The Cigar Maker is the story of the Ortiz family as it struggles to survive the personal and political climate of Ybor City (the Cuban section of Tampa) at the turn of the 20th Century. The patriarch, Salvador, is trying to support his family and escape his past as a Cuban rebel; but his past and the politics of his present conspire against him. He raises his children with one simple edict: "Work hard or die like dogs!" It all seems to work until the 1899 Weight Strike. Then we begin to see the dark forces working to control not only the cigar trade in Tampa (and hence, the entire country) but to control the underbelly of the city as well. Armando Renteria begins consolidating his power early by taking control of Tampa's underworld, but eventually sees that the only way to ensure his long-term survival and profiteering is to take over Vasquez and Company, a prominent cigar manufacturing company, and eventually run for mayor of Tampa. He sets out to silence the radical elements of the worker's union (La Resistencia) that nearly destroyed Vasquez and Company during the Weight Strike and has the leaders--Salvador Ortiz, the unintentional union leader; Gabriel Mendez, lector and radical newspaper publisher; Juan Carlos, the violent ex-Cuban rebel; and official union leader Lapir--deported to the Honduras and left to die.
The Spanish-American War, Teddy Roosevelt visiting an Ybor (Cigar) City brothel and a story about a headless rooster, provide a colorful backdrop for what is essentially a family story. The Ortiz family epic is also a quintessentially American story--one about poverty, struggle, and success--and while the novel demonstrates what happens when too much power falls into the hands of too few people, it also highlights the peril of there not being anyone in control-- not the city government, not the union, and most certainly not the cigar factory owners. The tension between the worker and the factory owner gets played out over and over again in the news, even today. The arguments over which is more important--a living wage and safe and dignified working conditions versus corporate profits at the expense of both worker and consumer--are also alive and well in our country's political dialogue today.
If there is a place in the writing where the desire to write quality historical fiction and the impulse to be historically accurate run into one another with questionable result, it's in the final chapter. While it seems like it might make for an interesting epilogue to know what happens to all the primary characters, the final wind down reads less like fiction and more like a series of obituaries; for this reader, it read as if the writer didn't know how to let them go when the frame of the story ended. But characters such as these would be difficult to release, in the same way that people never really let go of their roots in spite of time, distance, and the muddling of history that happens from telling to retelling to rehashing.
McGinty's writing is deliberate, informed, and interesting, and he pays homage not only to the family history that inspired the writing, but to the larger American tale of which The Cigar Maker is part. He weaves together a tale that makes for intensely interesting reading; a mixture of The Godfather, The Buena Vista Social Club, Scarface, and The Waltons, there are story lines here for a wide variety of readers. Mixing history, fiction, and the crucial work that myths and old family tales does on our private and communal lives, The Cigar Maker earns a 99.
-- Mick Parsons, Cigar Lounge Editor, [...]