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The Craftsman [Hardcover]

Richard Sennett
3.5 out of 5 stars  See all reviews (20 customer reviews)


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Book Description

March 27, 2008

Defining craftsmanship far more broadly than “skilled manual labor,” Richard Sennett maintains that the computer programmer, the doctor, the artist, and even the parent and citizen engage in a craftsman’s work. Craftsmanship names the basic human impulse to do a job well for its own sake, says the author, and good craftsmanship involves developing skills and focusing on the work rather than ourselves. In this thought-provoking book, one of our most distinguished public intellectuals explores the work of craftsmen past and present, identifies deep connections between material consciousness and ethical values, and challenges received ideas about what constitutes good work in today’s world.

 

The Craftsman engages the many dimensions of skill—from the technical demands to the obsessive energy required to do good work. Craftsmanship leads Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London; in the modern world he explores what experiences of good work are shared by computer programmers, nurses and doctors, musicians, glassblowers, and cooks. Unique in the scope of his thinking, Sennett expands previous notions of crafts and craftsmen and apprises us of the surprising extent to which we can learn about ourselves through the labor of making physical things.



Editorial Reviews

From Publishers Weekly

With this volume, author and sociologist Sennett (The Culture of the New Capitalism) launches a three-book examination of "material culture," asking "what the process of making concrete things reveals to us about ourselves." Taking in everything from Pandora and Hephaestus to Linux programmers, Sennett posits that the spirit of craftsmanship-an "enduring, basic human impulse, the desire to do a job well for its own sake"-is tragically lacking in many areas of the industrialized world. Craftsmanship, by combining skill, commitment and judgment, establishes a close relationship between head and hand, man and machine, that Sennett asserts is vital to physical, mental and societal well-being; the symptoms of craftsmanship-deficiency can be found in worker demoralization, inefficiency and waning loyalty from both employees and employers, as well as other (largely institutional) effects. Sennett looks at the evolution of craftsmanship and the historical forces which have stultified it, how it's learned in the areas it still thrives (among scientists, artists, cooks, computer programmers and others), and issues of quality and ability (skill, not talent, makes a craftsman). Sennett's learned but inclusive prose proves entirely readable, and the breadth of his curiosity-delving into the minds behind the Manhattan project, touring Soviet suburbs, examining the methods of Julia Childs-take him in a number of fascinating directions.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

Sennett considers an array of artisans across different periods, from ancient Chinese chefs to contemporary mobile-phone designers, in this powerful meditation on the "skill of making things well." The template of craftsmanship, he finds, combines a "material consciousness" with a willingness to put in years of practice (a common estimate of the time required to master a craft is ten thousand hours) and a strategic acceptance of ambiguity, rather than an obsessive perfectionism. Sennett’s aim is to make us rethink the notion that society benefits most from a workforce trained to respond to the metamorphoses of a global economy. Ultimately, he writes, the difficulties and possibilities of craft can teach "techniques of experience" that help us relate to others, and lead to an "ethically satisfying" pride in one’s work.
Copyright © 2008 Click here to subscribe to The New Yorker

Product Details

  • Hardcover: 336 pages
  • Publisher: Yale University Press; 1 edition (March 27, 2008)
  • Language: English
  • ISBN-10: 0300119097
  • ISBN-13: 978-0300119091
  • Product Dimensions: 9.3 x 6.5 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #608,722 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
84 of 88 people found the following review helpful
3.0 out of 5 stars Practice What You Preach June 21, 2008
Format:Hardcover
You name it--Richard Sennett breaks it down. Metamorphosis provoking material consciousness? (Three ways: internal evolution of a type-form, judgment about mixture and synthesis, domain shift). Mirror tools? (Two types: replicant and robot). Sennett combines this penchant for analytic break-down with a treasure trove of stories, examples, and experiences, drilling into craft through the finger movements of pianists, the methodology of cookbook Instructions, and much, much more. The Craftsman isn't so much a proof of thesis as an exploration of category, the perfect platform for a widely read and experienced scholar to play with a vast and varied data set. Even with all that information, Sennet eventually settles on a something approaching an article of faith: that craft isn't about things but about values, not about superior skill but about doing a job well for its own sake. Think of it as a theory of sustainable labor in the age of hyper-capitalism.

My BIG GRIPE with this book is that if Richard Sennett believes so much in craftsmanship, why are there so many typos? DOZENS OF TYPOS. Misspellings. Extra words. Here's the end of the second to the last sentence in the book: "the denouement of this narrative is often marked by marked by bitterness and regret." Ya think? If this book was a car, the dealer would be forced by law to replace it. I'm sure Sennett had nothing to do with this, and that he is mortified that his faith in the practice of craft (proofreading, book-making) has been so blatantly betrayed by his publisher (Yale University Press, of the billions in endowment fame), but frankly, reading this book was to experience cynicism of the highest order: A terrible fate for a story so indebted to a job well done.
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72 of 76 people found the following review helpful
3.0 out of 5 stars What happened to editors? July 30, 2008
By RDP
Format:Hardcover
While I found the contents of Sennett's book interesting and even, at times, uniquely thought-provoking, reading the book left me bewildered and dismayed: How could a book extolling the virtues of quality in craftsmanship be so poorly edited? Is the manner in which the book is published a purposeful counterpoint to Sennett's basic argument? Without exaggeration, almost every page in the book held one or more instances of unaddressed typographical oversight. In truth, the book read like a poor translation from another language possessing idioms and phraseology totally foreign to English. If this is the best that Yale University Press can do, I will certainly question any future purchases bearing that name. For the prospective buyer, be prepared for a disruptive read.
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45 of 48 people found the following review helpful
Format:Hardcover
Richard Sennett (professor of sociology at New York University and at The London School of Economics) is vitally concerned with the devaluation of human values within the context of the new economy.

We live in an age where management decisions can be very remote, and where people's jobs are displaced wholesale, moved offshore, and where human lives are measured by the bottom-line accounting of large organisations.

What Sennett does is put a stake in the ground by asking rhetorically whether our commitment to work - our craftsmanship - is merely about money, or about something deeper and more human. Of course, the answer is that work commitment - the skill, the care, the late nights, the problem solving and pride that go into our work is a LOT more than about money.

In this book Sennett very clearly and thoughtfully dicusses the vital social currency of craftsmanship (and he uses the term in a modern sense - software programmers are craftspeople too.)

The book is timely, especially in a donwturn economy, and it raises many questions about how we value the people in our society. Craftspeople have been devalued of late - how we celebrate the CEO titans! - but maybe the pendulum needs to swing back the other way.

A worthwhile read for managers, for HR people, for craftspeople of all stripes - and for policy makers and economists. If our society is supposed to be more value-based these days (good corporate citizens, good global citizens) then The Craftsman urges us to look closer to home: at our own good people. Well recommended.

See also:
1 The Corrosion of Character: The Personal Consequences of Work in the New Capitalism
2 Flesh and Stone: The Body and the City in Western Civilization
3 The Fall of Public Man (Open Market Edition)
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Most Recent Customer Reviews
4.0 out of 5 stars Looking back to see the future
The Craftsman, by Richard Sennett [...], is a looking-back-in-anger exercise to search for models to overcome the corrosive character of 21st Century Capitalism. Read more
Published 7 months ago by ftsaez
5.0 out of 5 stars Loved reading this book
This book is an easy and inspiring read. It reviews the author's many years of construction experience, from sod homes to complicated modern construction. Read more
Published 16 months ago by William K. Blickley
1.0 out of 5 stars Openheimer....Confused??!!??
Actually, I think that the writer of this monograph is confused...not Openheimer...The "bomb", as far as I know, was used only twice as a weapon... Read more
Published 18 months ago by Causalspark
4.0 out of 5 stars Erase the distinction between Thinking and Doing
On page 231 the author says - "The literary critic William Empson wrote a famous study about seven types of ambiguity in language, spanning the gamut from blatant contradiction to... Read more
Published 20 months ago by R. Pokkyarath
3.0 out of 5 stars Good Book
It's a good book with a fair treatment of the subject. That is, the subject of the craftsman and the laborer's connection to his work (or disconnection as the case may be). Read more
Published 22 months ago by Ray Gardner
3.0 out of 5 stars Assigned Reading
Overall, this book is okay. It brings up some pretty interesting points about the history and development of crafts, as well as the use of technique and machines in craft. Read more
Published on February 15, 2011 by HermioneK
5.0 out of 5 stars An Important Re-framing of an Old Idea
Richard Sennett has been one of my most-preferred interpreters of physical and social culture since Flesh and Stone. Read more
Published on June 9, 2010 by J. V. Lewis
5.0 out of 5 stars totally interesting
What an amazing book. I thought this might be dry, since the book is about craftsmanship. Sennett deals with craftsmanship in so many different realms, not just in terms of... Read more
Published on February 9, 2010 by VK
3.0 out of 5 stars teh cratfsmen
Lovely, heartfelt, smart, and -- though definitely scholarly -- quite accessible. The problem is that there are so many typos, I began to not even trust what I was reading. Read more
Published on July 18, 2009 by reader in michigan
3.0 out of 5 stars A choppy read, with some insights
With all the hype I heard about this book, I truly expected much more. This book was anything but a smooth read. The phrasings were awkward and jumpy. There were many typos. Read more
Published on December 11, 2008 by M. Deitrick
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