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The Daybreakers/Sackett (The Sacketts) Mass Market Paperback – February 26, 2008
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About the Author
Excerpt. © Reprinted by permission. All rights reserved.
MY BROTHER, ORRIN Sackett, was big enough to fight bears with a switch. Me, I was the skinny one, tall as Orrin, but no meat to my bones except around the shoulders and arms. Orrin could sing like an angel, or like a true Welshman which was better than any angel. Far away back and on three sides of the family, we were Welsh. Orrin was a strapping big man, but for such a big man he was surprising quick.
Folks said I was the quiet one, and in the high-up hills where we grew up as boys, folks fought shy of me come fighting time. Orrin was bigger than me, fit to wrassle a bull, but he lacked a streak of something I had.
Maybe you recall the Sackett-Higgins feud? Time I tell about, we Sacketts were just fresh out of Higginses.
Long Higgins, the mean one, was also the last one. He came hunting Sackett hide with an old squirrel rifle. It was Orrin he was hunting, being mighty brave because he knew Orrin wouldn't be packing anything in the way of sidearms at a wedding.
Orrin was doing no thinking about Higginses this day with Mary Tripp there to greet him and his mind set on marrying, so I figured it was my place to meet Long Higgins down there in the road. Just as I was fixing to call him to a stand, Preacher Myrick drove his rig between us, and by the time I got around it Long Higgins was standing spraddlelegged in the road with a bead on Orrin.
Folks started to scream and Long Higgins shot and Mary who saw him first pushed Orrin to save him. Only she fell off balance and fell right into the bullet intended for Orrin.
He turned sharp around, knowing my voice, and he had that rifle waist-high and aimed for me, his lips drawed down hard.
Long Higgins was a good hip shot with a rifle and he shot quick . . . maybe too quick.
That old hog-leg of mine went back into the holster and Long Higgins lay there in the dust and when I turned around, that walk up into the trees was the longest I ever did take except one I took a long time later.
Ollie Shaddock might have been down there and I knew if Ollie called I'd have to turn around, for Ollie was the Law in those mountains and away back somewheres we were kin.
When Ma saw me cutting up through the woods she knew something was cross-ways. Took me only a minute to tell her. She sat in that old rocker and looked me right in the eye while I told it. "Tye," she was almighty stern, "was Long Higgins looking at you when you fetched him?"
"Right in the eye."
"Take the dapple," Ma said, "he's the runningest horse on the mountain. You go west, and when you find a place with deep, rich soil and a mite of game in the hills, you get somebody to write a letter and we'll come down there, the boys an' me."
She looked around at the place, which was mighty rundown. Work as we would, and us Sacketts were workers, we still hadn't anything extra, and scarcely a poor living, so Ma had been talking up the west ever since Pa died.
Most of it she got from Pa, for he was a wandering and a knowing man, never to home long, but Ma loved him for all of that, and so did we younguns. He had a Welshman's tongue, Pa did, a tongue that could twist a fine sound from a word and he could bring a singing to your blood so you could just see that far land yonder, waiting for folks to come and crop it.
Those old blue eyes of Ma's were harder to face than was Long Higgins, and him with a gun to hand. "Tye, do you reckon you could kill Ollie?"
To nobody else would I have said it, but to Ma I told the truth. "I'd never want to, Ma, because we're kin but I could fetch him. I think maybe I can draw a gun faster and shoot straighter than anybody, anywhere."
She took the pipe from her lips. "Eighteen years now I've seen you growing up, Tyrel Sackett, and for twelve of them you've been drawing and shooting. Pa told me when you was fifteen that he'd never seen the like. Ride with the law, Tye, never against it." She drew the shawl tighter about her knees. "If the Lord wills we will meet again in the western lands."
The way I took led across the state line and south, then west. Ollie Shaddock would not follow beyond the line of the state, so I put Tennessee behind me before the hills had a shadow.
It was wild land through which the trail led, west out of Tennessee, into Arkansas, the Ozarks, and by lonely trails into Kansas. When I rode at last into the street at Baxter Springs folks figured me for one more mountain renegade coming to help keep tick-infected Texas cattle out of the country, but I was of no such mind.
It was eight miles to where the Texas men held their cattle, so there I rode, expecting no warm welcome for a stranger. Riding clear of the circling riders I rode up to the fire, the smell of grub turning my insides over. Two days I'd been without eating, with no money left, and too proud to ask for that for which I could not pay.
A short, square man with a square face and a mustache called out to me. "You there! On the gray! What do you want?"
"A job if one's to be had, and a meal if you've grub to spare. My name is Tyrel Sackett and I'm bound westward from Tennessee toward the Rockies, but if there's a job I'll ride straight up to it."
He looked me over, mighty sharp, and then he said, "Get down, man, and come to the fire. No man was ever turned from my fire without a meal inside him. I'm Belden."
When I'd tied Dapple I walked up to the fire, and there was a big, handsome man lying on the ground by the fire, a man with a golden beard like one of those Vikings Pa used to tell of. "Hell," he said agreeably, "it's a farmer!"
"What's wrong with farming?" I asked him. "You wouldn't have your belly full of beans right now if they'd not been farmed by somebody."
"We've had our troubles with farmers, Mr. Sackett," Belden said, "there's been shooting, the farmers killed a man for me."
"So," said a voice alongside, "so maybe we should kill a farmer."
He had an itch for trouble and his kind I'd met before. He was a medium-tall man with a low hanging shoulder on his gun side. His black brows met over his nose and his face was thin and narrow. If it was trouble he was hunting he was following the right trail to get it.
"Mister," I told him, "any time you think you can kill this farmer, you just have at it."
He looked across the fire at me, surprised I think, because he had expected fear. My clothes showed I was from the hills, a patched, old homespun shirt, jeans stuffed into clumsy boots. It was sure that I looked like nothing at all, only if a man looked at the pistol I wore he could see there'd been a sight of lead shot out of that barrel.
"That's enough, Carney!" Mr. Belden said sharply. "This man is a guest at our fire!"
The cook brought me a plate of grub and it smelled so good I didn't even look up until I'd emptied that plate and another, and swallowed three cups of hot black coffee. Up in the hills we like our coffee strong but this here would make bobwire grow on a man's chest in the place of hair.
The man with the golden beard watched me and he said to Mr. Belden, "Boss, you better hire this man. If he can work like he can eat, you've got yourself a hand."
"Question is," Carney broke in, "can he fight?"
It was mighty quiet around that fire when I put my plate aside and got up. "Mister, I didn't kill you before because when I left home I promised Ma I'd go careful with a gun, but you're a mighty tryin' man."
Carney had the itch, all right, and as he looked across the fire at me I knew that sooner or later I was going to have to kill this man.
"You promised Ma, did you?" he scoffed. "We'll see about that!" He brought his right foot forward about an inch and I durned near laughed at him, but then from behind me came a warm, rich voice and it spoke clear and plain. "Mister, you just back up an' set down. I ain't aimin' to let Tyrel hang up your hide right now, so you just set down an' cool off."
It was Orrin, and knowing Orrin I knew his rifle covered Carney.
"Thanks, Orrin. Ma made me promise to go careful."
"She told me . . . an' lucky for this gent."
He stepped down from the saddle, a fine, big, handsome man with shoulders wide enough for two strong men. He wore a belt gun, too, and I knew he could use it.
"Are you two brothers?" Belden asked.
"Brothers from the hills," Orrin said, "bound west for the new lands."
"You're hired," Mr. Belden said, "I like men who work together."
So that was how it began, but more had begun that day than any of us could guess, least of all the fine-looking man with the beard who was Tom Sunday, our foreman on the drive. From the moment he had spoken up all our lives were pointed down a trail together, but no man could read the sign.
From the first Orrin was a well-loved man. With that big, easy way of his, a wide smile, as well as courage and humor enough for three men, he was a man to ride the trail with. He did his share of the work and more, and at night around the fire he would sing or tell yarns. When he sang to the cows in that fine Welsh baritone of his, everybody listened.
Nobody paid me much mind. Right off they saw I could do my work and they let me do it. When Orrin told them I was the tough one of the two they just laughed. Only there was one or two of them who didn't laugh and of these one was Tom Sunday, the other Cap Rountree, a thin, wiry old man with a walrus mustache who looked to have ridden a lot of trails.
The third day out, Tom Sunday fetched up alongside me and asked, "Tye, what would you have done if Reed Carney had grabbed his gun?"
"Why, Mr. Sunday," I said, "I'd have killed him."
He glanced at me. "Yes, I expect you would have."
He swung off then, only turned in his saddle. "Call me Tom. I'm not much on long-handled names."
Have you seen those Kansas plains? Have you seen the grass stretch away from you to the horizon? Grass and nothing but grass except for flowers here and there and maybe the white of buffalo bones, but grass moving gentle under the long wind, moving like a restless sea with the hand of God upon it.
On the fifth day when I was riding point by myself, and well out from the herd a dozen men came riding out of a ravine, all bunched up. Right off I had a smell of trouble, so instead of waiting for them to come up, I rode right to meet them.
It was a mighty pleasant day and the air was balmy with summer. Overhead the sky was blue and only a mite of cloud drifting like a lost white buffalo over the plain of the sky.
When they were close I drew up and waited, my Spencer .56 cradled on my saddle, my right hand over the trigger guard.
They drew up, a dirty, rough-looking bunch—their leader mean enough to sour cream.
"We're cuttin' your herd," he was a mighty abrupt man, "we're cuttin' it now. You come through the settlements an' swept up a lot of our cattle, an' they've et our grass."
Well, I looked at him and I said, "I reckon not."
Sort of aimlesslike I'd switched that Spencer to cover his belt buckle, my right finger on the trigger.
"Look here, boy," he started in to bluster.
"Mister," I said, "this here Spencer ain't no boy, an' I'm just after makin' a bet with a fellow. He says one of those big belt buckles like you got would stop a bullet. Me, I figure a chunk of lead, .56 caliber, would drive that buckle right back into your belly. Mister, if you want to be a sport we can settle that bet."
He was white around the eyes, and if one of the others made a wrong move I was going to drop the bull of the herd and as many others as time would allow.
"Back," it was one of the men behind the leader, "I know this boy. This here is one of them Sacketts I been tellin' you about."
It was one of those no-account Aikens from Turkey Flat, who'd been run out of the mountains for hog stealing.
"Oh?" Back smiled, kind of sickly. "Had no idea you was friends. Boy," he said, "you folks just ride on through."
"Thanks. That there's just what we figured to do."
They turned tail around and rode off and a couple of minutes later hoofs drummed on the sod and here came Mr. Belden, Tom Sunday, Cap Rountree, and Reed Carney, all a-sweat an' expecting trouble. When they saw those herd cutters ride off they were mighty surprised.
"Tye," Mr. Belden asked, "what did those men want?"
"They figured to cut your herd."
"They decided not to."
He looked at me, mighty sharp. Kneeing Dapple around I started back to the herd.
"Now what do you make of that?" I could hear Belden saying. "I'd have sworn that was Back Rand."
"It was," Rountree commented dryly, "but that there's quite a boy."
When Orrin asked me about it at the fire that night, I just said, "Aiken was there. From Turkey Flat."
Carney was listening. "Aiken who? Who's Aiken?"
"He's from the mountains," Orrin said, "he knows the kid."
Reed Carney said nothing more but a couple of times I noticed him sizing me up like he hadn't seen me before.
There would be trouble enough, but man is born to trouble, and it is best to meet it when it comes and not lose sleep until it does. Only there was more than trouble, for beyond the long grass plains were the mountains, the high and lonely mountains where someday I would ride, and where someday, the Good Lord willing, I would find a home.
How many trails? How much dust and loneliness? How long a time until then?
More About the Author
It is doubtful that any author could be as at home in the world re-created in his novels as Louis Dearborn L'Amour. Not only could he physically fill the boots of the rugged characters he wrote about, but he literally "walked the land my characters walk." His personal experiences as well as his lifelong devotion to historical research combined to give Mr. L'Amour the unique knowledge and understanding of people, events, and the challenge of the American frontier that became the hallmarks of his popularity.
Of French-Irish descent, Mr. L'Amour could trace his own in North America back to the early 1600s and follow their steady progression westward, "always on the frontier." As a boy growing up in Jamestown, North Dakota, he absorbed all he could about his family's frontier heritage, including the story of his great-grandfather who was scalped by Sioux warriors.
Spurred by an eager curiosity and desire to broaden his horizons, Mr. L'Amour left home at the age of fifteen and enjoyed a wide variety of jobs, including seaman, lumberjack, elephant handler, skinner of dead cattle, and miner, and was an officer in the transportation corps during World War II. During his "yondering" days he also circled the world on a freighter, sailed a dhow on the Red Sea, was shipwrecked in the West Indies and stranded in the Mojave Desert. He won fifty-one of fifty-nine fights as a professional boxer and worked as a journalist and lecturer. He was a voracious reader and collector of rare books. His personal library contained 17,000 volumes.
Mr. L'Amour "wanted to write almost from the time I could talk." After developing a widespread following for his many frontiers and adventure stories written for fiction magazines, Mr. L'Amour published his first full length novel, Hondo, in the United States in 1953. Every one of his more than 120 books is in print; there are more than 300 million copies of his books in print worldwide, making him one of the bestselling authors in modern literary history. His books have been translated into twenty languages, and more than forty-five of his novels and stories have been made into feature films and television movies.
The recipient of many great honor and awards, in 1983 Mr. L'Amour became the first novelist to ever to be awarded the Congressional Gold Medal by the United States Congress in honor of his life's work. In 1984 he was also awarded the Medal of Freedom by President Reagan.
Louis L'Amour died on June 10, 1988. His wife, Kathy, and their two children, Beau and Angelique, carry the L'Amour publishing tradition forward with new books written by the author during his lifetime to be published by Bantam.
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Top Customer Reviews
The Daybreakers is a classic story on family, friends, betrayal and justice, as Orrin and Tyrel take different paths to bring peace and prosperity to a frontier town. William Tell's journey in Sackett develops much too quickly over the 151 pages, as he tries to construct a permanent settlement - and laws - to gold-rush territory.
These editions are an excellent and inexpensive way to become acquainted to the story-telling techniques of Louis L'Amour. The purchase of all five books is comparable to or cheaper than the cost of one new hardbound.
Louis L'Amour was not one of the most technical or long-winded writers, he was short, succinct, and to the point and had a way that grabs you into the story immediately. The descriptions of the scenery, events, people, and situations made you feel as if you were right there living it side-by-side with his characters.
With The Daybreakers and Sackett, you have the classic Louis L'Amour situations with the good guy fighting the bad guy, a life-threatening conflict, the good guy wins and gets the girl, with the added bonus of having two books in L'Amour's Sackett series of books.
As I type this review, this combination of two stories is priced at $5.99, compared to $5.99 each for The Daybreakers and Sackett as standalone Kindle books: the $5.99 for both is a good value vs. $12.98 individually - you'll get a lot more than $5.99 of entertainment out of these!
The story meanders and could have been edited/cleaned up for a faster-paced read but that wasn't L'Amour's style and, in the end, the meandering contributes to the theme of wandering cowpoke.
L'Amour surprises me with his female characters, with both Drusilla Alvarado and Laura Pitts, because he throws in some subtle gender role reversals.
And something else that isn't said very often about L'Amour - here's a story featuring a Mexican immigrant marrying a white boy from Tennessee. And some racism drives the plot forward but the racism comes from the bad guys. I know L'Amour is often criticized for using stereotypical ethnic tropes, particularly in regards to Native Americans, but I know there's a big difference between a Hollywood Indian and a real Native American and I expect other readers, with exception to the very young, to also know the difference.
L'Amour played with the tools of the trade that were available to him. He wrote these books in a time when ethnicity wasn't emphasized (or sometimes erased) by the arts industry and L'Amour still finds small ways to work in real information about Native Americans (in The Daybreakers, he works in the correct way to say Nez Perce, "Nay Persay"; I'm reading forward, and in End of the Drive, he works in the correct way to use the Lakota greeting hau kola, "how kola).
So I think L'Amour may have played a role in helping to break those stereotypes. And, in a way, he preserves some of the atrocities that have been done to ethnic groups.
I've encountered William Tell Sackett in a few of L'Amour's short stories and I liked him for his introversion.Read more ›
Unlike other excellent western authors West, Johnstone and McGarrity, Lamour avoids human issues - language, body functions, sex - which imo would add depth and realism.
Most Recent Customer Reviews
Louis L'Amour is one of the great writers of Western Fiction for a reasonPublished 2 months ago by Cynthia
Louis L'Amour is an icon in western writing. I have read these books many times over growing up.Published 2 months ago by Channing1974
Have loved the Sacketts since I was a young man. Now my son is taking to them.Published 4 months ago by Jonathan Twichell