From Publishers Weekly
Starred Review. This manhwa—first in a trilogy—chronicling the lives of a single mother and her daughter in rural Korea is a moving and evocative look at love as seen through the eyes of one feeling it for the first time and another who longs to savor it once more. The story follows daughter Ehwa from age seven up as she discovers the physical differences between boys and girls, grows into young womanhood and undergoes her initial confusing experiences with attraction and romance. Ehwa's interest is piqued by a young Buddhist monk, a lad whose interest is mutual but doomed to futility thanks to his faith's strict code of celibacy. Meanwhile, Ehwa's mother, who was widowed at an early age, finds her loneliness soothed by the attentions of an artistic traveling salesman known only as Picture Man. Their relationship later helps Ehwa understand much about the joys of making a romantic connection. This book has no conflict other than that common to youthful competition over boys, but it is a work of great humanity that sucks the reader in. Kim's artwork is stunning, and seldom has a male writer captured the attitudes, emotions and behavior of female characters so believably. (Apr.)
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From School Library Journal
Grade 10 Up–A coming-of-age story set in rural Korea a few generations ago. Ehwa is a beautiful young woman who, over a series of vignettes, learns about her body and how men and women make babies. She suffers the pain of her first unrequited love for the boy monk Chung-Myung (who also suffers from his own forbidden love for her). She also finds herself attracted to Sunoo, a rich son of an orchard owner who studies in the city. While Ehwa discovers her own desires, her widowed mother finds love again with a traveling picture salesman. The story revolves around the close relationship the women share as Ehwa becomes her mother's main ally and confidante. The illustrator uses flowers in many of the vignettes to explain aspects of love or to represent his characters and their relationships. While the book begins when Ehwa is seven and only takes her into her early teen years, the nostalgic tone and slow pacing make the title more likely to appeal to older readers. The artwork is beautiful, particularly in Hwa's depiction of the landscape and the two main characters. A good additional purchase for libraries looking for less action-oriented manga/manhwa titles.–Alana Abbott, James Blackstone Memorial Library, Branford, CT