The Commodore Master Takes

Billie Holiday | Format: MP3 Download

Product Details

• Original Release Date: February 8, 2000
• Release Date: February 8, 2000
• Label: GRP Records
• Copyright: (C) 2000 The Verve Music Group, a Division of UMG Recordings, Inc.
• Record Company Required Metadata: Music file contains unique purchase identifier. Learn more.
• Total Length: 51:35
• Genres:
• ASIN: B000V6ACE2
• Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #50,526 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

43 of 43 people found the following review helpful:

5.0 out of 5 stars fine and mellow, November 24, 2001

By 

jota (College Park, MD United States) - See all my reviews

This review is from: Commodore Master Takes (Audio CD)

The "official" amazon.com review above says that these recordings wrre made "mostly" in 1939, which is misleading; four of the tunes, among them "Strange Fruit," were recorded then, but the other twelve are from 1944. The reviewer also says that the recordings contain no traces of her later "deterioration," but I hear considerably more raggedness here than on the earlier Columbia recordings. This isn't a criticism; these sides, I think, strike just the proper blanace between the chipper just-one-of-the guys vibe of the Columbias and the sometimes oppressively tragic atmosphere of the later Verve albums.

These are small-group recordings, but the accompaniments are more low-key than on the Columbias and the instrumentalists get much less solo space. So there is nothing here akin to Holiday's relationship with Lester Young on those earlier recordings. On the other hand, the material on the Commodores is superior; she recorded only the finest standards and blues, as opposed to the hokum she was regularly forced to deal with for Columbia. As for highlights, "Strange Fruit" is a remarkable historical document, more effective as moving propaganda than as a popular song. "I Cover the Waterfront" is one of the best versions of a classic tune, and her version of "How Am I To Know?" is especially striking, as she begins her vocal with a dramatically isolated "Oh!" before beginning her mournful reading of the lyric.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Billie at the Top of Her Game, April 25, 2000

By 

"bobida" (N.J.) - See all my reviews

This review is from: Commodore Master Takes (Audio CD)

A highly-recommended CD. If you prefer Billie Holiday backed by a quartet or piano as opposed to a full-scale orchestra, then this is for you. What makes this a treat is Billie's singing, which is o-so sublime. Her voice is clear, full, and flushed with melancholic phrasing, with none of the harsh tone or roughness that was to creep up in time. Put this CD in your player and be prepared to be transported to a dimly-lit cabaret room in the early '40s, serenaded by Billie's warm, sensual vocals. Some of the songs are cornerstones of the American pop catalog (i.e. I'll be Seeing You, Embraceable You...) that have been covered by other artists such as Sinatra, but Billie makes these songs entirely her own.

14 of 19 people found the following review helpful:

5.0 out of 5 stars You can't go wrong with Lady Day, July 4, 2000

By 

J. Powell (New York, NY United States) - See all my reviews
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Amazon Verified Purchase

This review is from: Commodore Master Takes (Audio CD)

Billie Holiday is the most exquisite jazz vocalist of all time. Her voice was like no other, and her phrasing almost always perfect. But even when she was not perfect and her voice a bit ragged, she still had a connection with every song she sang and every song sounded like it was written for her - she could sing anything and interpret every song to fit her own unique style. This is a great CD because it compiles the music from some of Billie's best years. Her voice is top notch on this CD and the band is truly solid. She was always so much more at home with small bands. Though in my opinion not as essential as the Verve collection (Lady In Autumn), this is still a great collection and highlighting Holiday at her peak.

I am hard pressed to think of a Billie Holiday CD I have not thoroughly enjoyed. It is really hard to go wrong with her recordings.