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Product Details
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| 1. Prologue |
| 2. The Mummers' Dance |
| 3. Skellig |
| 4. Marco Polo |
| 5. The Highwayman |
| 6. La Serenissima |
| 7. Night Ride Across The Caucasus |
| 8. Dante's Prayer |
"The Book of Secrets" is a musical journey through the relatives and contemporaries of the Celtic tradition. She mixes themes from Europe and Near East with the rhythmic and instrumental approaches of the Celtic world. The effect is hypnotic. The eerie and contemplative 'Prologue' shifts to the strong melodic work of 'The Mummers' Dance' recalling ancient spring rituals of rebirth. 'Skellig' has an almost Renaissance flavor as it voices the contemplative farewell song of an Italian monk.
'Marco Polo' echoes Oriental touches with Sufi melodies, capturing the ecstatic nature of that tradition perfectly. The, in an almost magical transition McKennitt switches to one of my favorites, 'The Highwayman.' This is a resetting of an Alfred Noyes poem, a dramatic stories of sacrifice and vengeance over melodic fiddle work and dancing drums. 'La Serenissima' is a return to the medieval contemplative, playing harp and fiddle against each other.
'Night Ride Across the Caucasus' uses Asiatic styling over the pulsing beat of horses in motion to recall the spiritual journey of the alchemist and the quest of the mystic. 'Dante's Prayer,' the final song of the album, is another personal favorite. Occasioned by a trip across the Russian Steppes it opens with an echo of Russian Orthodox melody and then shifts to a melodic, contemporary sound as McKennitt voice sings a beautiful plaint that echoes the love songs of Sufi poetry, whose object is the Beloved, the divine. "Cast your eyes on the ocean, Cast your soul to the sea," she sings, "When the dark night seems endless, Please remember me."
Recording quality is immaculate, with a fine atmospheric aura. McKennit's voice is soft and full, possibly the best I've ever hear hit. Her skill as a lyricist is every bit as good as her musical talents. This is an extraordinary album which will provide countless hours of pleasure and thought. Enjoy.
And isn't that voice beautiful?
Each song tells its own story, but the beautiful, exotic soundscapes lend themselves very much to the listener's imagination. "Marco Polo" might evoke images of Oriental landscapes, while "Skellig" generates lamenting -- and somewhat romantic -- imagery. If the gorgeous and elegiac "Dante's Prayer" doesn't give you goosebumps, you must be a zombie. Especially noteworthy is the tragic ballad "The Highwayman" set to music. This ten-minute piece seems a bit repetitive for the first few listens, although you'll later find that the immaculately crafted composition subtly builds in intensity, adding the presence of stronger percussion and a more desperate, emotional flavor. I can't explain it, but "Night Ride Across the Caucasus" means a lot to me deep down. It must be something in the heavenly poetry, the exquisite melodies, or the stunning vocals. The chorus really is the best thing ever...well, almost!
And she sings like an angel, doesn't she?
Additionally, this CD features a great set of liner notes that sports little bits from McKennitt's journals, highlighting some of the influences for these songs, which I found very interesting. Some of those ethnic touches are hard to put your finger on, so having it pointed out helps. Great cover art too...really sets the tone for the album, I think.
And her voice sure is gorgeous, isn't it?
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