There are those of us who peruse the direct-to-video bins of action and horror movies in a desparate search of fun. THE BIG HIT, although released theatrically, is everything that you desire while looking at direct-to-video crap, but never get, and its infinitly better.

Make no mistakes: this movie is vulgar, crass, and shameless. It even crossed my line with the vomiting scene, but I managed. The film finds hit man Melvin Smiley set up to take the fall for a major screw-up by his hipster co-workers whilst dealing with being a pushover to his fiancee and girlfriend.

Maybe the fact that this film has such a plot, a plot that is relevant to the action and interesting is what makes it exciting. The characters are stimulating and provided vibrant dialogue. Through the pretty routine directing, it's Ben Ramseys script that makes the thing so fun. The action sequences are pretty by the numbers, as I've mentioned, but there are moments or rhythm and sublime carnage beneath the rest of it.

The film has a hard-hitting and pulsating score by Graeme Revell, which is also notable in its genre for its themes and concentration on doing more than making noise.

Be warned: those who do not tolerate profanity, violence, and general disregard for morals (these are hit men, after all) should not view. If you do not fall into that category, and like a bit of ultra-violence brimming with wit and style, there is a very good chance you will like this movie, and almost NO chance that you will regret seeing it.

Or like I said, it might have just been a fluke in my tastes...

Mark Wahlberg stars as Melvin Smiley, a hitman with a heart of gold, sort of. Outside of his dubious career, he's a relatively nice guy with an airhead fiancee (Applegate). Anyway, his hitman buddies, specifically Cisco (Lou Diamond Phillips), devise a plan to kidnap Keiko Nishi (China Chow), the daughter of a super-rich Japanese businessman, not knowing the man has just went bankrupt (shown in a hilarious scene). Anyway, they have to store Keiko at Melvin's house, and he's forgotten that his fiancee and her parents are visiting for the weekend. To make matters worse, Keiko is the goddaughter of the hitmen's boss, Paris (Avery Brooks), who's looking to crack down on the guys who kidnapped her.

The Big Hit desires to work as an action and comedy, and succeeds quite well at both. The shootouts are pure Hong Kong-style (no surprise, it's directed by Kirk Wong), outrageous but cool to watch. The fight scenes are kinetic and well-choreographed, with the performers displaying some nice, agile moves without really going into all-out martial arts (by this, I'm referring to the final fight in the video store). None of the action is superspectacular or completely memorable, but it's all exciting and lots of fun, which is what it should be.

Director Kirk Wong also shows a capbable hand at humor. For once, the majority of the film's jokes actually work. Even a long-running gag involving Melvin and his overdue rental of King Kong Lives pays off in the end. A lot of people are going to find this humor stupid, but for me, it was stupid and funny. Some of these jokes probably wouldn't naturally be funny, but the cast (particularly Lou Diamond Phillips) pulls them off with a great sense of comic timing. Hell, I even laughed during that obvious "tracebuster" joke.

As I said before, most of the cast members are those I generally try to avoid when I watch movies and they're terrible here, but they're offset by the film's leads, thankfully. Mark Wahlberg is not a great actor by any stretch of the imagination, but he's likeable and perfect for this part. The lovely China Chow is a spirited foil for Wahlberg, she's smart, funny, and sassy, and also the film's most genuinely likeable character. Naturally, the film progresses by developing some romantic chemistry between her and Wahlberg, and to my surprise, those scenes actually work.

Stealing virtually the whole film is Lou Diamond Phillips (who I've always liked), who's hilarious as the two-timing hitman Cisco. Off the top of my head, I believe this is his only comic performance to date, and he's so good at it, I wish he'd delve into the genre more often. The always solid Avery Brooks has a few throwaway scenes, but it's always nice to see him in a role outside of Deep Space Nine. All in all, The Big Hit was a good time, never truly excellent as an action/comedy (it needs more even plotting and less superfluous characters) but just enjoyable enough, and that was good enough for me.