The Bonesetter's Daughter: A Novel (Ballantine Reader's Circle) [Paperback]

Amy Tan (Author)

Book Description

Release date: February 4, 2003 | Series: Ballantine Reader's Circle

““As compelling as Tan’s first bestseller, The Joy Luck Club. . . No one writes about mothers and daughters with more empathy than Amy Tan.”
–The Philadelphia Inquirer

“[An] absorbing tale of the mother-daughter bond . . . this book sing[s] with emotion and insight.”
–People


Ruth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .

In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.


“A strong novel, filled with idiosyncratic, sympathetic characters; haunting images; historical complexity; significant contemporary themes; and suspenseful mystery.”
–Los Angeles Times

“For Tan, the true keeper of memory is language, and so the novel is layered with stories that have been written down–by mothers for their daughters, passing along secrets that cannot be said out loud but must not be forgotten.”
–The New York Times Book Review

“Tan at her best . . . rich and hauntingly forlorn . . . The writing is so exacting and unique in its detail.”
–San Francisco Chronicle

Editorial Reviews

Amazon.com Review

At the beginning of Amy Tan's fourth novel, two packets of papers written in Chinese calligraphy fall into the hands of Ruth Young. One bundle is titled Things I Know Are True and the other, Things I Must Not Forget. The author? That would be the protagonist's mother, LuLing, who has been diagnosed with Alzheimer's disease. In these documents the elderly matriarch, born in China in 1916, has set down a record of her birth and family history, determined to keep the facts from vanishing as her mind deteriorates.

A San Francisco career woman who makes her living by ghostwriting self-help books, Ruth has little idea of her mother's past or true identity. What's more, their relationship has tended to be an angry one. Still, Ruth recognizes the onset of LuLing's decline--along with her own remorse over past rancor--and hires a translator to decipher the packets. She also resolves to "ask her mother to tell her about her life. For once, she would ask. She would listen. She would sit down and not be in a hurry or have anything else to do."

Framed at either end by Ruth's chapters, the central portion of The Bonesetter's Daughter takes place in China in the remote, mountainous region where anthropologists discovered Peking Man in the 1920s. Here superstition and tradition rule over a succession of tiny villages. And here LuLing grows up under the watchful eye of her hideously scarred nursemaid, Precious Auntie. As she makes clear, it's not an enviable setting:

I noticed the ripe stench of a pig pasture, the pockmarked land dug up by dragon-bone dream-seekers, the holes in the walls, the mud by the wells, the dustiness of the unpaved roads. I saw how all the women we passed, young and old, had the same bland face, sleepy eyes that were mirrors of their sleepy minds.

Nor is rural isolation the worst of it. LuLing's family, a clan of ink makers, believes itself cursed by its connection to a local doctor, who cooks up his potions and remedies from human bones. And indeed, a great deal of bad luck befalls the narrator and her sister GaoLing before they can finally engineer their escape from China. Along the way, familial squabbles erupt around every corner, particularly among mothers, daughters, and sisters. And as she did in her earlier The Joy Luck Club, Amy Tan uses these conflicts to explore the intricate dynamic that exists between first-generation Americans and their immigrant elders. --Victoria Jenkins --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

In its rich character portrayals and sensitivity to the nuances of mother-daughter relationships, Tan's new novel is the real successor to, and equal of, The Joy Luck Club. This luminous and gripping book demonstrates enhanced tenderness and wisdom, however; it carries the texture of real life and reflects the paradoxes historical events can produce. Ruth Young is a 40-ish ghostwriter in San Francisco who periodically goes mute, a metaphorical indication of her inability to express her true feelings to the man she lives with, Art Kamen, a divorced father of two teenage daughters. Ruth's inability to talk is subtly echoed in the story of her mother LuLing's early life in China, which forms the long middle section of the novel. Overbearing, accusatory, darkly pessimistic, LuLing has always been a burden to Ruth. Now, at 77, she has Alzheimer's, but luckily she had recorded in a diary the extraordinary events of her childhood and youth in a small village in China during the years that included the discovery nearby of the bones of Peking Man, the Japanese invasion, the birth of the Republic and the rise of Communism. LuLing was raised by a nursemaid called Precious Auntie, the daughter of a famous bonesetter. Once beautiful, Precious Auntie's face was burned in a suicide attempt, her mouth sealed with scar tissue. When LuLing eventually learns the secrets of Precious Auntie's tragic life, she is engulfed by shame and guilt. These emotions are echoed by Ruth when she reads her own mother's revelations, and she finally understands why LuLing thought herself cursed. Tan conjures both settings with resonant detail, juxtaposing scenes of rural domestic life in a China still ruled by superstition and filial obedience, and of upscale California half a century later. The novel exhibits a poignant clarity as it investigates the dilemma of adult children who must become caretakers of their elderly parents, a situation Tan articulates with integrity and exemplary empathy for both generations. Agent, Sandy Dijkstra. (Feb. 19) Forecast: With a readership already clamoring for the book, and Tan embarking on a 22-city tour, this novel will be a sure hit; its terrific sepia-tinted cover photo of a woman in old China only adds to its allure. Moreover, readers will be intrigued by Tan's hint that this story about family secrets is semi-autobiographical. The dedication reads: "On the last day my mother spent on earth, I learned her real name, as well as that of my grandmother."
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 400 pages
• Publisher: Ballantine Books; Reprint edition (February 4, 2003)
• Language: English
• ISBN-10: 0345457374
• ISBN-13: 978-0345457370
• Product Dimensions: 5.4 x 0.8 x 8.2 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (354 customer reviews)
• Amazon Best Sellers Rank: #25,910 in Books (See Top 100 in Books)

More About the Author

Amy Tan is the author of The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, The Opposite of Fate: Memories of a Writing Life, and two children's books, The Moon Lady and Sagwa, which has now been adapted as a PBS production. Tan was also a co-producer and co-screenwriter of the film version of The Joy Luck Club, and her essays and stories have appeared in numerous magazines and anthologies. Her work has been translated into thirty-five languages. She lives with her husband in San Francisco and New York.

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Most Helpful Customer Reviews

109 of 113 people found the following review helpful

4.0 out of 5 stars Another cross-cultural multi-generational gem from Amy Tan February 21, 2001

By David Lister

Format:Hardcover

The Bonesetter's Daughter is a wonderful example of Amy Tan's considerable skill as a master storyteller. Here she exposes to us, layer by layer, the deeply complex relationship between Ruth Young, a ghostwriter of self-help books, and her mother, LuLing.

Realizing she is having problems with her memory long before Ruth suspects it, Luling painstakingly writes the facts of her life as best she remembers it, so that her story doesn't die with her failing memory.

The start and finish of this novel, which chronicles Ruth's struggle in coming to terms with her mother througout her life and Ruth's stumbling upon LuLing's memoirs, frame the middle section of the book, which consist of the memoirs themselves.

I found the novel absolutely fascinating, and read through it in a single sitting.

Two mother-daughter stories are presented here, as the relationship between LuLing and her mother are also central to the telling of this wonderful story. Amy Tan does a superb job of presenting these separate yet connected narratives into a masterpiece of a book, blending character, dialogue, and narrative seemlessly (and seemingly effortlessly) together.

Readers of the author's previous novels will find similarity between The Bonesetter's Daughter and her previous novels. Some readers, as I, will find everything comfortably familiar. On the other hand, it is only fair to criticize the formulaic sameness of her work. The repeated exploration of the relationship between a Chinese-born mother and her american born daughter is a bit off-putting; as is the parallel telling of two generation's narrative. Also, I don't find that her male characters are realistically drawn, and the relationship struggles between the daughter and her significant other (at least in Ms. Tan's last two books) seem rather superficial.

These (admittedly) rather minor complaints are the only thing that keeps me from giving the book five stars.

64 of 66 people found the following review helpful

5.0 out of 5 stars Don't be so easily discouraged... March 12, 2001

By A Customer

Format:Hardcover

I purchased this book when it was first released (I'd become a fan of Amy Tan's books having read the other three before), and then just out of curiosity decided to check the reviews of it here at amazon to catch a glimpse of what I was getting into. I'm sad to say that many of the reviews readers gave "The Bonesetter's Daughter", of it being a "rehashing of the same story" and such made me prejudiced towards it, and I put down the book for a few weeks. Pure boredom this past weekend made me finally resolve to give it a try anyway, and I could barely stop to put it down. Sure, it can be argued that the bulk of Ms. Tan's books focus on the mother-daughter relationship dynamic and of past wrongs done to them by men of their pasts...but I think that part of the reason why she's sucessfully been able to transform these themes into their own unique story every time, is because they deal with a part of history in which several different cultures can find kinship. The fact is that Amy Tan is a master of capturing true human emotion in her characters' lives, that touches the reader in a very poigniant way. And this one is no exception. "The Bonesetter's Daughter" has now become my favorite of Amy Tan's novels, and I just moments ago finished it and passed it along to my own mother telling her that she "MUST read this book right away!" I'd like to extend the same recommendation to everyone else who is considering taking up "The Bonesetter's Daughter" as well. Luyi--*all that you wish*

26 of 26 people found the following review helpful

5.0 out of 5 stars A sensitive, emotion-driven tale by an excellent writer. March 28, 2001

By Joseph H Pierre

Format:Hardcover

In "The Bonesetter's Daughter," set in San Francisco and in North China, Amy Tan tells the story of Ruth Young and her mother, LuLing, in a story that reflects much of her own background. In the story, Ruth is a successful "book doctor," a ghostwriter who translates other people's thoughts into a coherent book--a skill at which she is adept. She is the "as told to" name below the author's, although the real creative effort is her own.

Like Amy Tan herself, Ruth is in her forties, and the similarities do not stop there. While the book is not strictly autobiographical, there are a great many parallels between the author and Ruth. For example: both of their mothers were stricken with Altzheimers disease, and both had stormy relationships with their Chinese mothers, both of whom were suicidal.

Ruth's mother, LuLing, came from China in the late 'forties, as did Amy Tan's mother. The story is told in three parts: first is Ruth's ten-year relationship with Art and his two daughters--teenagers in the story--with whom she lives; a relationship that is in trouble for reasons that Ruth cannot determine or resolve. Art seems to be a self-centered individual who takes advantage of Ruth's tendency to always place her own interests secondary.

The second part of the story is LuLing's own story in China, which, fearing memory loss, she is writing, in Chinese calligraphy and which she eventually presents to her daughter. Ruth, because of their difficult relationship lets the manuscript gather dust for seven years, untranslated. LuLing's life story is a tale of tragedy and suffering, lost love and a tempestuous relationship with her own mother, Precious Auntie, which later--after her mother's death--haunts her.

Finally, in the third section the focus is on Ruth and what she does with her new knowledge. The crux of the novel, however, is the second part: the story of LuLing in China, her turbulent relationship with her mother, and the war-torn environment of China in the 'forties.

The story is about relationships, and the search by both LuLing and Ruth for their family's Chinese background, which is enveloped in mystery involving, among other things, the discovery, which actually took place in 1929-1937, of the bones of Homo-erectus, also known as Peking man, which were found in a cave at Zhoukoudian, near Peiping (now known as Beijing).

Amy Tan has drawn on her own experiences to create her characters. In fact, in an interview with Nita Lelyveld, she says that her own mother was her muse. She could hear her mother's voice saying the things that LuLing said, and that she "did her best never to listen to her mother." In a parallel to Ruth's relationship with LuLing, and in turn, LuLing's with her mother, she says "my mother drove me crazy,"

This is a sensitive, emotion-driven story about mothers and daughters, told by an excellent writer who has lived the things she writes about. Amy Tan is a woman writing about women. A wonderful story. It held my interest to the end.

Joseph Pierre