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Norman F. Cantor was Emeritus Professor of History, Sociology, and Comparative Literature at New York University. His many books include In the Wake of the Plague, Inventing the Middle Ages, and The Civilization of the Middle Ages, the most widely read narrative of the Middle Ages in the English language. He died in 2004.
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The fact that his understanding of ancient society is flawed is rather frightening, because, as Cantor himself says, "...the heritage of the ancient world set the conditions for medieval society." So as I waded further into his book it was with considerable trepidation. If he got Greece and Rome so very, very wrong, how on earth could he get the Middle Ages right?
For example, reflect upon this near polemical attack on the Roman educational system (which seems to be to blame for a lot if Cantor is to be believed):
"The Romans were psychologically damaged by their educational system, as evidenced by their violence, aggression, sadism, hostility to women, and other unattractive characteristics. Children were treated badly, indeed, and many of them grew up to be sadomasochists."
It gets better. He goes on to remark that "...vestiges of this system have lived on into the twentieth century. The educational system of the medieval church was based on the Roman, and there were a good many neurotic educated adults within the medieval church."
And what exactly are the characteristics of the Roman educational system that produced this race of monsters? "It is a natural system for an aristocratic society, which needs to train its young people only to accept power handed on to them." The men who taught these benighted children were, and I QUOTE: "often slaves and frequently frustrated, sadistic men."
Wow!!! When you read something as novel and outlandish as this, you really want to see some source documentation. But you will be disappointed here. These remarks are not foot-noted and indeed one of the GRAVE failings of this book is that despite the fact Cantor re-edited and updated the entire text, he does not offer foot-notes. Having said that, his bibliography is quite good -- it is organized around a sort of top ten list format. But, curiously, the bibliography is placed AFTER a list of the best movies (!) on the Middle Ages.
I suppose like many scholars, he is a "man of his period" so to speak. His understanding of the Middle Ages is fluent and masterful, but his knowledge of the epochs that preceded it scanty and ill founded. Still I find it breath taking that he could be so wrong in places.
Having said this, my patience was rewarded. And my reading on the Middle Ages that I undertook as a result of this book have affirmed my faith in Cantor: he does, after all, get most of it right!
What was revolutionary about Cantor's book is that, as the jacket says, his was the "first comprehensive general history of the Middle Ages to centre on medieval culture and religion rather than political history."
A vital companion to this would be John Julius Norwich's three volume series on Byzantium and Marcia Colish's "Medieval Foundations of the Western Intellectual Tradition 400-1400 (Yale Intellectual History of the West)". Do not, under any circumstances bother with William Manchester's gravely flawed: "A World Lit Only By Fire" (for why I say that, see my review of that book).
I found the way Cantor introduced the Middle Ages to be highly enlightening. He starts from the late Roman Empire and seamlessly flows into the Middle Ages, so seamlessly that I didn't even realize the "introduction" had ended and that I was now into the Middle Ages. I was expecting it just to start abruptly like most history books, but Cantor spends the first 4-5 chapters developing the background from which the Middle Ages sprung. It makes it clear how hard it is to define the beginning of the Middle Ages (like almost any age of history).
Cantor's style of writing tends to use long, run-on sentences and many different terms for referring to the same concept or idea (have a dictionary handy!), so it sometimes requires more effort than needed to understand what he's saying. And like any historian, his own personal bias slips in at times, but I didn't find it over-bearing at all. He undoubtedly knows his stuff, but he could use an editor who could give it some cohesion via maps, a timline, and footnotes to explain concepts he often blows over. Nonetheless, I recommend this book for any newcomer to the field.
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