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From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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Special Features
- 70-minute "Making the Earth Stand Still" documentary
- Movietone Newsreel (1951)
- Restoration comparison
- Five still galleries
- Shooting script
Editorial Reviews
Amazon.com
Product Description
DISC INFORMATION
It is a double-sided disc:
Side 1:
*Commentary by Robert Wise and Nicolas Meyer
*Movie Tone news of the premiere events of 1951
*Theatrical trailer
Side 2:
*Making The Earth Stand Still documentary
*Restoration comparison
*6 Still galleries
*Trailers: Journey to the Center of the Earth, & One Million Years B.C.
Customer Reviews
There are very few special effects: the odd tank disappears in a glow of light, but other than that, this is a film driven by character development. Taut direction by Robert Wise, straightforward writing from Edmund North and impressive cinematography by Leo Tower create an intelligent, literate, adult science fiction film that appeals to all ages.
Special mention must be made of Bernard Herrmann's haunting score. One of the first film scores to use Leon Theremin's eerie and eponymous electronic instrument, which unfortunately became a genre cliché, the music adds immeasurably to the tense and unsettling atmosphere.
Modern audiences may find the film's message heavy handed and obvious, relying on 1950's atomic paranoia and the absolute power it brought. In fact, Klaatu's proffered peaceful solution borders on totalianarianism. But these are minor considerations considering this is a simple story stunningly told.
The DVD contains many interesting extras of interest to film buffs and collectors, including a shooting script, extended discussions on the evolution of the film from idea to release, and an odd look at the people fascinated with collecting 1950's sci-fi film props and paraphernalia.
Okay so here's the lowdown; as I now have both this new edition and the original single, flipper disc, version, and having watched all of the bonus features on the new 2-disc set, I can tell you this: keep the old disc!
Why, because the 73 plus minute, making of, on the original disc is gone, replaced with a new 23 minute fluff piece that only skims the surface of the story, of the making of this film.
Gone are the lengthy on camera interviews with the producer, director and female lead, replaced instead with film historian's inane babble, with the odd snippet of voice recordings of the director and producer, taken from the 73 plus minutes, making of, from the original disc (without the on camera picture).
Also gone, is the very interesting, "Collectors", segment, tacked onto the end of the original making of, which had several prominent collectors showing off such treasures as the original flying saucer model and Gort statue, used in the actual film, with anecdotes about the film, and where the props they now owned, had ended up after the filming.
As for the extra stuff added to the 2-disc set, nothing is worth the non-inclusion of the original making of from the first disc (most of the new stuff has nothing to do with the film, but instead conveys the political tensions of the world at that time, which, although slightly of interest, is not worth upgrading for).
And on a new extra note for the new 2-disc set, the reading of, Farewell To The Master, is poorly executed, with a static picture with simple playing instructions, present throughout the entire reading (where as they could of has stills from the film playing throughout the reading, while the soundtrack played quietly in the background) and trying to maneuver through the reading is a nightmare, as there are three chapter stops, which are about 10 plus minutes each, with no way of fast searching through the 10 plus minute segments, so if you stop playing the reading at 9 minutes, you can't start the playback where you left off but instead have to listen to the whole thing from the start of the chapter (I know this because I stopped the playback for a minute, and when I hit the play button on the remote, the film started to play, so I had to go back to the menu and start the reading again, and listen to the stuff I had already heard. I would have preferred that an onscreen text version of the short (45 pages - not so short in my books) story be included instead).
So unless you are a completes, then this 2-disc version isn't worth the money, and even if you are looking to buy this for the first time, I'd HIGHLY recommend that you pick up the original DVD release, as the picture quality is the same, and you get the far superior 73 plus minute, making of, along with the director's commentary, picture galleries and original trailer.
The film's enduring power seems to arise from its very simplicity, which lifts the story of a visitor from outer space from mere sci-fi pulp to the level of a parable. As frequently noted, the film contains significant religious symbolism. It is easy to read the visitor as Christ, the woman who befriends him as Mary Magdalene, the man who betrays him as Judas, and the message the visitor brings as both call to repentance and opportunity for redemption--and whatever one's actual religious beliefs, the film taps into these archetypes to create a very effective modern morality tale that works on several levels. At the same time, the film makes a surprisingly acid comment on American and international politics, small minded bigotry, and media hysteria that still rings true today. And the film has surprising visual power. Although the cinematography is very basic, and the design of both the spaceship and the robot Gort are very simple, they combine to create a number of startling images: the first moment that Gort is seen standing on the spaceship's ramp; the spacecraft interior; Gort as he menaces a screaming Patricia Neal--images so simple and yet so powerful that they have become part of our cultural landscape.
The cast plays very unpretentiously and cleanly, and although Rennie and Neal may have snickered on the set none of it shows in their performances. Both are very memorable. Hugh Marlowe is appropriately smarmy as Neal's unpleasant boyfriend, and Sam Jaffe and Billy Gray are enjoyable in their supporting roles; film buffs will also enjoy seeing Frances Bavier (television's "Aunt Bea") in a rare film appearance. Robert Wise's direction is impressively unobtrusive, and any review that did not reference Bernard Herrman's brilliant score--which easily doubles the film's effectiveness--would be incredibly remiss. If you want computer generated special effects, evil aliens, and lots of blood-letting, you should look elsewhere... but if you want something to think about, and something that will hold up under repeated viewings, THE DAY THE EARTH STOOD STILL is strongly recommended.
Made us all think about what our impact on the rest of the universe is.
