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  • The Celluloid Closet (Special Edition)
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The Celluloid Closet (Special Edition)


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DVD Special Edition
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The Celluloid Closet (Special Edition) + American Experience: Stonewall Uprising + Before & After Stonewall: 25th Anniversary Edition
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Product Details

  • Actors: Lily Tomlin, Tony Curtis, Susie Bright, Arthur Laurents, Armistead Maupin
  • Directors: Jeffrey Friedman, Rob Epstein
  • Writers: Armistead Maupin, Jeffrey Friedman, Rob Epstein, Sharon Wood, Vito Russo
  • Producers: Bernie Brillstein
  • Format: Closed-captioned, Color, Dolby, Dubbed, NTSC, Special Edition, Subtitled
  • Language: English (Dolby Digital 2.0 Surround)
  • Subtitles: English
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: May 29, 2001
  • Run Time: 102 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (71 customer reviews)
  • ASIN: B00005AWR9
  • Amazon Best Sellers Rank: #65,869 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Celluloid Closet (Special Edition)" on IMDb

Special Features

  • Commentary with Filmmakers Robert Epstein and Jeffrey Friedman, Lily Tomlin, Producer Howard Rosenmann, and Editor Arnold Glassman
  • Additional Commentary with Author Vito Russo
  • Interview with Author Vito Russo
  • Collection of Outtakes
  • Sundance Film Festival, Freedom of Expression Award, Winner, 1996

Editorial Reviews

What "That's Entertainment" did for movie musicals, THE CELLULOID CLOSET does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Lily Tomlin narrates as Oscar(r)-winning moviemaker Rob Epstein (The Times of Harvey Milk and Common Threads: Stories from the Quilt) and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.

Customer Reviews

This film is both a celebration and a condemnation of the way Hollywood has portrayed gays in film.
Matthew A. Brown
Still, despite an ambiguity at the heart of the film about what they were trying to accomplish, this remains a very interesting film.
Robert Moore
The interviews bring so much life to it, and I want to go see all the movies they talked about now!
Courtney

Most Helpful Customer Reviews

53 of 53 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 16, 2002
Format: DVD
Based on the book by Vito Russo, written by Armistead Maupin, and narrated by Lily Tomlin, THE CELLULOID CLOSET uses interviews and hundreds of film clips to examine the way in which Hollywood has presented gay and lesbian characters on film from the age of silent cinema to such recent films as PHILADELPHIA and DESERT HEARTS. Throughout the documentary, the focus is on both stereotypes and the various ways that more creative directors and writers worked around the censorship of various decades to create implicitly homosexual characters, with considerable attention given to the way in which stereotypes shaped public concepts of the gay community in general.
Overtly homosexual characters were not particularly unusual in silent and pre-code Hollywood films, and CLOSET offers an interesting sampling of both swishy stereotypes and unexpectedly sophistocated characters--both of which were doomed by the Hayes Code, a series of censorship rules adopted by Hollywood in the early 1930s. The effect of the Code was to soften some of the more grotesque stereotypes--but more interesting was the impetus the Code gave to film makers to create homosexual characters and plot lines that would go over the heads of industry censors but which could still be interpreted by astute audiences, with films such as THE MALTESE FALCON, REBECCA, BEN-HUR, and REBEL WITHOUT A CAUSE cases in point. Once the Code collapsed, however, Hollywood again returned to stereotypes in an effort to cash in on controversy--with the result that throughout most of the sixties and seventies homosexual characters were usually presented as unhappy, maladjusted creatures at best, suicidal and psychopatic entities at worst.
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35 of 37 people found the following review helpful By S. Lee on January 7, 2003
Format: DVD
I'd once been to a film seminar where the participants watched HItchcock's ROPE together and discussed the queer sub-text of it. I didn't know, until then, that ROPE can be a 'queer' movie, although I had seen it at least 3 times because I'm a big Hitchcock fan and had it among my movie collection. A professor at the seminar had a big hearty laugh when the two characters and James Stewart were discussing how they 'choked the chicken' back when they were younger. I didn't know what 'to choke a chicken' meant, so I didn't see how the scene could cause such a raucous laugh among some participants at the seminar. Now I know, and I could deepen my understanding of 'homosexuality in American cinema' by seeing this well-made documentary dealing with that subject.
I'm straight, and and although I don't think I'm homophobic, I must admit that I used to be prejudiced against homosexuality and homosexuals. A movie helped me to change my view on homosexuality and gay people forever, and it was Ang Lee's The Wedding Banquet. In The Celluloid Closet, you can see tens of movie clips including the one from it. Just looking at those clips--some are from rather obscure titles, some are from my personal favorites--is a delight. I'd strongly recommend this wonderful film to anyone who wants to have an hour and a half of 'educational' entertainment.
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21 of 21 people found the following review helpful By Matthew A. Brown on July 1, 2001
Format: DVD
I remember how powerful this movie was upon first viewing. This film is both a celebration and a condemnation of the way Hollywood has portrayed gays in film. It's fascinating to see the early film clips, a Thomas Edison film with two men dancing, a silent western with a preening gay cowboy, Marlene Dietrich in tophat and coattails kissing a woman, and a Charlie Chaplin sequence where a man swishes around the set after Chaplin kisses a woman in drag. I felt so cheated upon learning that 'The Lost Weekend' was supposed to be about a guy confused with his sexuality who goes on a weekend binge, not a writer with writers block. Nevertheless, it won 4 Oscars in 1946 including Best Picture. The montage of scenes from various movies where character after character uses a particular disparaging word for a gay male, stunned me and left me feeling appalled by an industry that has institutionalized homophobia. The film 'Making Love' debuted on HBO and I remembered that day, watching with my parents, listening to their remarks, and hoping they wouldn't realize why I was so captivated. The list of films portrayed in this movie is long and spans each decade. This is definitely one of my favorite documentaries.
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13 of 15 people found the following review helpful By Luan Gaines HALL OF FAMETOP 500 REVIEWERVINE VOICE on September 23, 2005
Format: VHS Tape
This remarkable 1966 documentary addresses the portrayal of homosexuals in film, from the silent movies to the 1990"s, narrated by Lily Tomlin, with commentary by Whoopi Goldberg, Armistead Maupin (Tales of the City),Antonio Fargas, Barry Sandler and others. Many of the early black and white films, silent or talkie, featured comic scenes, two men or women spinning out onto the dance floor, a cowboy kissing his best friend, or partner, goodbye before he expires, the little woman looking on with approbation. There is a somewhat tacit agreement that all is not what it may appear on film.

Some of the first films to deal directly with the issue of sexual preference, did so with fear and loathing, a shame that is palpable in Lillian Hellman's "The Children's Hour" (1961) and "Advise and Consent" (1962). "The Boys in the Band" (1971) was one of the first films to openly discuss the lifestyle, an all male cast uttering scathing remarks about the realities of their world and the sources of their discontent. In contrast, "Cabaret" (1972) allowed acceptance and a degree of comfort with different preferences, Liza Minelli perfectly content in her role as foil. Screenwriter Barry Sandler, speaks about the acceptable negative language used in film when dealing with homosexuality, the phrases spoken with a sardonic twist, as well as the acceptable slang. There is one hitchhiking scene in "The Vanishing Point" (1971), where two men wait for a ride from a passing driver. The men exhibit all the stereotypes, language, dress and affectations and are quickly dispensed with by a macho hero.

1981 brought Pacino's "Cruising", turning the homosexual from victim to victimizer.
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