Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Recorded Books expands the Morrison audiobook collection by revisiting the Nobel prize winner's early works. Her debut novel, The Bluest Eye, explores the impact of racism and poverty on adolescent Pecola Breedlove. Surrounded by images of white iconsDShirley Temple, Mary Jane, and the classic family from Dick & Jane readersDPecola is tormented by both her family and peers. Alcoholism, rape, and humiliation drive her into the relative safety of madness where she finally finds the only bit of self-worth, believing her eyes are truly the bluest. In 1981's Tar Baby, Morrison deals with a different set of cruelties. The six major characters are her most diverse, and the conflicts are both realistic and symbolic, embodying the opposition of wealth and poverty, youth and age, male and female, black and white, in a microcosm of society found on a Caribbean island. Lynne Thigpen again expertly captures the richness of the author's characters, descriptions, and language. These two new releases are important to any collection of current American social fiction.DJoyce Kessel, Villa Maria Coll., Buffalo, NY
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Copyright 2001 Reed Business Information, Inc.
--This text refers to the Audio Cassette edition.