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The Dead Do Not Improve: A Novel Hardcover – August 7, 2012

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Editorial Reviews Review

Q&A with Eleanor Henderson and Jay Caspian Kang

Q: Well, first—forgive me—a crafty question. I’m impressed by the way The Dead Do Not Improve balances Phil’s point of view in the first person and Finch’s point of view in the third person—a kind of architectonic feat, to use John Gardner’s term. That’s hard to pull off without making a reader lazy-eyed. How did that structure announce itself in the writing of the book?

A: Philip’s voice came to me first. I’ve always wanted to write from the perspective an overly sentimental dude who can’t quite get himself to commit to one specific broadcasted emotion. Finch’s sections came to me a bit later. I wanted to put together a third-person voice that could hold a lot of reflections about love. The plot of the book admittedly sounds a bit crazy, but I was really trying to write a love story, with a lot of asides and reflections on a decaying relationship.

Q: I’m also impressed by the up-to-the-minuteness of the story. Craigslist, Quizno’s, Obama—the novel feels like it was written last week. But there’s also an otherworldliness to this San Francisco, as though it’s actually a few absurd steps ahead of us—Personal Break-Up Coaches, the Being Abundance Cafeteria. I was reminded of what Gary Shteyngart said about the difficulty of writing about the present day, because the world is moving too quickly to capture. Was that a challenge for you? Did you have to write in a mad dash to stay ahead of your own material?

A: Quizno’s will outlive us all! People will always want toasted subs with too much Italian dressing. As for the up-to-dateness of the book, I really did want it to read like it had been written last week. The book deals a lot with Internet culture and what happens when we piece ourselves out to social media sites, chat clients, and the never-ending churn of website content. I thought the book would have to feel very current to achieve that effect.

As long as I could embed that current culture in sentences that I liked, I didn’t really see the newness as an artistic compromise. I hope we’re all over trying to write novels that will outlast even Quizno’s.

Q: You’ve lived in a lot of places—Seoul, Boston, North Carolina, now L.A. How did living in such diverse locales influence the world you’ve presented in The Dead Do Not Improve, and why did you choose to set your first novel in San Francisco?

A: I lived in San Francisco for four years and really loved it. Every recognizable public space in that city has this amplified energy about it, and it was always fun, as a writer, to try to capture those spaces. The city also has been the setting for a lot of hard-scrabble detective books. I love those old Raymond Chandler books (not to mention the Dirty Harry movies) and wanted their influence to hang over this novel.

Q: If you were stranded in a Laundromat and, like Phil, couldn’t find an unlocked Wi-Fi signal, what three books would you hope to have with you?

A: I sometimes dream about living in an apartment just out of Wi-Fi range. Right now, I’m subletting my friend’s place in New York and can’t figure out how to connect to his Wi-Fi.

There’s one open network I can access if I sit in one corner and angle my body a specific way. I was hoping this would keep me away from the Internet, but I’m weak . . .

But if I was in a Laundromat and I had enough dirty clothes to justify bringing three books, I’d bring Housekeeping by Marilynne Robinson, Jesus' Son by Denis Johnson, and Notes of a Native Son by James Baldwin, which I try to read a couple times a year.


“Loopy, hilarious, neo-noir novel… an extremely smart, funny debut, with moments of haunting beauty.” –Boston Globe

“Jay Caspian Kang's debut novel demands to be accepted on its own terms…Richly observed…it uses (and sometimes abuses) the genre's conventions to present a metafictional mash-up of hip-hop, hipsters, hippies and more that marks Philip Kim as an antihero for our time and flags Jay Caspian Kang as an author worth watching.”  –Los Angeles Times

“The anticipated debut of Grantland editor Jay Caspian Kang, The Dead Do Not Improve, is a modern, satirical detective story… Kang's writing is funny, stylish and definitely of the moment.” –Time Out New York, #1 Critics Pick

“The fusion of a whodunit plot and a starving artist protagonist piqued our interest. Plus, Jay Caspian Kang's voice is refreshing. He presents grad-school insights in a sharp, accessible, and often humorous way.” –Huffington Post
"The writing in Dead has more in common with books like Jonathan Lethem’s Motherless Brooklyn and Haruki Murakami’s A Wild Sheep Chase than it does with Maxine Hong Kingston’s The Woman Warrior. Mr. Kang finds it frustrating that some readers expect a novel by an Asian-American writer to focus on tiger moms, poverty or the aftermath of war. 'I just hope the people who want that sort of thing hate this book,' he says." –Wall Street Journal Asia
“A Pynchon-esque menagerie of California surfers, cops, thugs and dot-com workers converge in a comic anti-noir…Kang sends up the Bay Area's moralizing atmosphere along with its inherent weirdness, but he also parlays the setup into some surprisingly affecting observations: Philip’s budding relationship with a gorgeous neighbor sparks incisive passages on San Francisco’s tense mix of races and cultures, and he has plenty of insights on hip-hop, social media and Cho Seung-Hui, the Virginia Tech mass murderer… Smart, funny and eager to fly its freak flag.” Kirkus
“MFA grad Phillip Kim unwittingly becomes embroiled in a violent scheme that leads him to a bizarre San Francisco subculture.” –Entertainment Weekly

“The portrait of a city and its denizens so otherworldly strange is vivid, searing, and sometimes hilarious.” —Booklist

The Dead Do Not Improve is basically the best thing I've read in a very, very long time. It’s seriously hilarious, heartbreakingly sentimental, and distressingly perceptive. If Joseph Heller and Raymond Chandler had once battled over who could write more like Tolstoy, then maybe there’d be something with which to compare this magnificent book.”
—RIVKA GALCHEN, author of Atmospheric Disturbances

“Self-hating-hipsters’ bible, hilarious decoding of our inanities and poses, joyful and romantic misanthropy, Proustian mining of emotion and thought in prose as fast and jumpy as thinking out loud, and these amazing insights on every page, and really funny, twisted, and unforgettable characters, infrarealist criminals and cops and overall weirdness, great surfing scenes, and Jay Caspian Kang’s own San Francisco, gifted to us, all of it, in this jaw-droppingly brilliant, original, and ‘totally mental’ novel. If I were young, I’d want to be this voice—even if it got me beat up a lot, which it would; it would bring me love and glory, too. The Dead Do Not Improve is the most thrilling novel I’ve read in ages.”
—FRANCISCO GOLDMAN, author of Say Her Name

“Jay Caspian Kang writes like he has a gun to his head and his middle finger on the pulse of our target-marketed age. The Dead Do Not Improve treats us to his antisocial networking sensibility and a hilariously urgent voice with one hell of a story to tell. This is some killer shit.”
—RYAN BOUDINOT, author of Blueprints of the Afterlife

“The Dead Do Not Improve is the most authentic novel of 2k12. Jay Caspian Kang has told a story that captures the lives of twenty-somethings as they wallow in the spaces between real life and the Internet, and, along the way, created an accurate, hilarious portrait of boredom and self-pity in 'the zeitgeist.'”

“That Kang has found a way to invigorate a subject matter as overburdened as the Internet’s impact on identity and relationships would be enough to recommend The Dead Do Not Improve. But in the complex, well-drawn, and empathetic Philip, he has also crafted a protagonist that elevates this uneven book from the level of a “novel of ideas” to a rewarding and promising debut.” –The Oxford American

“Tragically hilarious and darkly uplifting…The sum total of all these contradictions is a book that is so light-heartedly hilarious and crushingly dark that you will be unable to put it down…Kang is undoubtedly the author to watch in the years following this masterful debut.” –CrimeSpree Magazine

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Product Details

  • Hardcover: 272 pages
  • Publisher: Hogarth (August 7, 2012)
  • Language: English
  • ISBN-10: 0307953882
  • ISBN-13: 978-0307953889
  • Product Dimensions: 6.5 x 1.1 x 9.5 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #1,334,414 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

20 of 23 people found the following review helpful By John Hendricks on September 2, 2012
Format: Hardcover
* this book gets 3 stars from this reviewer for its satire of San Francisco, which is fresh, inspired, and recognizably detailed. SF may be an easy mark, but that doesn't mean most authors hit so many of its targets so spot-on, nor on so many levels. Kang has thought about the spirit behind the mustache and underneath the wig.

* as some frustrated reviewers have suggested, it is a terribly disappointing failure as a mystery. Since the author himself couldn't seem to care less about the plot machinations, the reader ultimately can't either.

* so any defenders who retort that this book is intending to be some internalized evocation of conspiracy are forgetting that no conspiracy is ever so sloppy, threadbare, nor ultimately so uninteresting. Pynchon may not answer one question by the end of LOT 49, but we totally, unforgettably, get it.

* and whoever applies the four letters "NOIR" in any way to this book has no idea what noir is. (Hint: this book is not it.)

* what the book reveals itself to be after all is an intriguing, delirious, yet culturally expanding fantasia about the young male Korean American mind. But the stress must fall on "young." This is a post-undergrad male self-study that may be necessary for Kang's development as an important American voice -- but I do await Kang's next phase. A deeper investigation of what makes one character utterly different from the next will be crucial -- for as it stands in this book, every character ultimately sounded like the same overtly self-conscious narrator terrified of sounding, somehow, duped.

But I think Kang has it in him.
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6 of 6 people found the following review helpful By Mark Twain on August 31, 2013
Format: Paperback
Let's begin with this: I'm pretty sure I'd like Kang if I met him. I don't say this lightly, mainly because when it comes down to it I don't really like that many people. But if Kang's voice in The Dead Do Not Improve (TDDNI) is any indication of his actual personality, then sure, I think I'd find it difficult not to like the guy, especially over a few drinks and a few laughs.

This is--in a strange way--my biggest problem with TDDNI, that I want to like it more than I do because Kang himself has an enjoyable voice reminiscent of David Wong/Jarson Pargin's narrator in John Dies at the End. But I just couldn't, just didn't. Here, perhaps, is why:

Slapped across the softcover version is a Boston Globe quote, "Loopy, Hilarious, Neo-Noir Novel". TDDNI definitely hits many of the noir notes: story kicked off by a murder, good guys who turn out to be bad guys, bad guys who turn out to be good guys, dames, damsels, twisted plots and lurking mystery. But the balance and pacing are all off, with the story heavily front-loaded with potential areas for exploration that eventually take a backseat to the protagonist's increasingly detailed diatribes and remembrances. I kept finding myself wondering why Kang was spending so many words on these passages when he could've been exploring the world he'd been setting up, and the only reasons I could come up with were either:

A) There was some great, less obvious meaning that the reader was meant to decipher. Considering how nihilistic the protagonist is at times and how TDDNI is also labeled "satirical" , this option worried me because perhaps the meaning was that there was no meaning or some such other wankery. Either way, it made the action drag when Kang should've been cashing in on the building momentum and subsequent climax.
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11 of 14 people found the following review helpful By Jane Mason on August 8, 2012
Format: Hardcover
Surprisingly funny and thought-provoking literary novel wearing a murder mystery jacket. I fell in love with the Phillip-Marlowe-type surfer detective, and enjoyed all of the Bay Area references. Does not disappoint.
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2 of 2 people found the following review helpful By R. B. Lawson on September 28, 2012
Format: Hardcover Verified Purchase
I found this novel very entertaining and I recommend it highly.

It's equal parts fun novel, author's insights, social commentary, rich characters, and engaging story.

I found it very helpful to know going in that Kang's main character is a surrogate for himself in many ways (Korean-american writer), and that he would be using this in an examination of the 2007 VA Tech shooting (by a Korean-american writing student), especially in regards to issues of race and identity. Kang has written some good stuff about race before - you should go look up his articles about Jeremy Lin's big splash in the NBA ("Linsanity") on Grantland, where Kang writes.

here, I found it for you:

Don't take that as if it's laid on too heavily, though. This book isn't an Asian Novel or whatever that means. It's not a surfing story either, and there's more of that in it. I really found this to be a good read that kept me engaged but also has some depth to it intellectually if you are looking out for it.
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1 of 1 people found the following review helpful By Amazon Customer on January 12, 2013
Format: Kindle Edition
I picked up this book and read the first chapter and put it down. I was turned off by the seemingly meandering and harsh content eventhough I loved minimalist dialogue style of the author. However the next day I picked the book up again and then couldn't put down. The writing is crisp and concise. The thoughts running through the main character's head are hilarious and real. The characters, especially the cop, are real people with real emotions and you want to know what happens to them. In fact you want to know what happens so much the ending will piss you off. The book is a short read and really builds up to the ending. The best way I can describe it is the last chapter got lost and a someone at the publisher who didn't read the book just typed something out and stuck it at the end of this book.

That being said the journey to the end was so good I still really enjoyed reading the book. This author has talent.
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