Kate Milford's "The Boneshaker", published in 2010, is a marvelous piece of work. The depression era atmosphere, and a compelling heroine with the feel of Scout from "To Kill A Mockingbird", are transformed in "Boneshaker" into a Wandering Jack American folk tale worthy of Ray Bradbury and "Something Wicked This Way Comes". This book, "The Broken Lands" is a prequel, of sorts, with an overlapping secondary character, but set in post-Civil War New York City. It is a dry and workmanlike effort, with none of the heart or magic of its predecessor.
It is way too long and chock full of every piece of research the author ever did. We learn about Chinese fireworks, the building of the Brooklyn Bridge, post-Civil War unrest in New York, the Five-Points neighborhood (made famous in Scorcese's "Gangs of New York"), and dozens of other little factoids. That would be O.K., except most of this is transmitted through dialogue that consists almost entirely of exposition and explanation. Characters spend much of the book describing things to each other, explaining things to each other, or asking and answering questions about what exactly is happening in the book. Every thirty pages or so the story has to come to a complete halt so that someone in a bar, or carriage, or other character meeting, can explain something to the other characters the way a kid would give a student report in class. Needless to say this pretty much kills any dramatic tension or any narrative flow. As for magic, or at least wonder, there is one chapter given over to a single Wandering Jack story that is, first, one of the least interesting of the Jack stories, and second, told in the flattest, driest and least animated fashion possible.
None of the characters, including the young hero and heroine, the supposedly colorful and mysterious secondary characters, and all of the villains, have any depth or energy, and some are indistinguishable from each other.
All of that said, this book mostly suffers by comparison because "The Boneshaker" is so good. One's disappointment probably unfairly colors one's reaction to this effort. So, compared to other YA books out there, this is still a tolerable choice, and is undeniably well-crafted and workmanlike. Just remember - if you didn't like this, still try "The Boneshaker"; if you expect another "Boneshaker", you may want to readjust your expectations.
Please note that I received a free electronic copy of this book in exchange for a candid review.