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Editorial Reviews
2012 album from the critically acclaimed North Carolina Folk-Pop-Rock band. Produced by Rick Rubin and recorded in North Carolina and Malibu, the record follows the group's 2009 breakthrough release and celebrated major label debut, I And Love And You. That album reached #16 on the Billboard Top 200 and received rave notices from press. Blending Bluegrass, Folk and Punk with a Rock 'n' RoII attitude, the quintet, led by brothers Seth and Scott Avett, continues to pen poignant and powerful songs on this new release. The Carpenter includes several of the group's signature harmony-driven acoustic ballads, but the brothers also get boisterous on tunes.
Customer Reviews
Most Helpful Customer Reviews
40 of 45 people found the following review helpful
Format:Audio CD
Sometime after 2000, bluegrass and folk music started to experience a revival - bands were springing up from all parts of the western world playing music that was influenced by folksy do-it-yourself songwriting. It would be hard to say that the Avett Brothers aren't at least partly responsible for this uprising. The band has been around since the early 2000's, releasing 6 full-length records since their inception (among a ton of other releases) - their latest release is not only the 7th for the band, but it's also the second with Rick Rubin helming production duties. Rubin, who's worked with everyone from the Red Hot Chili Peppers to Jay Z to Johnny Cash, helped the band shave away some of their grittier aspects to make way for the infectious melodies of 2009's I AND LOVE AND YOU. 2012's THE CARPENTER finds the Avett Brothers continuing where they left off.
If I had to describe the Avett Brothers' sound, I'd say it falls somewhere between the blue-grassy stained Old Crow Medicine Show and the indie-sensibilities of Mumford & Sons. The album begins with "The Once and Future Carpenter," a song that relies on the band's trademark Americana lyrics. Following the first track, the album hits it's groove with three fantastic songs in a row ("Live and Die," "Winter in My Heart," and "Pretty Girl from Michigan.") The second track, "Live and Die" serves as the lead single promoting THE CARPENTER. It's an upbeat track, but it's defined by its dominant melody - it's a song that will be hard to get out of your head with lyrics to match: "Can't you tell that I am alive? Let me prove it to you." The next track, "Winter in My Heart" is one of the more somber tracks on the album. It begins with only vocals and guitar, but it slowly develops into a more haunting ballad - it strikes a balance of being both beautiful and heartbreaking. After the last notes play out, "Pretty Girl from Michigan" changes the pace considerably - if the previous track was one of the softest on the record, this track is one of the more rocking.
While I do think that the album peaks early, the remaining 7 tracks are not to be scoffed at. THE CARPENTER could be the Avett Brothers' most consistently satisfying release yet. "Through My Prayers" is a nice ballad that wears its sincerity like a badge of honor. "Down With the Shine" ventures towards blue-grass territory with wonderful results - its swaying melody (and horn section) is hard to resist. The upbeat "Geraldine" only lasts barely over a minute and a half, but it makes a lasting impression on the album. The album concludes with "Life," a final ballad with beautiful harmonies that just hits all the right notes. It's a terrific ending, and I think it's a great complement to the tonal qualities of the album's opener, "The Once and Future Carpenter."
The Avett Brothers made their name by working - their albums are earnest, sincere, and feel lived-in. The same kind of craftsmanship a carpenter would show for a piece of woodworking the band show with each record they release, and THE CARPENTER is no exception. For me, this might be the most consistently satisfying Avett Brothers record to date. I would recommend this album to anyone who enjoys Mumford & Sons, the Lumineers, or Old Crow Medicine Show. Essential tracks to sample/download: "Live And Die," "Pretty Girl From Michigan" and "Winter In My Heart."
If I had to describe the Avett Brothers' sound, I'd say it falls somewhere between the blue-grassy stained Old Crow Medicine Show and the indie-sensibilities of Mumford & Sons. The album begins with "The Once and Future Carpenter," a song that relies on the band's trademark Americana lyrics. Following the first track, the album hits it's groove with three fantastic songs in a row ("Live and Die," "Winter in My Heart," and "Pretty Girl from Michigan.") The second track, "Live and Die" serves as the lead single promoting THE CARPENTER. It's an upbeat track, but it's defined by its dominant melody - it's a song that will be hard to get out of your head with lyrics to match: "Can't you tell that I am alive? Let me prove it to you." The next track, "Winter in My Heart" is one of the more somber tracks on the album. It begins with only vocals and guitar, but it slowly develops into a more haunting ballad - it strikes a balance of being both beautiful and heartbreaking. After the last notes play out, "Pretty Girl from Michigan" changes the pace considerably - if the previous track was one of the softest on the record, this track is one of the more rocking.
While I do think that the album peaks early, the remaining 7 tracks are not to be scoffed at. THE CARPENTER could be the Avett Brothers' most consistently satisfying release yet. "Through My Prayers" is a nice ballad that wears its sincerity like a badge of honor. "Down With the Shine" ventures towards blue-grass territory with wonderful results - its swaying melody (and horn section) is hard to resist. The upbeat "Geraldine" only lasts barely over a minute and a half, but it makes a lasting impression on the album. The album concludes with "Life," a final ballad with beautiful harmonies that just hits all the right notes. It's a terrific ending, and I think it's a great complement to the tonal qualities of the album's opener, "The Once and Future Carpenter."
The Avett Brothers made their name by working - their albums are earnest, sincere, and feel lived-in. The same kind of craftsmanship a carpenter would show for a piece of woodworking the band show with each record they release, and THE CARPENTER is no exception. For me, this might be the most consistently satisfying Avett Brothers record to date. I would recommend this album to anyone who enjoys Mumford & Sons, the Lumineers, or Old Crow Medicine Show. Essential tracks to sample/download: "Live And Die," "Pretty Girl From Michigan" and "Winter In My Heart."
16 of 16 people found the following review helpful
By T. Hauck
Format:Audio CD|Amazon Verified Purchase
So, I fell in love with the Avett Bros. about 3 years ago. It started with "I and Love and You" on the radio, which piqued my interest, but I didn't do anything with it. Then my brother, who incidentally is the person who seems to introduce me to most of my favorite music (Grateful Dead, Pink Floyd, Phish, Pearl Jam, Nirvana, DMB. etc., etc.), had to have heart surgery and while we were there in the hospital, his wife kept talking about the Avett Bros. and how much Cory loved them. It was only after I dug into it that I realized this was the same band, so I promptly went out and bought "I and Love and You". Now, I know for many fans, that album was a bit of a let down. Too polished, over-produced; a departure from the raw, invigorating sound that was the Avett's I would come to know through the Gleam albums and Emotionalism. However, I thought "I and Love and You", while polished, was still a great album with beautiful lyrics and real emotion.
Now comes "The Carpenter"; yet again produced by Rick Rubin - polished, clean, pretty, almost poppy. On some level you had to expect it. Bands, like the people they are comprised of, change, mature and grow in directions that their fans don't always follow (I don't remember the last time I bought a DMB album, for instance, but that doesn't mean I don't love their old stuff still). This album is a little more mellow, and has the distinctive finger print of the talented Mr. Rubin on it. Part of me really yearns for a return to Emotionalism's unfiltered feeling. The sound that your ear instinctively knew said, "Hey, this is us, mistakes and all and it's part of what makes us great."
That said, I can't really knock the album too much. With exception to the Banjo (MORE BANJO! I miss it terribly! One song? One??? Come, on guys!), the core sound of Avett Bros. is still there - the lyrics are meaningful, the melodies are new but familiar in nature, the band is tight and the harmonies are wonderful as always (though I wish Scott's voice were in the lead a little more often). The first 9 tracks are generally very good. The album sort of peters out in the last three tracks. Paul Newman vs. the Demons is a throw-away song, if you ask me. I am totally in love with the first two tracks, "The Once and Future Carpenter" and "Live and Die" (mostly because it's the banjo song, not because it's "the single" that is being pushed right now). "I Never Knew You" is a fun romp with the energy you would expect from Avett Bros. (I can't wait to hear it live). "February Seven" may end up being my favorite song ultimately - it really hits a chord. "Through My Prayers" sometimes seems a little cliche, but it is still heartfelt and frankly brought tears to my eyes the first time I heard it (it also has Oboe in it, which is awesome). "Down With the Shine" is a personal favorite as well and "A Father's First Spring", while not their best effort ever, really touched a chord as I am a father of an 11 month old daughter and "my heart is now ruined for the rest of all times" as well.
Their best album, no. A great album, yes. Next time, though, I hope they go a little more lo-fi and bring back the darn BANJO. MORE BANJO!!!
P.S. - Mr. Kwon, you rock, sir. You. Rock.
Now comes "The Carpenter"; yet again produced by Rick Rubin - polished, clean, pretty, almost poppy. On some level you had to expect it. Bands, like the people they are comprised of, change, mature and grow in directions that their fans don't always follow (I don't remember the last time I bought a DMB album, for instance, but that doesn't mean I don't love their old stuff still). This album is a little more mellow, and has the distinctive finger print of the talented Mr. Rubin on it. Part of me really yearns for a return to Emotionalism's unfiltered feeling. The sound that your ear instinctively knew said, "Hey, this is us, mistakes and all and it's part of what makes us great."
That said, I can't really knock the album too much. With exception to the Banjo (MORE BANJO! I miss it terribly! One song? One??? Come, on guys!), the core sound of Avett Bros. is still there - the lyrics are meaningful, the melodies are new but familiar in nature, the band is tight and the harmonies are wonderful as always (though I wish Scott's voice were in the lead a little more often). The first 9 tracks are generally very good. The album sort of peters out in the last three tracks. Paul Newman vs. the Demons is a throw-away song, if you ask me. I am totally in love with the first two tracks, "The Once and Future Carpenter" and "Live and Die" (mostly because it's the banjo song, not because it's "the single" that is being pushed right now). "I Never Knew You" is a fun romp with the energy you would expect from Avett Bros. (I can't wait to hear it live). "February Seven" may end up being my favorite song ultimately - it really hits a chord. "Through My Prayers" sometimes seems a little cliche, but it is still heartfelt and frankly brought tears to my eyes the first time I heard it (it also has Oboe in it, which is awesome). "Down With the Shine" is a personal favorite as well and "A Father's First Spring", while not their best effort ever, really touched a chord as I am a father of an 11 month old daughter and "my heart is now ruined for the rest of all times" as well.
Their best album, no. A great album, yes. Next time, though, I hope they go a little more lo-fi and bring back the darn BANJO. MORE BANJO!!!
P.S. - Mr. Kwon, you rock, sir. You. Rock.
23 of 26 people found the following review helpful
By listen_er
Format:Audio CD|Amazon Verified Purchase
The Avett Brothers albums in my mind since Mignonette have been epic. This is epic. This is Avett. This is, however, quite different and more akin to I and Love and You.
Its been a while, three years I guess since their last album, and as they sing in "February Seven", "they are rested and ready to begin". What you get is a lot of really intricate and powerful ballads that are stripped down and intimate but more often laden with cello and piano than in the past. February Seven and Fathers First Spring are probably my favorites, but Winter in My Heart is soooooo lonely and intense.
While there are numerous ballads on this album, you do get some more classic-ish Avett uptempo songs that, for better or worse, you will wake up singing. If its any song on the album, I bet you $1 it will be the Live and Die. In fact the simple melody, and banjo play will have you singing along EVEN WHEN YOU DONT KNOW THE WORDS. Its like magic. Pretty Girl in Michigan is different, almost some type of throwback doo-wopish type song that I'm struggling to pin, but its catchy. Geraldine and I Never Knew You also more upbeat.
The one song that I am really curious to hear what long time Avett purists say is Paul Newman vs. The Demons... um, its more electric than anything they are used to, that I promise.
What you don't get in this album are raucous and edgy vocal front songs, and you don't get as much banjo. You get DEEPER far more intricate songs with more cello and piano, but lyrically... super solid, but I'm still digesting this.
If you liked I and Love and You, you are going to like this. Its somewhat like someone took your oldest most comfortable jeans and took a few minutes updating them with a bedazzler. You can still feel Avett, and the color is the same but its just a little different, with a little different sparkle.
Definitely worth a shot. Thanks for the read.
Its been a while, three years I guess since their last album, and as they sing in "February Seven", "they are rested and ready to begin". What you get is a lot of really intricate and powerful ballads that are stripped down and intimate but more often laden with cello and piano than in the past. February Seven and Fathers First Spring are probably my favorites, but Winter in My Heart is soooooo lonely and intense.
While there are numerous ballads on this album, you do get some more classic-ish Avett uptempo songs that, for better or worse, you will wake up singing. If its any song on the album, I bet you $1 it will be the Live and Die. In fact the simple melody, and banjo play will have you singing along EVEN WHEN YOU DONT KNOW THE WORDS. Its like magic. Pretty Girl in Michigan is different, almost some type of throwback doo-wopish type song that I'm struggling to pin, but its catchy. Geraldine and I Never Knew You also more upbeat.
The one song that I am really curious to hear what long time Avett purists say is Paul Newman vs. The Demons... um, its more electric than anything they are used to, that I promise.
What you don't get in this album are raucous and edgy vocal front songs, and you don't get as much banjo. You get DEEPER far more intricate songs with more cello and piano, but lyrically... super solid, but I'm still digesting this.
If you liked I and Love and You, you are going to like this. Its somewhat like someone took your oldest most comfortable jeans and took a few minutes updating them with a bedazzler. You can still feel Avett, and the color is the same but its just a little different, with a little different sparkle.
Definitely worth a shot. Thanks for the read.
Most Recent Customer Reviews
5.0 out of 5 stars
What a Great CD
This is a great album. I totally enjoy the whole album and suggest you buy it. It's worth the musical adventure.
Published 5 days ago by thomas
3.0 out of 5 stars
Wanted to like it as much as "Emotionalism" but...
Just quite couldn't. The humble, almost pious sound of The Avett Brothers is best served with a side dish of the more rousing and rambunctious melodies of their earlier albums. Read more
Published 8 days ago by DLewis
5.0 out of 5 stars
They get better and better
I can listen to this album over and over again. I like this album as much as I like I and Love and You.
Published 10 days ago by olivetexas
5.0 out of 5 stars
Love
If you know the Avett Brothers, you should love this cd. But I'm partial and think they can do no wrong :)
LOVE that when you buy the cd through amazon you get the cd on... Read more
LOVE that when you buy the cd through amazon you get the cd on... Read more
Published 12 days ago by Valerie Garrison
5.0 out of 5 stars
Amazing Lyrics!
Just "discovered" the Avett Brothers this year (2013). Their songs have some of the most thoughtful, poignant lyrics I have ever heard. Read more
Published 18 days ago by Don Gardner
5.0 out of 5 stars
Good as expected
One of those bands you enjoy finding since they never disappoint with multiple albums. I will continue enjoying this album until their next one.
Published 20 days ago by Andy
3.0 out of 5 stars
Nitty Gritty they ain't...
First, I have to say that the service, delivery speed and product accuracy with Amazon is still 5 star. I live in the Charlotte area so I'm trying to be an Avett fan. Read more
Published 27 days ago by Ronald L Rivard
4.0 out of 5 stars
Lyrics
Love the lyrics, the balance of instruments. the sync. Did I say i loved the lyrics? I am a poet and I know it.
Published 1 month ago by Joan
5.0 out of 5 stars
I can't stop listening!!!
They cannot be put in just one category (other than awesome musicians). I LOVE THIS ALBUM. I know I am late to the Avett Brothers party but I'll be a lifelong fan.
Published 1 month ago by Correna McClure
4.0 out of 5 stars
4 stars
Doesn't disappoint. A nice follow up to I and Love and You. As others have mentioned, a few more bluegrass licks would have been welcome.
Published 1 month ago by HomeChef
Listmania!
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