- Original Release Date: March 27, 2012
- Label: Plastic Sax Records
- Copyright: 2012 Plastic Sax Records
- Total Length: 54:07
- Genres:
- ASIN: B007CFSGHA
- Average Customer Review: 4.8 out of 5 stars See all reviews (4 customer reviews)
- Amazon Best Sellers Rank: #170,912 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Organized Crime | 5:15 | $0.99 | |
| Play | 2. Burnt Toast and Avocado | 6:58 | $0.99 | |
| Play | 3. The Creep | 6:33 | $0.99 | |
| Play | 4. Plastic Sax Rumble | 6:38 | $0.99 | |
| Play | 5. Plastic Sax Lullaby | 4:41 | $0.99 | |
| Play | 6. Cabin Fever | 4:58 | $0.99 | |
| Play | 7. Twilight Sounds | 8:02 | $0.99 | |
| Play | 8. Minor Adjustment | 5:45 | $0.99 | |
| Play | 9. Kaleidoscope | 5:17 | $0.99 |
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Customer Reviews
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
Format:Audio CD
Overview:
This is another great album by Ted Nash featuring Ted on alto sax, Ron Horton on trumpet, Paul Sikivie on bass, and Ulyssses Owens on drums. I was not familiar with the band other than Nash prior to the release. I am flat out impressed with everyone, but in particular the bass player and drummer just kill. These guys are young rising stars for sure. Trumpeter Horton, has a real nice muting technique that he does with his hand rather than a mute, which sounds just beautiful and conjures up memories of Ellington's "The Mooche". I hope Ted sticks with this lineup for at least one more album. The pianoless quartet is probably inspired by Ornette Coleman. Ted has been working on a movie where he was tasked with writing some "ornette like" tunes. The "plastic sax" tunes are from this work. "The Creep", and "Burnt Toast And Avocado" have wild bass lines that I just love. Ted is a great writer, great arranger, great player. I don't understand why he doesn't get more hype. I'd love to see many more releases from him. This album gets my highest recomendation.
This is another great album by Ted Nash featuring Ted on alto sax, Ron Horton on trumpet, Paul Sikivie on bass, and Ulyssses Owens on drums. I was not familiar with the band other than Nash prior to the release. I am flat out impressed with everyone, but in particular the bass player and drummer just kill. These guys are young rising stars for sure. Trumpeter Horton, has a real nice muting technique that he does with his hand rather than a mute, which sounds just beautiful and conjures up memories of Ellington's "The Mooche". I hope Ted sticks with this lineup for at least one more album. The pianoless quartet is probably inspired by Ornette Coleman. Ted has been working on a movie where he was tasked with writing some "ornette like" tunes. The "plastic sax" tunes are from this work. "The Creep", and "Burnt Toast And Avocado" have wild bass lines that I just love. Ted is a great writer, great arranger, great player. I don't understand why he doesn't get more hype. I'd love to see many more releases from him. This album gets my highest recomendation.
3 of 3 people found the following review helpful
By mplmusic
Format:Audio CD
Every time Ted Nash releases a new album, I wonder how he can do any better than the last. But I guess I should start expecting that he outdoes himself with each new release. Creep is another CD that must be added to any music lover's collection. Intriguing and engaging, Creep certainly meets, and exceeds, expectations. Love the album cover art, too.
btw, 2 of Ted Nash's other refreshing jazz works that I recommend highly are Portrait in Seven Shades: Ted Nash and La Espada De La Noche.
btw, 2 of Ted Nash's other refreshing jazz works that I recommend highly are Portrait in Seven Shades: Ted Nash and La Espada De La Noche.
1 of 1 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I never heard of Ted Nash until I stumbled across this album last week. Love it! I don't listen to much new jazz; I'm stuck back in the 50s and 60s mostly. I hope I'm not the only one that instantly thought Ornette when hearing this for the first time Strongly reminds me of the Atlantic period Ornette, which I love. All that is meant as a compliment although it may not sound like it in a field that stresses individuality but maybe that will be my door into a deeper grasp of Ted Nash. Great cover art too. Listen to the samples then buy it.
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