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The Book in the Renaissance Hardcover – June 29, 2010


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Product Details

  • Hardcover: 440 pages
  • Publisher: Yale University Press; First Edition edition (June 29, 2010)
  • Language: English
  • ISBN-10: 030011009X
  • ISBN-13: 978-0300110098
  • Product Dimensions: 9.6 x 6.4 x 1.5 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #135,741 in Books (See Top 100 in Books)
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Editorial Reviews

From Booklist

*Starred Review* Looking back on her early adulthood, St. Teresa of Avila remarked, “If I did not have a new book, I did not feel that I could be happy.” In this history of the pioneering publishers who transformed Gutenberg's new technology into an epoch-making force, Pettegree recounts the fascinating story of how new books found their way into the hands of Renaissance readers such as St. Teresa. That force, as readers soon realize, reshaped the world of learning, as affordable books swelled enrollment in universities and multiplied municipal schools. But the force of the printed word emerged far from the classroom, as printing presses become potent weapons in political and ecclesiastical conflicts. Pettegree details in particular the ubiquity of polemical pamphlets and broadsheets that stirred popular passions, only to disappear, except as fugitive entries in publishers' catalogs. Though readers gain considerable understanding of technical processes of publishing—such as the making of paper and cutting of type—what they come to see most clearly is the tense political and economic circumstances in which Renaissance publishers operated. Assailed by censors on the one hand and by pirate presses on the other, publishers effected a cultural revolution only through remarkable resourcefulness. A probing chronicle of crisis and change. --Bryce Christensen

Review

“[Pettegree] offers a radically new understanding of printing in the years of its birth and youth.”—Robert Pinsky, New York Times Book Review


(Robert Pinsky The New York Times Book Review)

“An authoritative, innovative and succinct account of one of the most fundamental issues in Renaissance history, the role of the printed book.”—Henry Kamen
(Henry Kamen)

“Pettegree…examines an earlier rocky transition in the history of the written word: not the transition from print to digital, but the transition from manuscript books to print.”—Heather Horn, TheAtlantic.com
(Atlantic.com)

". . . a highly readable volume, . . . the text carefully navigates a balance between popular history and scholarly monograph."—Timothy J. Dickey, College & Research Libraries (Timothy J. Dickey College & Research Libraries 2011-05-01)

"By far the most significant publication yet on the social history of the book.  . . . It is, by far, one of the most significant library-related books I have ever read in many a year; I cannot recommend it highly enough."—Norman D. Stevens, RBM
(Norman D. Stevens RBM)

“Well written and…a useful introduction to readers unfamiliar with the subject.”—Renaissance Quarterly
(Renaissance Quarterly)

“Thorough and engaging.”—Library Journal
(Library Journal)

“[A] fine new study.”—Adam Gopnik, The New Yorker
(Adam Gopnik The New Yorker)

“[A] masterpiece...Pettegree is a splendid storyteller.”—RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage
(RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage)

"[H]istorians in many fields and of many regions will find [Pettegree's] suggestions valuable and well-founded. Like all great historical surveys, The Book in the Renaissance will provoke new rounds of questioning."—Adrian Johns, Journal of Modern History
(Adrian Johns Journal of Modern History)

Selected as a Choice Outstanding Academic Title for 2011 in the General category.
(Choice Outstanding Academic Title Choice 2012-03-12)

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

49 of 51 people found the following review helpful By Salenia on September 18, 2010
Format: Hardcover Verified Purchase
A sweeping survey of the first 150 years of the European printed book ("book" here covers all printed texts including pamphlets and single leaf broadsides), from its invention by Gutenberg in 1450-55 to the end of the sixteenth century. During that time, printing spread from a single location in southern Germany to every corner of Europe and beyond, resulting in an estimated 350,000 different editions. The focus of the book is on the book as a business - "Printers were businessmen, and books were a commercial venture" (p. 129) - and, as the book progresses, on the Reformation (which resulted in an explosion of printing of Luther's pamphlets) and the subsequent wars, political conflicts and intrigues. Pettegree discusses what was printed, where and why; how the books were distributed and marketed, etc., tying this to the important historical and religious events of the sixteenth century. Along the way, he covers the expansion of printing to provide news and entertainment, the increase in printing in the vernacular, the birth of literary salons and women authors, the early printing of popular music, renaissance schools, emblem books, scientific works, botanical illustration, maps, printing in England, Scotland, Spain, Scandanavia, Eastern Europe, and Mexico, censorship and the Index, and a variety of other topics. Seemingly, nothing significant is omitted.

In his analysis, Pettegree provides numerous important and new insights into the history of the early printed book. The book is dense with facts and specific examples. It includes many excellent illustrations of early printed books, including fine title pages. It contains extensive footnotes to sources, although unfortunately they are not at the bottom of pages of text, but at the back, indexed by page runs.
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26 of 33 people found the following review helpful By Kindle Customer on August 21, 2010
Format: Kindle Edition Verified Purchase
This is a wonderful book, the the Kindle edition, aside from being overpriced, does not include any of the many pictures from the book. Amazon should have a warning about this.
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8 of 9 people found the following review helpful By Richard Gibson on January 7, 2013
Format: Paperback
After getting well into the book I discovered that every illustration was omitted and replaced with a note indicating that publishing rights for the illustrations were not granted. The reader was advised to view the images in the hard copy! What is the point of an eBook which requires you to buy the hard copy as well to see the illustrations? Don't bother
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2 of 2 people found the following review helpful By Beowulf on August 12, 2011
Format: Hardcover Verified Purchase
I had to read this for a course in graduate school and was very pleasantly surprised to learn the source of so many conventions regarding the printing of--and thinking about--books. Pettegree writes clearly and keeps things moving. The book looks imposing, but you can knock it off in a weekend. OK, maybe a long weekend. Wonderfully free of jargon, as well.
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33 of 49 people found the following review helpful By Hugh R. Fox on January 21, 2011
Format: Hardcover Verified Purchase
This book author's fine work has been dealt a poor hand by its publisher. I was very surprised to find that the Yale University Press honors an outstanding work on the early history of books and publishing with so shoddy a modern product. The "Hardcover" in this instance is some slim cardboard drawn over what is essentially a rigid perfect bound text. I had understood that a "Hardbound", or Case bound, book would be comprised of a substantial cover drawn over smythe sewn pages. The result of such a process being an easy to read publication, the pages generally lie flat, resulting in a book that is easy to use and quite durable.
This current edition by the Yale University Press combines text margins which are so slim that the text disappears into the gutter with pages being glued together in a rigid block, all of which results in it becoming necessary to physically break the back of the book block in order to read the text.
It is truly a shame to produce such a shoddy product covering what is in effect an outstanding effort covering the formative history the art of the book with a book that is completely lacking in normal cased book production values.
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1 of 1 people found the following review helpful By K. Younger on March 1, 2012
Format: Kindle Edition Verified Purchase
So as an amateur in this space of early books, I found this book to be just on the edge of okay for "intelligent non-specialist" and too simple for "specialist" in this domain. Makes it a challenging read, which I like. Pettegree is a fine author and writes quite well.

But the KINDLE edition had no illustrations.... queer. (and I also have the hardcover, but I found reading the hardcover, when I'm now "trained" to kindle, as too awkward)

But it's IRONIC that a book all about the rise of the codex technology applied to movable type and the social and business systems required to support the new high tech of the book world is crippled by having the pictures throughout missing because digital rights were not secured. (From perhaps old school libraries who think digital is going to let the proverbial Camel of Digital Theft into the Tent of the Bodleian?) This was MOST IRONIC when the text alongside the empty image frames was talking about how the art guilds in 15th C Germany were complaining about how the new tech of BOOKS was destroying the business of selling art prints.... new tech is often reviled by the old tech defenders.

So reading an important book on the development of the book on a 21st century book stand (the kindle) is crippled by 19th century attitudes about copyright of 17th century libraries of originally uncopyrighted works of 15th century new book technology and presses...the image, well, it strikes me as they say "like turtles all the way down..."

Same reactionary politics, different century. Humans! Buy this book. Read it.
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