Natalie loves machines. She helps her mechanic father in his shop, repairing motorcars and bicycles and trying to build clockwork machines like a small flyer. It's 1914, and Arcane isn't an ordinary small town. The crossroads is a place of power, where the devil once battled an old musician for his soul and lost.
At least, that's the story Natalie's mother tells her, but is it true? As The Boneshaker progresses, we learn not only that the story is true, but that the uncanny Doctor Jake Limberleg's Nostrum Fair and Technological Medicine Show has something to do with demons, as well.
Natalie, whose biggest concern up till now has been her inability to ride the odd bicycle her father has rebuilt for her, the titular boneshaker, now has a whole new set of worries. With her friends, she begins to explore the eerie doctor's medicine show. What she discovers frightens her, but things get even worse when her brother and father decide to bring her ailing mother to the medicine show for treatment.
The author builds her story--and the suspense--beautifully, pulling readers deeper into Natalie's all-too-appropriate fears about Dr. Limberleg and the "paragons" who accompany him. Meanwhile, Natalie's continuing efforts to ride the boneshaker lead us to a final chase scene in which she must ride the bike on a wild night-time journey to save her town and everyone she loves.
Milford gives us fun details like the time Natalie tries to sell a single bee to the town's shopkeeper, along with curious details such as the miniature automata inside Dr. Limberleg's trailer or the way the front left wheel pops off of every vehicle that comes into Arcane through the crossroads. And the medicine show, a kind of carnival, is described nightmarishly well.
The characters here are as marvelously strange as the medicine show. We get to know Old Tom Guyot, the elderly black musician who challenged the devil and won; a devious drifter named Jack (whom you might recognize from folklore); a mysterious rich man who isn't quite human; and stalwart townspeople such as the pharmacist and Natalie's friends Alfred and Miranda.
Milford's work hints of magical realism and Alfred Hitchcock's subtle touch rather than today's scare-a-minute horror stories. A rich and shivery historical fantasy--or what I like to call rural fantasy--The Boneshaker will appeal to kids who are willing to take the time to watch fear unfold in increasingly unnerving detail.
Note for Worried Parents: In addition to mature themes relating to the serious illness of a parent, The Boneshaker features pacts with the devil and demonic horror elements. It's definitely creepy, which explains the publisher's suggested reading range of 10 and up.