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42 of 46 people found the following review helpful:
5.0 out of 5 stars
Brilliant remake of "Infernal Affairs", October 13, 2006
It's a tricky business adapting a foreign movie for an American audience. Martin Scorsese's "The Departed" captures all the best elements of the original film "Infernal Affairs" and works traditional Scorsese themes and material into the film making it very much his own and every bit the equal to the Chinese film. Featuring outstanding performances all around perhaps this film will finally earn Scorsese the Oscar for Best Director that he deserved for "Raging Bull" over twenty years ago.
Two state trooper academy graduates one an undercover officer named Billy Costigan (Leonardo DiCaprio) and a mole in the department Colin Sullivan (Matt Damon) working for crime lord Frank Costello (Jack Nicholson)have opposite goals. Captain Queenan (Martin Sheen) and Sgt. Dignam (Mark Wahlberg) charge Costigan with gathering as much dirt as possible on Sullivan so they can finally take him out. They work up a false history for Costigan which includes a brief stint in prison to create credibility. By comparison Sullivan is a boy scout who rises to the top of his department rapidly working for Ellerby (Alec Baldwin)in a rival department. Both are charged with ferriting out the mole in their respective organizations and both are romancing the same woman (Vera Farmiga) without ever meeting.
It's a brilliantly constructed game of cat and mouse with each playing the respective role at one point in time. Filled with brilliant visuals that echo the themes of the script adapted by William Monahan ("Kingdom of Heaven")from the script by Siu Fai Mak and Felix Chong the film manages to stay true to the elements that worked best in the Chinese film while incorporating elements unique to "The Departed". DiCaprio and Damon give complex, compelling performances as opposite sides of the same coin. Nicholson plays Costello with psychopathic intensity at times without going too far over the top. The entire cast gives stellar performances but I'd like to note tree actors in particularly who do the most with their limited roles--Alec Baldwin, Martin Sheen (who replaced two other actors that had to drop out--Robert DeNiro and Gerard McSorley)and Mark Whalberg all three give intense performances and inhabit their characters fully. Vera Farmiga handles her role of Madolyn equalling the big boys despite the fact that her character isn't given as much screen time by comparison. Special note should also be made of actor Ray Winstone ("The Proposition", "King Arthur" and "Cold Mountain") who gives a nice edgy performance as Mr. French.
The film runs 2 hours and 22 minutes. Scorsese uses every minute to allow the actors to build their characters or for brilliant set pieces. The film does sag a bit towards the middle but that's partially due to its complex set up for the story during the first twenty minutes of the film.
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20 of 22 people found the following review helpful:
5.0 out of 5 stars
Ratology, December 17, 2006
At long last a great movie by Scorese again. After a disappointing Aviator and an impressive but somehow soulless Gangs of New York, this one is entirely satisfactory.
A highly suspenseful cops and gangsters story with the main driver provided by the mutual spy set-up, i.e. both sides having their undercover agents in the opposite camp.
Leo D. and Matt Damon are perfect in their parts as "rats". Of course they represent different species of the rodent. Leo is the good rat, who hides among the baddies and has to pretend to be one of them. You suffer with him and are near a nervous breakdown, just as he. Damon is the smooth and admirable bad rat who seems to his environment like a good solid bloke, but the viewer knows better. Well, also Wahlberg's character does not like him, but he likes no one. This is the Hitchcockian technique of letting the audience know more, which increases suspense dramatically. Imagine the same story, but you don't know who is the bad rat. That would be much less interesting.
Nicholson as the evil gangster boss is possibly slightly overdone, but very well so. A good cast in the cop team includes Martin Sheen, Alec Baldwin and Mark Wahlberg, the latter being mainly remarkable for his foul mouth and his crucial role in the story's conclusion.
The movie is a remake of an excellent Hongkong movie of a few years ago. Scorsese's version is quite different, but neither better nor worse. Most Hongkong reviewers seem to have decided not to like the new version. Up to them.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Scorsese's best since Goodfellas., October 11, 2006
I just saw Martin Scorsese's new film, The Departed, last night and I have to say - it was excellent! Scorsese is back in top form here, revisiting the mobster genre that he has been known for over the years. I would rank this one up with his classic film - and one of my personal favorites - Goodfellas. It's nice to see Marty swing back to his gritty, ultra-violent self!
First of all, the acting, directing, and just about everything else was state of the art. Jack Nicholson was perfect as Frank Costello, a mob boss who is in charge of the organized crime ring in Boston. Leonardo DiCaprio plays Billy Costigan, an undercover cop who sneaks his way into Costello's gang so he can be an informant for the police department. Meanwhile, Matt Damon plays Colin Sullivan, an informant for Costello's mob who works for the police department, and is on his way to be promoted in the Special Investigations Unit. Both men cross paths, and fall in love with the same woman - a psychologist played by Vera Farmiga from the little-known indie Running Scared. Each man starts to become consumed by their work, and when they are both in danger of being found out, only then do tensions rise, and things get a little out of hand. The performances from the leads are all Oscar-worthy. I never thought that I'd ever say that about Matt Damon. Well, let me back that up. He was quite good in Good Will Hunting and he was great in The Talented Mr. Ripley, and his performance here is no exception. Leonardo DiCaprio gives his best performance here since What's Eating Gilbert Grape. DiCaprio is becoming a fixture in Scorsese's recent films, almost as if he is the director's newfound muse amongst male actors, the last one being Robert DeNiro. This is Jack Nicholson's first film with Scorsese, which is hard to believe, but it is true. Jack is back to what he does best in this role, and, pardon the cliche, but it fits him like a glove. His performance is one of ferocious intensity, and everytime he's on the screen, you feel really uneasy...and that's not a bad thing! The direction is flawless. I've already said enough about Scorsese, but the man knows how to make a great film! I must also give credit to the editor, Thelma Schoonmaker, who worked on Goodfellas. Her editing makes the film seem fast paced and hyperactive, and for a film that is thirty minutes short of being three hours long, that's amazing!
However, if you are easily offended by profanity or graphic violence, then stay far away! They are both here, and in abundance.
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