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Novels about actors are often very sour and condescending (I am thinking of you, Somerset Maugham!), but The Confessions of Edward Day is such a lovely book. It really is a self-contained gem, like a pearl or a faceted stone, never purporting to be more than it seems to be (a tale of ambitious young actors struggling to get ahead in the New York theater scene in the 1970s), but with such real beauty and resonance that the reader can’t help appreciating Valerie Martin’s unfailing wisdom and skill. Edward himself is a sympathetic character, and I always admire a woman writer who seems to write effortlessly from a man’s point of view (especially if she has also written effortlessly from a woman’s point of view in the past, as Valerie Martin has done so often). Lovers of the theater (of any era) will love this book because of its insights into how plays come together (or don’t) and, I hope, because of its play-like structure (very neat, and yet suspenseful, too). As with Property and Mary Reilly especially (two of my Martin favorites), I really felt the depth of Martin’s knowledge of her subject, and yet she carries it easily. Lovers of the novel are in for a treat. I couldn’t help marveling at Martin’s ability not to make a mistake—to make me feel absolutely present at those sometimes quite dramatic scenes, and yet to keep all those thematic balls in the air, to juggle her motifs ever so gracefully, to honor the mysteriousness of her subject, but make those mysteries crystal clear. I read this in two days--after about page ten, I didn’t want to put it down. I do think Valerie Martin is one of the best novelists we have. There is always more in every book than meets the eye. The Confessions of Edward Day--highly recommended! --Jane Smiley
(Photo © Mark Bennington)
This was quite an enjoyable read. Martin is quite a storyteller and this one is a real page turner.
The doppelgänger Edward/Guy was well done. Read more
This book has been widely reviewed, attracting some eminent commentary, particularly in relation to its setting - 1970s Broadway - and insights into the acting profession. Read morePublished on December 30, 2011 by Tony
I really enjoyed this book, the writing and the conflicts between the characters. I raced to finish with bated breath. And then..."you changed my life," he said. Huh??? Read morePublished on December 28, 2010 by ViAmber
Valerie Martin's Confessions of Edward Day (Phoenix 2010) is a first-person narrative told by a successful actor , Edward Day, who is rescued from drowning by Guy Margate, a failed... Read morePublished on September 26, 2010 by Mr. D. James
Not bad summer reading, but doesn't really add up to much and the end is disappointing at best.Published on April 23, 2010 by j.t.t.
Written in the style of an intimate memoir, The Confessions of Edward Day delves into the daily lives of a group of struggling stage actors living in New York City in the 1970s and... Read morePublished on March 3, 2010 by G. Dawson
I give a novel five stars for one reason: it needs absolutely no improvement on any level, in any way, shape or form. And POW! This one gets five stars from me. Read morePublished on January 10, 2010 by Lisa Mary
This is a better than average novel with excellent characterizations and a notable avoidance of formulaic writing. Read morePublished on January 3, 2010 by Cary B. Barad
Good read, good book. I would recommend this highly to readers with an interest in some of the things that go into serious acting, the world of New York theater actors and a... Read morePublished on December 9, 2009 by L. Grenville