The late historian Roy Porter has provided an invaluable addition to studies in the history of the Enlightenment with his book, The Creation of the Modern World: The Untold Story of the British Enlightenment (hereafter CMW). Livelier than any work of intellectual history has a right to be, Porter proves himself a master historian with a sharp pen. Polished in style and scholarship, wit and weightiness, CMW should stand as a watershed in Enlightenment studies. Porter's aim is to change how the importance of the Enlightenment in Britain is viewed, and on that account he succeeds wildly.
It might be better said that Porter's aim is not to change how the British Enlightenment is viewed, but to show that there was such a thing in the first place. The "Enlightenment" can be a somewhat ambiguous term. To cut it down to a crude and insufficient summary, it is often viewed as the movement in western Europe in the late 17th and 18th centuries away from religion and monarchy and toward secularism and democracy. Like all intellectual movements it took place primarily in the upper tiers of society. Porter's argument is simple: what happened in Britain during this time has an equal if not greater claim to the title of "Enlightenment" as what happened on the continent.
Known primarily for his work in the history of medicine, Porter's work is never accused of being boring. CMW is no different. Porter's characteristic buoyancy is evident from the moment he attacks his thesis; it is almost as if he is personally insulted as an Englishman that the British Enlightenment has never been seen as a movement of greater repute. Thus it might be argued that his presupposition is more of a bias. If one is going to go about proving something about which one is biased, it would not hurt to take a lesson from Porter in how it is done.
Porter's approach to history might be called the "over-enthused scholar's" approach. The density with which he fills the pages of CMW with the names of people, places, movements, societies, ideas, relationships, etc. is truly staggering. It is as if he has the ability to draw at will from a lifetime of memorizing arcane facts and data about British history. It is in this sense that it is difficult to argue with the conclusion that Porter has accomplished his aim on an awe-inspiring scale. But there is a difficulty in appropriating this volume of information, especially for the casual reader. There are moments when it seems as if Porter could have backed off a bit, as it were, and given the reader a breather from new facts and information. Here analysis and commentary are so tightly intertwined with the introduction of new data that it can become confusing. But this weakness of CMW is also its strength. Porter may be unmatched for his sheer ability to amass quantities of data in support of his argument.
Although any history of the Enlightenment will in some sense be an intellectual history, Porter manages to turn it into a broader social history as well. He structures the book into chapters that each deal with a different subject - religion, human nature, politics, sexual equality, and the like - and traces the development of changes in that subject. Hovering over all of these changes are certain central figures: Locke, Hume, Wollstonecraft, etc. He uses the popular method of history writing that focuses on mini-biographies of key figures of the period, but not exclusively. Porter is just as likely to introduce an animated commentary on the increased speed of urban life in late eighteenth century London as a commentary on some obscure Jacobin agitator.
But it is in the mini-biographies, the characters in this story of the British Enlightenment, that Porter's thesis comes alive. CMW paints a picture of a network of intellectual relationships and influences that illustrates the British Enlightenment as a movement, a true alteration of the fundamental makeup of eighteenth century British society. The rabid interest Porter takes in these figures translates onto the page into characters that are larger than life, individuals who seemingly obsessed over whatever little corner of this period they laid claim to.
If CMW has a primary weakness it is that Porter is so successful in proving his thesis - that there was such a thing as a British Enlightenment - that he almost entirely fails to point to anything like a counter-Enlightenment on a large scale. He does treat this subject for a few pages here and there, but it seems that any history of an intellectual and social movement would not be complete without a robust treatment of the reaction movement. What, for example, of Methodism? References to Wesley and his followers are few, and those there are tend to downplay the enthusiasm of such religious extremists by showing the unflattering opinion of them held by the Humes and the Godwins.
Perhaps this is unavoidable. A movement such as the Enlightenment is historically important not because it was representative of every member and stratus of society, but because the world was changed by those upon whom it was influential. Indeed, Porter only devotes one chapter to the common folk ("The Vulgar," a term that Porter uses to describe the view of the lower classes by many of his protagonists), and even then it is to show what the main characters thought about them and their role in society. If the ideals of the Enlightenment filtered down to those people that liberalism and freedom were supposed to help, it would not be easy to tell by reading CMW.
But if Porter ignores the lower classes, he does not ignore the changes occurring in the world in which they live. From the proliferation of coffee shops and the printed word to new novelties such as take-away meals on the streets and pleasure gardens, Porter sees the British Enlightenment as something more than an intellectual or political movement: it was the total transformation of a society. Perhaps there is something to criticize here as well. Is the fact that urban life became more fast-paced a characterizing feature of the Enlightenment? In Porter's line of reasoning it certainly is, and perhaps he is in some sense adding his own stamp to the term. If before encountering CMW a reader has a mental image of the Enlightenment as stuffy philosophers or scientists poring over manuscripts in their chambers or of French philosophes prattling on about the evils of religion, then after reading Porter there must certainly be a new mental image: that of an entire society transformed by a new way of looking at life.
If this new definition of Enlightenment is appropriated then Porter's book will be seen as a revelation, for in that case the transformation of British society will stand as the supreme example. Less drastic than the change in French society after the French Revolution, the British Enlightenment will be seen as more successful due to its being more consistent with the ideals of the Enlightenment as a whole. In Porter's hands the drama of human social history in eighteenth century Britain is indeed that: a drama, albeit one written with wit and style, intrigue and humor, and a volume of scholarship with which it will be difficult for anyone in the future to contend.