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The Bridge Paperback – November 5, 2002
Enjoy this cautionary tale classic, depicting an America newly shaped by scarcity of our most vital resource. Learn more | See related books
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Editorial Reviews
From Publishers Weekly
Although admirably ambitious and sporadically engaging, this altogether disjointed and overstuffed (not to mention disappointingly self-conscious and contrived) roman ? clef marks the fiction debut of a gifted and perceptive artist, widely acclaimed as a Pulitzer Prize-winning editorial cartoonist and for the homespun philosophies and humorous insights of his syndicated comic strip, Kudzu. Unblushingly autobiographical, the novel follows the self-destructive adventures of Pick Cantrell, an "enfant terrible" editorial cartoonist who has risen to eminence at the Sun, a Long Island daily newspaper that purports to represent the cutting edge of urban sophistication. When he attacks his publisher after he is fired over a controversial, unflattering cartoon of the pope, Cantrell buys a rundown old mansion and with his beautiful cinematographer wife, Cam, and young son, Wiley retreats to his ancestral roots near Chapel Hill, N.C., to lick his wounds. While he begins the restoration of the historic manor house, Cam resumes her career and becomes the breadwinner. On his home turf, Cantrell is thrown back into conflict with his ogreish paternal grandmother, Mama Lucy, and the pulpy tale bounces between Pick's first-person narration of his domestic struggles (Cam is resentful of his granny and practically everything else), and Mama Lucy's third-person recollections of the bloody cotton mill strikes of 1934. Pick and Cam's conflicts are pure soap opera, and Pick's antipathy for Mama Lucy is too petty to generate real empathy, but the intriguing peeks into history are well worth suffering for. 7-city author tour. (Oct.) Forecast: Advance hype and an impressive roster of blurbers Pat Conroy, Anne Rivers Siddons, Rick Bragg, Joe Klein and Kaye Gibbons, among others should move this title. Aimed point-blank at Conroy readers, it even sports jacket art by Conroy's cover artist, Wendell Minor.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Fired from his job as political cartoonist for the New York Sun, Pick Cantrell returns, with dread in his heart, to his North Carolina roots to take the barbs of his typically Southern family for being uppity and leaving home in the first place. Chief among his critics is his paternal grandmother, Mama Lucy, whose vitriolic tongue has shaped the lives of her progeny for as long as Pick can remember. Although he falls victim to her indictments, he eventually makes his peace and learns of her colorful past in the bargain. A Pulitzer Prize-winning political cartoonist and creator of the comic strip KUDZU, Marlette has written a first novel based on tidbits of family lore, primarily concerning his grandmother Gracie Pickard, whose involvement in the bloody Great Textile Strike of 1934 inspired his portrait of Mama Lucy. This work of oppression, rebellion, family tradition, love, and death sheds light on a little-known chapter of North Carolina history and contains just the right mix of humor and dignity. Recommended for all public libraries. Thomas L. Kilpatrick, Southern Illinois Univ., Carbondale Lib.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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