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Haiku (roughly translated as "unusual verse") is a highly compact form of Japanese poetry. Its origins are in popular literature, and it was somewhat of a superficial fad until Basho and other writers raised it to an art form. One of the key characteristics of haiku is its evocative, reflective nature--it can offer complex ideas in a distilled form. To take one example, from an anonymous writer:
I regret picking
and not picking
violets
At first glance, this seems to be a contradictory and perhaps pointless statement. Why would one regret and not regret picking violets at the same time? On further reflection, however, the answer emerges: picking violets is a pleasurable activity but it kills the violet. Hence, one can both regret picking violets (i.e. killing a thing of beauty) and not picking violets (i.e. missing a pleasant pastime). An interesting parallel would be the opening line of Dickens' *A Tale of Two Cities*: "It was the best of times; it was the worst of times." Haiku revels in this kind of elliptical thinking, challenging its readers to reflect beyond the literal meaning of a statement.
Even for non-poetry readers, this volume is a delightful bargain.
This book is a great addition to any library, but don't let it be your only haiku book -- be sure to read William Higginson's "Haiku Handbook" as well as "The Essential Haiku" edited by Robert Hass and "The Haiku Anthology" edited by Cor van den Heuvel.
You couldn't go wrong on this for a first book of haiku!