Caldecott Medal winner Peggy Rathmann has created a highly original story told in a lilting text and a bold new style with classic black silhouettes against stunning skies of many colors that change and glow as afternoon turns into evening.
| ||||||||||||
|
Browse our Bookshelf Favorites store for big savings on popular fiction, nonfiction, children's books, and more. |
Product Details
Would you like to update product info or give feedback on images? |
While the tale is simple, the illustrations add a wonderful dimension to the story. The pictures are done in a silhouette style but with no lack of detail. We see the babies crawl, hide in trees, and other antics. My favorite is the baby with a bow who starts hanging upside down like the bats. In the final scene we see this baby and a parent both hanging from the rafters.
A delightful book with detailed illustrations and fun rhymes. Kids learn that even little kids can be heroes. Check out all of Peggy Rathman's books.
"Remember the day
The babies crawled away?"
And later...
"Remember the way
You tried to save the day?"
So we follow our protagonist, a boy in a fireman's helmet as he frantically follows five fast moving babies. The boy follows them from the woods, to the swamps, into caves and on ledges. The babies find themselves in perilous situations, and the intrepid young boy must find a way to save them all and get them back home safe and sound. When he returns to the fairgrounds, babies in tow, the grown-ups cheer him soundly. That night, boy and babies fall asleep in their parents' arms after a long and exhausting day.
It sounds cutesy, no question, and it isn't. Not in the least. First of all, technically it's remarkably adept. The silhouettes are so detailed and delicate that you find yourself discovering all sorts of tiny details on every page. Is that Officer Buckle and Gloria on the title page? Is the trophy given to the boy at the end topped with a pie? And how did Rathmann draw an exploding water balloon so well in silhouette? Looking at the babies, you can see that each one is differently drawn. There's the bonnet baby, the baby with one curl, the cornrows baby, the dredlocks baby, and the smallest baby of all that spends almost all of this book upside down. Rathmann uses the silhouette technique to her own advantage at critical times. When the babies collapse as a sleepy pile on top of their boy rescuer, the viewer can only make out a hand here, a heel there, and a wild assortment of perching birds, butterflies, and frogs. As for the text, it really does give credit where credit is due. The boy has saved the babies and as a reward we are shown a scene that touched me deeply. The boy sits on his mother's lap in the fading evening light. His fireman's hatted head is tipped gently towards his mama who is kissing him sweetly. In her hair, a butterly perches and the book says, "You told me your story, I brewed you some tea, then you fell fast asleep in a small pile on me" It's enough to break your heart.
And I haven't even gushed to you about the shifting colors of the day from early morning to the bright light of noon, and eventually the cool colors of twilight. For a book that deals up a healthy heaping of black, this is one of the most colorful (and lovely) picture books out there today. There's something about a story in which a toddler can be the ultimate hero that appeals deeply to children. The adults (incapacitated by a pie-eating contest) are useless here and it is up to a small boy to save the day. Rathmann had always struck me as the poor man's Steven Kellogg until now. With "The Day the Babies Crawled Away", I think she's really come into her own. It is perhaps the most charming toddler empowerment book I have ever seen. More importantly, it is simultaneously witty and beautiful. With so few books managing to be either one or the other, we should be careful to praise the few (like this one) that are both.