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The Brood

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Product Details

  • Actors: Oliver Reed, Samantha Eggar, Art Hindle, Henry Beckman, Nuala Fitzgerald
  • Directors: David Cronenberg
  • Writers: David Cronenberg
  • Producers: Claude Héroux, Pierre David, Victor Solnicki
  • Format: Anamorphic, Closed-captioned, Color, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: August 26, 2003
  • Run Time: 92 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (53 customer reviews)
  • ASIN: B00009PY2T
  • Amazon Best Sellers Rank: #39,878 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Brood" on IMDb

Special Features


Editorial Reviews


Arguably the best and most personal of director David Cronenberg's early films, The Brood is an extremely unsettling horror film about familial disintegration and emotional trauma taken to a monstrous extreme. Art Hindle (Black Christmas) stars as a man embroiled in a bitter custody struggle with his estranged wife (Samantha Eggar), who is undergoing therapy at psychiatrist Oliver Reed's controversial institute. Reed's treatment causes his patients to give form to their inner conflicts, and Eggar--whose psyche is at the boiling point from childhood abuse as well as the custody trial--creates a horde of homicidal humanoid children who enact bloody revenge on anyone who has threatened their "mother." Cronenberg's first feature with name actors and composer Howard Shore has its share of gruesome moments, but the film's subtext--how emotional violence impacts a family--is its most chilling aspect. --Paul Gaita

Product Description

From famed writer-director David Cronenberg (The Dead Zone, The Fly, Scanners)comes a chillingly twisted masterpiece of psychological horror. Oliver Reed (Gladiator) and Samantha Eggar (The Astronaut's Wife) star in this shocking, intense thriller about how misdirected rage can literally take on a life of its own. Behind the walls of his secluded Somafree Institute, Dr. Hal Raglan (Reed) experiments with "Psychoplasmics," a controversial therapy designed to help release pent-up emotions in his patients. He keeps his star patient Nola (Eggar) in isolation, but as she vents her fury during their sessions, brutal murders befall the people she's angry with outside the institute. What is the connection between Raglan's methods and these monstrous killings? The answer will unleash a whole new breed of terror!

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

29 of 34 people found the following review helpful By Jeffrey Leach HALL OF FAME on September 13, 2004
Format: DVD
Every once in awhile when I am feeling reflective I like to watch a David Cronenberg film. I have seen quite a few of them at this point, from some of his earliest stuff like "Shivers" to his seminal reworking of "The Fly" starring Jeff Goldblum and Geena Davis. One thing you will always get out of a Cronenberg film is a serious look at how technology and human beings interact. Like science fiction author J.G. Ballard, Cronenberg's films embrace a synthesis of man and machine that is exceedingly grim, usually served with a generous helping of gore. The overarching theme in his cinematic examinations seems to be that humans simply do not know enough about the technology they develop, or if they do, their arrogance in the ultimate abilities of mankind always leads them charging into experiments despite the risks. That we are just not far seeing enough to predict the outcome of using new drugs, messing around with human genetics, or plugging game units into our spinal cords may be a good message to take from a Cronenberg film. "The Brood" is an early (1979) effort from the Canadian director, an effort that is better than "Rabid" and "Shivers" yet still deals with themes his later films would revisit again and again.

"The Brood" explores the dangers of human emotions, in particular the emotion of rage. The movie opens with an extended scene involving Dr. Hal Raglan (Oliver Reed) conducting an intense psychotherapy session with a distraught young man. We learn that this patient harbors a burning dislike for his father, so Raglan role-plays the part of the young man's father in an effort to help dissipate the anger. It's a very 1970's sort of psychological treatment, as is the fact that an audience watches the lengthy session.
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15 of 17 people found the following review helpful By Raggytramp on August 28, 2003
Format: DVD
Finally, an uncut print of THE BROOD. Cronenberg's best film is presented here in a no frills release, however the version of the film is longer (and gorier) than the Japanese, Dutch, French and English DVD versions. It's the same print which was shown on FilmFour in the UK a few years back. The murders and the jaw dropping climax are longer than in any other DVD. Sadly, the print quality is not nearly as good as the beautiful presentation on the (cut) Dutch DVD. Nevertheless, if you want to see the film in it's uncut gory-glory, this is the version to buy!
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15 of 18 people found the following review helpful By LGwriter on January 1, 2003
Format: VHS Tape
One of the great horror films about dysfunctional families, The Brood is David Cronenberg's 1980 masterpiece based in no small part on his own messy divorce around the time of the writing of the film. In it he gives vent to his frustrations and anger about relationships, but because he is one of the most intelligent filmmakers around, the script is literate and this gives the film its momentum. The events cohere, the characters are strong and credible, and the casting is equally excellent.
Frank Carveth's wife Nola (Samatha Eggar) is a patient at the Somafree Institute run by Dr. Hal Raglan (Oliver Reed) whose magnum opus, The Shape of Rage, sums up his philosophy of psychological practice--that our inner rage will inevtiably express itself in outward manifestation. The opening scene of Raglan's dramatized session with one patient, Michael, reveals Michael's boils when he takes off his shirt to show the doctor how he really feels about his father.
When Nola was very young, her mother treated her very badly and now Nola's rage is profound. She and Frank have a daughter, Candy, about whom there is intense disagreement--Frank does not want Candy to see her mother at the Institute every weekend because of potential harm, and Nola needs her to be there. When a kindly, young, pretty schoolteacher helps Frank with Candy, Nola finds out and assumes Frank and the teacher are having an affair.
Mysterious murders occur, all apparently committed by one or more midgets or deformed children, all having a vague resemblance to Candy. To tell any more would be to give too much away. In the lead roles, Eggar and Reed are excellent, as is Art Hindle as Frank. Also great are the actors who play Nola's parents.
This is a much overlooked film which should definitely not be missed. Highly recommended.
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5 of 6 people found the following review helpful By SB on September 25, 2009
Format: DVD Verified Purchase
Dude. Why do I do this to myself? I watch these movies at night, alone, in the dark, and I get scared to the point of pulling the sheets up over my eyes!

Modern viewers may look at this movie and see something old, cheesy, and dated. But I'm not one. I'm the type of person that is way more scared of the original Halloween or Friday the 13th than any new version. This film will get you, if, like me, you find 1970's and 80's horror movies the scariest kind: primitive special effects, creepy location shoots, costuming and makeup and casting that is so naturalistic it looks like real life, all shot on film stock that is getting old and grainy and decrepit.

I realize that some people have written reviews poking holes in the premise, plot, themes, and whatnot of this movie. Really, that stuff didn't bother me. There's enough suspense, atmosphere, unique settings and cinematography, plus the pure dread of little dwarf monsters, that I just didn't have time to be bothered by the flaws that these other reviewers cite. I was too busy pulling the sheets up to cover my eyes. Classic and truly disturbing.

(I think one of the most disturbing things about this movie is the presence of the child in the film. You can't help but constantly consider the fact that the nightmare this kid is living through is a recipe for being seriously messed up--institutionalization-style messed up. Of course that's a main point of the film, but to actually see it play out is incredibly affecting.)
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