Product Details

• Actors: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg
• Directors: Martin Scorsese
• Format: Widescreen
• Language: English (Dolby Digital 5.1), English (PCM), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Dubbed: French, Spanish
• Region: All Regions
• Aspect Ratio: 2.40:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Warner Home Video
• DVD Release Date: February 13, 2007
• Run Time: 152 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (960 customer reviews)
• ASIN: B000M5AJQI
• Amazon Best Sellers Rank: #1,814 in Movies & TV (See Top 100 in Movies & TV)
  • #66 in Movies & TV > Blu-ray > Mystery & Thrillers
  • #83 in Movies & TV > Blu-ray > Drama
• Learn more about "The Departed [Blu-ray]" on IMDb

Editorial Reviews

Amazon.com

Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.

Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon

Product Description

Rookie cop Billy Costigan (Leonardo DiCaprio) grew up in crime. That makes him the perfect mole, the man on the inside of the mob run by boss Frank Costello (Jack Nicholson). It's his job to win Costello's trust and help his detective handlers (Mark Wahlberg and Martin Sheen) bring Costello down. Meanwhile, SIU officer Colin Sullivan (Matt Damon) has everyone's trust. No one suspects he's Costello's mole. How these covert lives cross, double-cross and collide is at the ferocious core of the widely acclaimed The Departed. Martin Scorsese directs, guiding a cast for the ages in a visceral tale of crime and consequences. This is searing, can't-look-away filmmaking: like staring into the eyes of a con - or a cop - with a gun.

Most Helpful Customer Reviews

61 of 68 people found the following review helpful

5.0 out of 5 stars Brilliant remake of "Infernal Affairs" October 13, 2006

By Wayne Klein HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

It's a tricky business adapting a foreign movie for an American audience. Martin Scorsese's "The Departed" captures all the best elements of the original film "Infernal Affairs" and works traditional Scorsese themes and material into the film making it very much his own and every bit the equal to the Chinese film. Featuring outstanding performances all around perhaps this film will finally earn Scorsese the Oscar for Best Director that he deserved for "Raging Bull" over twenty years ago.

Two state trooper academy graduates one an undercover officer named Billy Costigan (Leonardo DiCaprio) and a mole in the department Colin Sullivan (Matt Damon) working for crime lord Frank Costello (Jack Nicholson)have opposite goals. Captain Queenan (Martin Sheen) and Sgt. Dignam (Mark Wahlberg) charge Costigan with gathering as much dirt as possible on Sullivan so they can finally take him out. They work up a false history for Costigan which includes a brief stint in prison to create credibility. By comparison Sullivan is a boy scout who rises to the top of his department rapidly working for Ellerby (Alec Baldwin)in a rival department. Both are charged with ferriting out the mole in their respective organizations and both are romancing the same woman (Vera Farmiga) without ever meeting.

It's a brilliantly constructed game of cat and mouse with each playing the respective role at one point in time. Filled with brilliant visuals that echo the themes of the script adapted by William Monahan ("Kingdom of Heaven")from the script by Siu Fai Mak and Felix Chong the film manages to stay true to the elements that worked best in the Chinese film while incorporating elements unique to "The Departed". DiCaprio and Damon give complex, compelling performances as opposite sides of the same coin. Nicholson plays Costello with psychopathic intensity at times without going too far over the top. The entire cast gives stellar performances but I'd like to note tree actors in particularly who do the most with their limited roles--Alec Baldwin, Martin Sheen (who replaced two other actors that had to drop out--Robert DeNiro and Gerard McSorley)and Mark Whalberg all three give intense performances and inhabit their characters fully. Vera Farmiga handles her role of Madolyn equalling the big boys despite the fact that her character isn't given as much screen time by comparison. Special note should also be made of actor Ray Winstone ("The Proposition", "King Arthur" and "Cold Mountain") who gives a nice edgy performance as Mr. French.

The film runs 2 hours and 22 minutes. Scorsese uses every minute to allow the actors to build their characters or for brilliant set pieces. The film does sag a bit towards the middle but that's partially due to its complex set up for the story during the first twenty minutes of the film.

42 of 48 people found the following review helpful

5.0 out of 5 stars A remake? An original? Or both...? February 18, 2007

By R. Gawlitta

Format:DVD

I read some of the other reviews, and I'm frustrated that so many people are finding a problem with Martin Scorcese's sensibilities in adapting a Hong Kong -set thriller to an American venue, using his legendary experience to create a very American "original". I was immensely entertained, baffled at all the intended times, intrigued at the appropriate times, and thoroughly blown away with the remarkable ending. Others have blabbed away plot-points, and I'm glad I didn't read those reviews before I saw the film. There's no doubt that Scorcese is deserving of Oscar recognition, and trying to make comparisons to his other films doesn't fly with me. This was a brutal display of some very mean people, but not as gory as "Goodfellas", not as character driven as "Raging Bull" and not as gritty as "Taxi Driver". It WAS, however, a terrific plot-driven narrative, and Mr. Scorcese should be applauded for taking this very complicated story, where each character is constantly affecting the others, and making it coherent. Nicholson was, indeed, playing a familiar version of Nicholson, so it was a natural choice in casting but no stretch for the great Jack. The 2-disc DVD is fine, with ample interviews with Mr. Scorcese, and other interesting stuff, especially about Bulgar, the guy after which Nicholson's character was based. Very glad I made the investment. BTW: The sextet from "Lucia di Lammermoor" is by Donizetti, not Puccini. UPDATE: 2-26-07: I'm glad it won the Oscar.

27 of 31 people found the following review helpful

5.0 out of 5 stars Ratology December 17, 2006

By H. Schneider

At long last a great movie by Scorese again. After a disappointing Aviator and an impressive but somehow soulless Gangs of New York, this one is entirely satisfactory.
A highly suspenseful cops and gangsters story with the main driver provided by the mutual spy set-up, i.e. both sides having their undercover agents in the opposite camp.
Leo D. and Matt Damon are perfect in their parts as "rats". Of course they represent different species of the rodent. Leo is the good rat, who hides among the baddies and has to pretend to be one of them. You suffer with him and are near a nervous breakdown, just as he. Damon is the smooth and admirable bad rat who seems to his environment like a good solid bloke, but the viewer knows better. Well, also Wahlberg's character does not like him, but he likes no one. This is the Hitchcockian technique of letting the audience know more, which increases suspense dramatically. Imagine the same story, but you don't know who is the bad rat. That would be much less interesting.
Nicholson as the evil gangster boss is possibly slightly overdone, but very well so. A good cast in the cop team includes Martin Sheen, Alec Baldwin and Mark Wahlberg, the latter being mainly remarkable for his foul mouth and his crucial role in the story's conclusion.
The movie is a remake of an excellent Hongkong movie of a few years ago. Scorsese's version is quite different, but neither better nor worse. Most Hongkong reviewers seem to have decided not to like the new version. Up to them.