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The Cat's Table (Vintage International) Paperback – June 12, 2012


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Product Details

  • Series: Vintage International
  • Paperback: 288 pages
  • Publisher: Vintage; Reprint edition (June 12, 2012)
  • Language: English
  • ISBN-10: 0307744418
  • ISBN-13: 978-0307744418
  • Product Dimensions: 8 x 5.2 x 0.8 inches
  • Shipping Weight: 10.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (337 customer reviews)
  • Amazon Best Sellers Rank: #78,803 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Amazon Best Books of the Month, October 2011: Michael Ondaatje's finely wrought new novel chronicles a young boy's passage from Sri Lanka to London onboard the Oronsay, both as it unfolds and in hindsight. Glancing off the author's own biography, the story follows 11-year-old Michael as he immerses himself in the hidden corners and relationships of a temporary floating world, overcoming its physical boundaries with the expanse of his imagination. The boy's companions at the so-called cat's table, where the ship’s unconnected strays dine together, become his friends and teachers, each leading him closer to the key that unlocks the Oronsay's mystery decades later. Elegantly structured and completely absorbing, The Cat's Table is a quiet masterpiece by a writer at the height of his craft. --Mia Lipman


Guest Reviewer: Abraham Verghese on The Cat's Table by Michael Ondaatje

One means by which I have kept track of the passage of time is by the appearance of a new Michael Ondaatje book. I’ve loved his poetry (and I still know long passages from Secular Love by heart). I love the way his books of poetry or prose, fiction or nonfiction (and some of his books are hybrids that seem to be all those genres in one book) are so carefully crafted. I must have read In the Skin of a Lion 10 times, disassembling it to see how this magic alchemy came about.

You can imagine my excitement when The Cat’s Table, Ondaatje’s latest, arrived on my desk. I found myself reading aloud with a loved one, savoring, just a few pages a day that were carefully rationed. Reading aloud was a way to make every morsel last longer, have it linger on tongue and ear. I can’t think of a book I’ve read where the sense of a journey—in this case, a ship going from Ceylon to England via the Suez Canal—is so carefully mirrored in the reader’s experience. I had the sense of movement, of a big ship inching away from the shore, and of seeing one’s former life recede. At the assigned dinner table (from which the title derives), one meets fellow travelers and the brief bios they present to the world. With each passing day, the narrator finds that these constructed selves give way to something deeper, something overstated, or something dark and ominous, or at other times they modestly conceal a being that is incredibly beautiful and heroic. As the journey progresses, the many characters and the flavors each adds begin to meld together, and I had a sense of the narrative soup thickening, the pace increasing. Indeed, by the last few pages it was as though we had arrived all too soon at the bottom of a most delicious cioppino or bouillabaisse. The fleshy items were dispensed with, the shells all removed, leaving only those last few spoonfuls, and in them a wise world, a complete world, a world distilled. When it was over, I had that sense one lives for as a reader: the feeling of having discovered a truth not just about the imagined world of the novelist, but also about oneself, a truth one can now carry forth into the world, into the rest of one’s life....

Make haste to get this book, then do what I did: Fill up the tub, ration yourself to a few pages a day, read aloud, preferably to someone as crazy about Ondaatje as you are. Be disciplined. Don’t exceed your ration. It is a long voyage but it will go by too soon. So relish. Enjoy!

Abraham Verghese is the author of the internationally best-selling novel Cutting for Stone, which has been translated into 23 languages and spent over a year on the New York Times best-seller list. He is also the author of My Own Country, a 1994 NBCC Finalist and a Time Best Book of the Year, and The Tennis Partner, a New York Times Notable Book. A graduate of the Iowa Writers’ Workshop, he has published essays and short stories in The New Yorker, The New York Times, The Atlantic Monthly, Esquire, Granta, The Wall Street Journal, and elsewhere. He is currently Professor and Senior Associate Chair for the Theory and Practice of Medicine at Stanford University and lives in Palo Alto, California.

--This text refers to an out of print or unavailable edition of this title.

Review

“Wondrous. . . . A new form of literary magic.” —The San Francisco Chronicle

“Mesmerizing. . . . As he did in his great novel, The English Patient, Ondaatje conjures images that pull strangers into the vivid rooms of his imagination, their detail illumined by his words.” —The New York Times Book Review

 “Lithe and quietly profound: a tale about the magic of adolescence and the passing strangers who help tip us into adulthood in ways we don’t become aware of until much later.” —The Washington Post
 
“Enthralling and poignant. . . . A captivating reminder that it can take decades to comprehend the past, let alone to make amends with it.” —The Seattle Times

“To capture truly any moment of life is an achievement of art. To find captured, in a single work, such disparate experiences—of youth and age, of action and reflection, of innocence and experience—is a rare pleasure. If each of Ondaatje’s novels is like a new flower, then this one smells particularly sweet.” —Claire Messud, The New York Review of Books

“For my money, Michael Ondaatje is the greatest living writer in the English language. . . . The wide-eyed love of the world and its wonders, the kindness he offers to his characters and readers, the elegant lyricism of his sentences, the joy of storytelling—all that is great in his other books is fully present in The Cat’s Table. . . . Mr. Ondaatje restores belief in the beauty and power of literature and, by extension, of humanity. In this dark, terrible world, The Cat’s Table has healing powers.” —Aleksandar Hemon, WSJ.com

“Ondaatje teaches us that the most marvelous sights are those most often overlooked. It's a lesson that turns this supple story, like the meals at the cat's table, into a feast.” —Los Angeles Times
 
“A lovely, shimmering book. . . . Ondaatje succeeds so well in capturing the anticipation and inquisitiveness of boyhood.” —Janet Maslin, The New York Times
 
“A great master may have written his finest book in a long career of fine books.” —Alan Heathcock, Salon
 
“Ondaatje brings all his literary trademarks to The Cat’s Table, from luminous prose to an amazing sense of economy. He makes every character, image and line resonate like a tuning fork. . . . Elegant and elegiac, The Cat’s Table is the author’s most intimate work.” —The Miami Herald
 
“Michael Ondaatje has written some of the most inimitable works in the English language; The Cat's Table yet again dignifies literature in every important way possible. This novel is a completely original orchestration of a coming-of-age story, memoir, maritime adventure as powerful as Conrad or Stevenson. The lyricism of the prose is astonishing.” —Howard Norman, The Globe and Mail (Toronto)

“A gorgeous piece of writing. . . . Ondaatje has always been capable of conjuring up mesmerizing images to draw in a reader, but with The Cat’s Table he holds back just enough so the lyricism doesn’t overwhelm the story.” —The Christian Science Monitor
 
“A joy and a lark to read. . . . . The Cat’s Table expertly strums the cords of autobiography without overdoing it. As a result [the book] vibrates with the borrowed intimacy of real life.” —The Boston Globe
 
“Masterful. . . . Haunting and seductive.” —The Philadelphia Inquirer
 
“Elegant and beautiful . . . As in Anil’s Ghost, The Cat’s Table employs a deceptively light touch, hiding a carefully constructed and tender hymn to the enigma of journey.” —The Independent (London)
 
The Cat’s Table is just as skillfully wrought as Ondaatje’s magnum opus [The English Patient], but its picaresque childhood adventure gives it a special power and intimacy. . . . He is a master at creating characters, whom he chooses to present, memorably, as individuals. This choice is of a piece with the freshness and originality that are the hallmarks of The Cat’s Table.” —The Wall Street Journal
 
“Impressive. . . . Wonderful. . . . The beauty of Ondaatje’s writing is in its swift accuracy; it sings with the simple precision of the gaze. . . . Richly enjoyable, often very funny,and gleams like a really smart liner on a sunny day.” —Philip Hensher, The Daily Telegraph (London)
 
“Ondaajte couldn’t write a banal sentence if he tried. . . . . On its surface, The Cat’s Table may be a magically real reworking of a classic boy’s adventure tale. Deep down, it has the poignancy of a life’s summation.” —Pico Iyer, Time
 
“Mr. Ondaatje’s greatest talents lie in simply constructed, minimalist descriptions. His images are so meticulously created that the most obvious statements present themselves as sublime realizations. He doesn’t disappoint.” —Pittsburgh Post-Gazette
 
“Ondaatje is justly recognized as a master of literary craft. . . . The novel tells of a journey from childhood to the adult world, as well as a passage from the homeland to another country, something of a Dantean experience.” —Annie Proulx, The Guardian (UK)
 
“Michael Ondaatje never writes the same book twice [though] what remains constant is precise, luminous language. . . . Ondaatje’s vision, though dark, is unfailingly generous and humane.” —The Oregonian
 
“Elegant, evocative. . . . Whatever its autobiographical roots, there’s a strong sense that this story—one with echoes of Conrad and Kipling—is a tale Michael Ondaatje someday was destined to tell. It’s a pleasure for us, his readers, to share in that telling.” —Bookreporter.com
 
“[Ondaatje’s] sentences have a sonorous capacity, a soft but urgent tone that coaxes rather than demands attention. Acrobatics are eschewed for a supple, precise flexibility. It's a gift shared by other English-language writers who spent significant time surrounded by diverse tongues: E.M. Forster, for example, and Graham Greene.” —The Denver Post


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Customer Reviews

A very well written book.
Heidi
If the book had a point or something to "say", I completely missed it and that is no one's fault but mine.
R. R. Costas Jr.
The exceptional writing brings the story and characters to life in a way that few authors achieve.
Clownqueen

Most Helpful Customer Reviews

274 of 280 people found the following review helpful By TChris TOP 100 REVIEWER on October 7, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
At the age of eleven, Michael boards an ocean liner bound for England. With his friends Cassius and Ramadhin, he explores the ship and befriends eccentric passengers: Mr. Fonseka, a literature teacher from Colombo who displays the "serenity and certainty" Michael has observed "only among those who have the armor of books close by"; Mr. Daniels, who has transformed a section of the hold into an exotic garden; the musician and blues fan Max Mazappa; an Australian girl who greets the dawn by roller skating fiercely around the deck; Miss Lasqueti, a woman with a surprising, hidden background who is traveling with dozens of pigeons; a hearing impaired Singhalese girl named Asuntha, and others. "Simply by being in their midst," the boys are learning about adults, including those assigned to sit with them at the low-status Cat's Table, situated at the opposite end of the dining room from the Captain's Table. Michael's other lessons include his first fleeting experience with love and desire, as well as a taste of European racism, both subtle and (particularly in the case of the ship's captain) overt.

Two other passengers Michael knows only by sight. Sir Hector de Silva, a wealthy but ill passenger in Emperor Class accommodations, has bad luck with dogs, perhaps because a spell was cast upon him. At the opposite end of the social spectrum is a prisoner, rumored to be a murderer, whose midnight strolls on the deck -- closely guarded and in chains -- the concealed boys observe with fascination.

Michael Ondaatje keeps all these characters in motion like a master juggler.
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182 of 197 people found the following review helpful By Schuyler T Wallace VINE VOICE on September 23, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I run hot and cold on Michael Ondaatie's writing. However, his new book, THE CAT"S TABLE, resonated in a part of my mind long ignored. In some of his other works, DIVISIDERO and THE ENGLISH PATIENT, to mention a couple, he uses many unlikely characters in the telling of his story that seem to run together with no special destination or closure. To me the books are disjointed and not very interesting or realistic. In Cat's Table, he uses the same formula but with more satisfying results. In fact, having been something of a scoundrel in my early years, the boys in this novel reawakened my early existence with their endless curiosity, mindless pranks, and earthy delight in just being boys.

I'm getting ahead of myself. As Ondaatje said, during an interview, the storyline is "A boy (Michael) gets on a boat...and gets off a boat." Fortunately, for us, the author understates the events that subsequently happen. Interest is added when we get to meet a couple of other boys and the three of them ramble unfettered around a large ship, finding opportunities to spy, to assist in burglary, smoke unknown substances, speculate on human behavior, and develop hot-blooded hormones over attractive girls. I too, at that stage of development, had similar adventures, although my spying was done through grass and brush along a small creek. I peeked through tree branches and gaps in large rocks rather than through the pipes, cables and railings found on a big ship. But I saw a lot of stuff, as these young fellows did.
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221 of 244 people found the following review helpful By bert1761 VINE VOICE on September 27, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
but I am not sure I "got" a lot of what was going on in this novel. While I loved the first third of the book, the last two-thirds eroded that sentiment.

"The Cat's Table" is the story of Michael, an 11-year-old who is put on a ship for a three-week voyage from Sri Lanka (then Ceylon) to England. Through his assignment to the "Cat's Table," he meets up with two other boys about his age and various other characters (and there are a few at other tables whom he knows or gets to know).

The first part of the novel is told exclusively from the point of view of 11-year-old Michael and it is highly entertaining and enjoyable to observe his exploits and hear his observations from them. Thereafter, the book skips forward and backward in time, so we hear from the adult Michael about things that happened to him and other characters since the trip, as well as his recounting of some of the events that took place on the ship from the vantage point of recollection, rather than observation. It is a result of this frequent change of time and perspective that I got somewhat lost in and bogged down by the book.

In addition, as the story is told by Michael, what he observes and chooses to tell us is all we really know about the other characters in the book; there is very little opportunity to observe them directly. As a result, I never really came to care much about any of the charactersin the novel. In this regard, I find it interesting to note that "The Cat's Tale" contains more characters than are in several of Michael Ondaatje's other novels COMBINED. I think this fact serves to highlight that Ondaatje is better than most authors at creating beautiful pictures and atmospheres with his words, but is not nearly as good at creating fully realized characters.
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