, a corrections officer who's in love with Louise; and Angie Mills, a Hollywood actress (and Louise's ex-husband's girlfriend), whom Helen believes is her long-lost sister—as the action hurtles to an oddly satisfying resolution. Reading this heartbreaker is like watching a train wreck while dialing for help on your cellphone. You can't turn away. 75,000 printing; author tour. (May)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Set in a womens prison on the Hudson River, Moores sixth novel chronicles the aftermath of a highly publicized murder and its impact on four intertwined lives. The story is told in the alternating voices of Helen, who has long suffered terrifying schizophrenic hallucinations and is serving a life sentence for killing her two small children; Helens psychiatrist, a single mother who came to work at the prison out of guilt over a patients suicide; a corrections officer who becomes involved with the psychiatrist; and an ambitious Hollywood star whom Helen believes to be her sister. Moore gradually probes Helens psychosis to its horrifying origins, while also delivering a nuanced and devastating account of the fights, rapes, and alliances built from necessity that constitute prison life.
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Copyright © 2007 Click here to subscribe to The New Yorker

