The Doom Generation 1995 R CC

Amazon Instant Video

(176) IMDb 5.8/10
Available in HD
Watch Trailer

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.

James Duval, Rose McGowan
1 hour 12 minutes

Available to watch on supported devices.

The Doom Generation

By placing your order, you agree to our Terms of Use. Sold by Amazon Digital Services, Inc. Additional taxes may apply.

Buy the DVD and get the Amazon Instant Video Rental

The Doom Generation

Price: $8.89

Includes the Amazon Instant Video 24 hour rental as a gift with purchase. Available to US Customers Only. See Details

Product Details

Genres Drama, Thriller, Action, Comedy
Director Gregg Araki
Starring James Duval, Rose McGowan
Supporting actors Johnathon Schaech, Cress Williams, Skinny Puppy, Dustin Nguyen, Margaret Cho, Lauren Tewes, Christopher Knight, Nicky Katt, Johanna Went, Perry Farrell, Amanda Bearse, Parker Posey, Salvator Xuereb, Heidi Fleiss, Don Galloway, Bullet, Dewey Weber, Zak Spears
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

It's just a bad movie trying to pass for an intentionally-bad-for-comedic-purposes movie.
Justin E. Jacobson
One of the reasons the Doom Generation succeeds is because it makes its message known through feelings and imagery rather than words.
This is, without a doubt, one of THE worst movies I have ever seen (and I've seen a lot of bad movies).

Most Helpful Customer Reviews

49 of 64 people found the following review helpful By Only-A-Child VINE VOICE on June 20, 2005
Format: DVD
Few films on have elicited anywhere near the disparity of comments that "The Doom Generation" has received, along with an extreme bi-model vote distribution on the IMDb. While I hate to prattle on about hidden meanings and messages that do not exist or that are not intended, Araki (unlike most film makers) is sophisticated enough to actually put such elements in his films. And he does not strike me as so full of himself that he would do this with no purpose other than mind games. Therefore, I will elaborate on my own interpretation of what he is trying to convey with this film.

McGowen's character, Amy Blue seems to be symbolic of the concept of pure beauty, which could be considered our closest relation to a world that exists outside ordinary life. An idea that psychologists like Jung (influenced by Eastern religion) have imagined as involving a sort of "collective unconscious" that persists through time while actual generations of human beings are born and die. Making beauty our proof while we live that there is "something higher" than ordinary existence. Like when a composer creates a melody and attributes it to a higher authority because they can't believe themselves capable of bringing something that perfect into the world.

Some do not recognize beauty when they see it and some are inspired when they see beauty, but most must possess beauty-or failing to gain possession destroy it rather than share it with others. Protecting beauty from those who would possess it or destroy it is the focus of this film.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
17 of 22 people found the following review helpful By Ilker Yucel on August 7, 2000
Format: VHS Tape
I first heard of Gregg Araki through the trailer for "Nowhere." I saw that movie and thought it one of the gutsiest films I'd seen in a long time. Then I heard that it was the third in a trilogy of teen angst apocalyptic anarchy, including "Totally F**ked Up," and this film. "The Doom Generation" is even more difficult to watch than "Nowhere" was. Araki's penchant for using obviously half-assed teen language that is so outdated it's beyond humorous...which is the best reason to laugh at it, is only amplified by the extensive cussing. Also extensive in this movie is the sex and violence, both of which are VERY abundant. From a quicki-mart owner's head getting blown off (sorry for the spoiler) to stabbings to getting beat up by gang members (played by the members of the late industrial band Skinny Puppy) to the shocking and saddening climax, this movie is a bloodfest that could rival the "Evil Dead" movies. The sex...well, in Rose McGowan's first starring role, this movie makes it clear that she has to be a screwed up person to begin with just to be involved in a movie like this (and to think...with this as her first movie, some people were surprised that she would become Mrs. Marilyn Manson). Her depravity as a person goes beyond being a slut, but even to a sense of self-denial and hypocrisy, a condition that is worsened by the fact that everybody else in the movie thinks that she's someone they once knew who left them...and in return they must kill her. Was she? Maybe. It's beside the point, and yes this movie DOES have a point. And it's a little more than conveying the idea that this world we live in is a literal hell, as is told by the 666 and Hell references that are so blatant and obvious, they also add to the humor.Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
3 of 3 people found the following review helpful By A Customer on March 15, 1999
Format: DVD
THE DOOM GENERATION is definitely not a film for all tastes. This edition on DVD is worth having for the Araki fan who saw the hacked version in theaters. Seeing the director's vision unaffected by over-zealous censors is a real bonus. It only confirms my opinion that Araki is a filmmaker for the new generation of young, disaffected Americans who don't find much originality in the usual garbage cranked out by Hollywood today.
THE DOOM GENERATION is perhaps Araki's best work to date, although not as inspired as some of his earlier films, this film is overall more consistent and coherent in tone. Still, this film is NOT easy to watch for the prudish or faint-of-heart.
Araki fans won't want to miss this classic version of the ultimate "road" movie.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
2 of 2 people found the following review helpful By Ben C-F on January 6, 2002
Format: DVD
I will say this. "The Doom Generation" is not a movie to watch when you're extremely tired. It will come across as even more confusing and frustrating. Okay, that's out of my system.
I honestly don't know. . . clearly, you must look at this movie from a "so bad, it's good" kind of perspective. That's a given-- you can't expect me to believe a man getting his head blown off, falling into a convenient store stand and spewing up green stuff is either particularly harrowing or realistic. And I honestly still don't quite know what it's about, I remember scenes but not story, always the mark of a good bad movie.
But this one is so weird! I can't understand where it's coming from; is it a treatise on violence on our society? Our rigid views of sexuality? The fragile and deadly nature that was Generation X? Or is it just a weird movie? Essentially the film plays like the same fifteen minutes four times over-- kids drive off to some location, someone recognizes them, a struggle ensues, that dude from That Thing You Do comes to rescue them, they get away while some adversary says "that b**ch, I'm gonna find her, and I'm gonna kill her," two of the three go off and have sex while the other one watches and, well, **ahem**, then that adversary comes back (or doesn't, who knows) and vows revenge. This happens a few times until an extremely graphic, and very harrowing rape/mutilation/murder scene at the end that is quite ugly, but also the most brilliant moment of the entire film in its use of lighting and the way it is staged.
Warped cameos abound, most notably Parker Posey, Margaret Cho, and Heidi Fleiss (somehow fitting).
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Recent Customer Reviews