| ||||||||||||||||||||||||||||||||||||||||||||||||
|
Browse our Bookshelf Favorites store for big savings on popular fiction, nonfiction, children's books, and more. |
Product Details
Would you like to update product info or give feedback on images? |
I picked up this book myself from Partners and Crime's Top 100 shelf (P&C is an awesome mystery bookstore in Manhattan's Greenwich Village). I loaned my copy to a friend, who gave it back to me a week later and said he didn't want to read the rest of the series or any other mystery novel again in his life -- this one was perfect and anything else would just ruin his ability to savor "The Black Dahlia". I loaned it to a second friend who finished it in a week, and then went out and bought the complete Ellroy ouevre. This is not a one-night read unless you have strong eyes, strong coffee, heroic concentration and an iron will.
If you get a chance, hear Ellroy read from these books in person.
Sequencing Ellroy's books is tough, because they're all similar in terms of time frame, setting, and characters. The L.A. trilogy plus one is:
* 1947: The Black Dahlia
* 1950: The Big Nowhere
* 1951: L. A. Confidential
* 1958: White Jazz
Dudley Smith also appears in Ellroy's second novel, "Clandestine", set in 1951.
In the "Dahlia", a real woman named Betty Short, whose butchered corpse appeared in a vacant lot one morning in real-life L.A. circa 1947, Ellroy found his essential enigma and his battering muse. This famous, unsolved murder victim becomes in the novel, a terrifying emblem for his own oedipal quest, a quest that he fearlessly explored in his memoir *My Dark Places*. It is a work of genius, and we are all the richer for it. Its scope is epic. Its tone is sharpened ebony. Nothing in Ellroy's previous novels prepares you for this. It is also a book that repays multiple readings. It's only outdone by each subsequent novel. Full-blown addiction is the only way I can describe my response to Ellroy's fiction. It will jazz you and haunt you and inhabit your dreams.