730 of 757 people found the following review helpful
5.0 out of 5 stars Magnificent Story
Liesel Meminger is a Book Thief, living with a foster family in Germany during World War Two. Torn from everything she's known, her foster father shows her the power of words as the two of them share late night reading sessions of The Grave Digger's Handbook. Her love of books ties her to others, including the mayor's wife and Max, the Jew the family hides in the...
Published on June 12, 2006 by Tamela Mccann
52 of 60 people found the following review helpful
3.0 out of 5 stars Decent but no characterization or story
It took me a long time to get through this one.
It wasn't because the idea wasn't interesting or the narration was poor. It mainly had to do with the characters and the story.
I will say, though, that once I got through the first 200 pages, it went much faster after that because I found it more interesting. Still, even then, I would go to pick up a...
Published on November 25, 2009 by Garrett Winn
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730 of 757 people found the following review helpful
5.0 out of 5 stars Magnificent Story,
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My own words escape me as I try to recount the beauty of this book in a short review. Rarely have I read a book as moving, as profound, as this one. Narrated by Death, this story is one that crawls under your skin and reverberates your soul with its images of Nazi Germany, friendship, and loss. The images stirred through Death's telling are so vivid, so wonderful, so tragic. Zusak has a masterful command of language and I was astounded by the way his words brought Liesel and her world to life. We follow Liesel over the years as she learns the true meaning of family through her caring new Papa and her friendships with Max and Rudy, the boy next door who idolizes Jesse Owens.
Just a small list of images that will stay with me forever:
+Liesel reading to the neighbors sitting terrified in a basement waiting for the bombs to fall around them
+A snowball fight in a basement
+Mama arriving at school to "yell" at Liesel
+A boy with candlelit hair standing up to a Nazi Youth Leader
+Death gathering up the souls of children softly
+The story of a Word Shaker
+An accordian player accepting a cigarette as payment
There are not enough words within me to express the beauty of this book. It will move you to laughter and tears, often at the same time. This one is a keeper that I will revisit frequently in the future. It has changed my soul. Highly, highly, highly recommended.
974 of 1,023 people found the following review helpful
5.0 out of 5 stars This book deserves more than 5,
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I read a lot, two to three books a week, my family makes fun that I "love" so many that I read...but in the past few years there have only been a handful of books that when I finish reading the book I sit and try to think of who I can send a copy to, who can I share this wonderful experience with. A book that when I finish, I want to go back to the beginning and start over.
I am a little sorry it is listed as a young adult book, I feel that if the bookstores put it in the young adult section, so many people will be missing out on a wonderful experience. Yet it is important that younger readers, high school readers, read this book too. When I was growing up, I remember reading Diary of Anne Frank, and the feelings I had when I read it...and understanding the importance of everyone reading that book. Well, this book is that important, this book is a must read.
I am going to go back and read this author's other book, I don't know how it can measure up to this one, but if it is half as good, I am in for a treat.
809 of 861 people found the following review helpful
4.0 out of 5 stars Different, entertaining and heart breaking,
This review is from: The Book Thief (Library Binding)This is a story told by Death. An interesting point of view perhaps, but as it is set in Germany during World War II, perhaps it is entirely appropriate. It is also a story of a young girl, who in spite of having a life that no one would wish on anyone, still manages to have glimpses of pleasure through many small things, including the few books that she manages to acquire (or shall we say, steal).
It is interesting to see that it appears to be targeted to young adult readers - please don't be put off by this - it is very much an adult story about children who are doing their best to live a normal life in times of unspeakable horror. It would also be a good way to introduce more mature readers to the history of the times. But be warned, it is quite confrontational at times, and considering who the narrator is, very sad.
To add extra punch to the story, it appears that it is the true story of the author's grandmother. When you consider this, you realise how truly resilient we humans are, and how occasionally, and with a bit of luck, we can hold off death for a time.
439 of 468 people found the following review helpful
5.0 out of 5 stars Astounding,
If you only read one book this year, read this one. Share it with your friends and family. I don't expect to read anything better this year, or next year either.
94 of 99 people found the following review helpful
5.0 out of 5 stars Powerful, moving, and remarkable,
So muses the narrator of Markus Zusak's powerful and moving new novel, THE BOOK THIEF. As you might guess, this is no ordinary narrator. The contemplative first person guiding you through this book is Death, an at-once fitting and ironic vanguard for a tale that both celebrates the power of words and agonizes over the consequences of their use.
Set against the tragedy-stained canvas of World War II, Death tells the story of young Liesel Meminger (the eponymous book thief) growing up in Nazi Germany under the watchful eye of a staunch foster mother and kindly foster father who teaches her to read. She attends meetings of the BDM, a youth group aimed at indoctrinating young girls into Hitler's ideology. She plays soccer with the boys on her street, holding her own in any disputes that arise. And all the while, the dreams of her dead brother haunt and goad her into a fascination with reading and words that inevitably leads to her life of crime.
It is a meeting with Max Vandenburg, a 24-year-old Jewish man being hidden in Liesel's basement by her compassionate foster parents, that alters the course of Liesel's life. Max, too, is haunted by nightmares of a family he lost in the harrowing aftermath of Kristallnacht. Together, Max and Liesel discover a shared love of words that leads to a decisive understanding about the role words play in both bravery and cowardice. Each, in their own way, sets out to use this knowledge to shape the world around them.
While other writers have employed Death as a narrator, Zusak makes his own indelible mark on the technique in the dimensions he gives to the character. Death is simultaneously dispassionate about his work and the impact it can have while striving to understand humanity's resilience. Death boasts an omniscience of what will happen in life but also a naivety about what can happen in the human heart.
In the ultimate expression of his dichotomous theme, Zusak creates a touching love letter to books and writing, framed in arguably the most horrific period in human history. But his greatest triumph is delivering a reminder that no writer enters this world quietly. Writers are born of eruptions and detonations, and the truly exceptional ones, like Zusak, continue to channel these explosive energies to craft a truly remarkable book that will be admired for generations.
--- Reviewed by Brian Farrey [...]
137 of 149 people found the following review helpful
5.0 out of 5 stars The Word Shaker,
Arriving at the Hubermann's, nine-years-old and already burdened with great loss, Liesel forges a deep bond with her Papa, Hans - a man with a many-roomed heart - who sits with her at night when her nightmares force her awake with screams. It is during these nights that Hans teaches her to read, and they begin with the first book she ever "stole": The Grave-Diggers Handbook, a book that fell out of the pocket of a fourteen-year-old grave digger who dug the grave for her brother. Like a kitten who finds comfort at the teat of a sow after losing its mother, Liesel begins to find comfort in words.
The story is narrated by no less a personage than Death, although this Death is sans hooded-skull and scythe. Indeed, we learn little more about Death than he is not what we perceive him to be in our Halloween imitations, and very good at his job. Given the setting for this story, we are guaranteed of the chance to evaluate Death's job performance.
Zusak writes with a deft, poetic hand, his descriptions unconventional and mesmerizing. Rosa Hubermann is "a small wardrobe with a coat hung over it". A woman's mouth has teeth that elbow each other for room. A boy: "His tie is a pendulum, long dead in its clock." These images jump from the page and give us a clearer picture of what we're seeing than if Zusak had spent hours describing the tiniest detail of Rosa Hubermann's body.
Along the way, Liesel shares her interest in words, and in no place is that felt more potently than in her relationship with Max Vandenburg, a Jew who her parents hide in their basement. Max arrives nearly dead, and the much younger Liesel finds herself captivated by him. When the cold in the basement pushes Max to the brink of death, they move him to Liesel's room for (I believe) eight days, where Liesel brings him small mementos and reads to him while he fights for life (and once against Death itself!). In turn, Max writes for her - and these books-within-a-book are more touching and meaningful, more full of love and hope while not betraying the slightest hint of over-dramatization, than anything I've come across in years. Indeed, if this story had been only about Liesel's relationship with Max, it would have been an enormous success. It may also have been more widely read - I suspect that the length of the book and the immediacy present in Max's story but not as equally present in other sections, put some people off.
Before I read the book, I looked at the negative reviews (of which there are four). One review commented that the book felt like "work". Reading Hawthorne can be work, too, but I always feel the better for having read him.
94 of 101 people found the following review helpful
5.0 out of 5 stars Amazing and Transforming for Any Age,
There are hundreds of books in my house, but there is one bookshelf upstairs in a back bedroom which holds those special books: you know, the ones that have made such a profound impact on who you are and how you see the world that they are put aside in a place of honor. This will be one of those books for me.
This book is for adults, but it is also for teenagers. I think it is doing younger people a dis-service to think they could not relate to this book because the narrative style is challenging, the subject matter is doleful and/or because there are too many pages (oh, for heaven's sake!). Young people who like to read and like to think and like to feel will love this book as much as older folks like me. There is no need to dummy things down or sugarcoat them, especially when there is such a compelling story to be told.
One of the most powerful aspects of the book for me was the number of surprises. The book was not what I thought it would be and I was constantly astonished by:
1. the amazing stories that Max told and were re-created with tender illustrations inserted into the body of the book
2. the treatment of the German people as human beings, rather than "nasty Nazis" a la 1940's Hollywood. Although I like to see a "nasty Nazi" get his comeuppance as much as the next person, I found the lack of stereotypes in this book quite refreshing.
3. the imaginative use of language - it's just plain poetical at times. You get stopped short and have to read bits out loud because they are so darned beautiful and/or original.
4. the character Death, who is our guide and narrator. He has seen a lot in all the thousands of years of his existence, but he has never seen anything like the story of the book thief. And neither have I. And neither will you.
As some other reviewers have recommended, I will be sure to read other titles by this author.
53 of 56 people found the following review helpful
5.0 out of 5 stars An Old Story Made New Again,
The story is one of the oldest ones told: the narrator is mankind's friend/nemesis, Death, ancient as Time itself, and the scenes Death (not without compassion and not without wry humor) narrates for us are those of human suffering and endurance, an eventual overcoming of conflicts and obstacles, a story of love pitted against hate, of the victory of the best in all of us over the worst in any of us. Zusak's main characters are a 9-year old girl, Liesel Meminger, her companion and young partner in crime, Rudy, and a Jewish refugee named Max hiding in the basement of the house where she lives, herself something of a refugee in Nazi Germany during WWII. A wide range of secondary characters fill in all gaps and keep us reading with fascination, e.g. Liesel's adoptive family, especially her cruel and ascerbic foster mother, Rosa, who on occasion cracks to show a bit of humanity; the mayor's deeply depressed wife, who quietly allows Liesel to "steal" her books; Liesel's young comrades in thievery, and many more.
It is hard to pinpoint what it is, precisely, that makes Zusak's work so unique. But I knew it, felt it, instantly, page one, first line. Voice, yes. Style. A few experimental approaches in his storytelling, such as illustrations inserted in the novel with all errors present, just as Max wrote the text and drew the pictures for his young friend, Liesel. Death's narration is unique, too, with occasional bolded quotes that give just the right amount of distance. There are many such details that all come together to form a story worth reading, worth hearing, worth understanding. It is the story of Liesel, a spunky little book thief, who does far more than steal good books. Liesel steals hearts. In our smallest, we often find our greatest heroes.
60 of 67 people found the following review helpful
5.0 out of 5 stars haunting tale,
Hans helps Liesel cope with her nightmares and teaches his ward to read. His chance to pay the war debt to the Jewish soldier who saved his life finally occurs when the man's son, the artist Max, arrives at his house seeking shelter. As Max paints over pages of the Mein Kampf, Leisel steals books from Nazi burnings and begins to write about living at a time of misery caused by fellow humans. If the Nazis catch either one, Death will be a welcome guest.
This is a complex book in which the narrator Death tells the tale of Liesel and Max. Interestingly Death is a cynic when it comes to human behavior especially kindness towards others; the apparition recognizes that his best suppliers of goods are people who in spite of their Golden Rule ramble contain homicidal tendencies rationalized by an ism of some sort. The fascinating asides to the readers are brilliant as they enable the audience to understand the cast he looks upon adding to his collection, but especially Death itself. Give yourself plenty of time, over a week or more, as Markus Zusak has written one of the most haunting tales of the human condition in several years.
35 of 38 people found the following review helpful
5.0 out of 5 stars Death haunted by humanity. . .,
Liesel also discovers the power of words both to cause harm, as in third Reich propaganda, and to heal, as when she reads to heal the pain of her brother dying in her arms.
This a very appealing and human story. Well written and humorous, this author manages to portray the horror and tragedy of war and Holocaust and at the same time show the beauty of humanity. Well worth reading.
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The Book Thief by Markus Zusak