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• Format: PAL
• Rated: R (Restricted)
• Number of tapes: 1
• Average Customer Review: 3.7 out of 5 stars  See all reviews (252 customer reviews)
• ASIN: B000057996
• Amazon Best Sellers Rank: #567,017 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com essential video

Thanks in large part to its meticulous re-creation of the late 1960s and early 1970s rock scene and the uncannily authentic performance by Val Kilmer as legendary Doors front man Jim Morrison, Oliver Stone's hypnotic film biography is standing the test of time. Capturing the carefree mood of the Age of Aquarius, the film charts the meteoric rise of the Doors on the California club circuit (including a memorable scene showing the creation of the hit "Light My Fire"), and chronicles the band's exploits with hallucinogenics and Morrison's battles against charges of public indecency on stage. Kilmer's performance is hauntingly perfect, and performances by Meg Ryan, Kathleen Quinlan, and Kyle MacLachlan are similarly impressive. The movie doesn't fully probe the depths of Morrison's character, but as a portrait of excess it is vividly true to the spirit of the self-destructive poet known to his fans as "The Lizard King." --Jeff Shannon

From The New Yorker

Oliver Stone's film about the sixties rock group focusses on Jim Morrison, the Doors' lead singer and main songwriter, who died in 1971, at the age of twenty-seven. Morrison (played by Val Kilmer) presented himself as a combination of shaman and poète maudit, and he was a star in life and a legend in death because he made the physical, intellectual, and spiritual excesses of the counterculture sexy. The movie is pure exploitation-an extended, self-important freakout. Stone reduces the richly contradictory experience of that period to the myth of Morrison, and, in the process, reduces Morrison and the Doors as well: the movie restricts the viewer's freedom to imagine the sixties culture as anything but a movement with a single voice, or to imagine the Doors as anything but a metaphor. (Kilmer is physically convincing as Morrison, but his performance can be only an impersonation: what the script-by Stone and J. Randal Johnson-gives him to play is the icon, not the man.) For a while, the obviousness and flat-out vulgarity are sort of entertaining, and it might be possible to enjoy the movie as a camp classic if you could ignore the mean-spiritedness that keeps breaking through-the fundamental hostility Stone seems to feel toward his subjects. He wants to turn the audience (and himself) on, but the movie's bad faith and tabloidlike sensibility leave us exhausted and depressed; we feel like voyeurs of our own memories. Also with Meg Ryan, Kathleen Quinlan, and Michael Wincott; the other Doors are played by Kyle MacLachlan, Frank Whaley, and Kevin Dillon. -Terrence Rafferty
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

26 of 33 people found the following review helpful:

3.0 out of 5 stars mostly reviewing the new features, January 12, 2007

By 

lawgiver4feh - See all my reviews

This review is from: The Doors (15-Year Anniversary Edition) (DVD)

"Pam joined him three years later . . ." is on my copy of the 15 Year Anniversary Edition; the movie is the same as the Special Edition.

The packaging and menus are updated and look great. Substantially better than the special edition.

On to the 2 new features.

The Doors in L.A. - 20 minute feature; Robbie Krieger, John Densmore, (yaaay!), Jimmy Greenspoon, and Pamela Des Barres are the prominent interviews on camera here. Nothing earth shattering, but it's nice to see/hear John Densmore's abridged opinions.

The Jim Morrison Phenomena in Paris - it's interesting. You've got a handful of people who met JDM in Paris and hung out; they describe his mood and what he was (arguably) saying at the time. There's a French librarian who breaks down a lot of the parallels in the subtleties of the lyrics w/Greek literature. There's a somewhat annoying 20 something saying Jim was done with music and The Doors and blah, blah, blah that isn't substantiated w/anything. There is an interview w/Michelle Rudler, who is listed as "Coroner" who says lots of things were done wrong in the documentation of Morrison's death. It's about 50 minutes.

All of the extras on the Special Edition are here as well.

So in conclusion, if you are looking to purchase The Doors movie on DVD, by Oliver Stone, this is the one to get. The movie is entertaining enough but, you know, it's fictional and not historically accurate enough to garner more than 3 stars from this reviewer.

26 of 33 people found the following review helpful:

5.0 out of 5 stars "The Doors" Light Up the Screen......., January 9, 2003

By 

L. Shirley "Laurie's Boomer Views" (Huntington Beach,CA) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: The Doors (Special Edition) (DVD)

This review refers to the Artisan Special Edition(2disc)DVD of "The Doors".....

Become immersed in the wild ride that Oliver Stone takes you on in this legendary film of a legendary rocker.The extrordinary life story of Jim Morrison, played eeriley by Val Kilmer, will keep you mesmerized and stay with you long after the movie has ended.

The film explores "The Doors", from their beginnings in Venice Beach, California, where they exploded onto the rock scene,breaking the mold of music in the 60's, to their rise as superstars. Morrison's life is the main focus as a senstive poet type dropping out of film school, to becoming the Peyote addicted,culture shocking, philosphical rock idol.The LSD trips, the visions of this genius, his personal life and of course the famous controversial concerts are all told through Stone's unique cinematic magic.

You'll get lost not only in the time setting of the story but of course in the music as well. "The Doors" electrifying music is heard throughout the film and follows them chronologically on their journey. It's a film for fans of the cinema and music alike.

As mentioned above Val Kilmer is uncanny in not only his performance as Morrison, but seems to take on the physical appearance as well. The band members played by Kevin Dillon, Kyle Maclachlan and Frank Whaley are extraordinary in their portrayals. Meg Ryan, in a very dramatic roll as Jim's girl Pam is brilliant.
This "Special Edition" DVD is the one to have(and it's not as expensive as the other) It's a 2 disc set, with a fabulous widescreen picture, and a 5.1 Dolby Dig(get to this through the special feature selections) audio track that will blow you away. Lots and lots of special features. On the disc with the movie you can listen to Stone's commentary where he fills you in on how the band met, the genesis of the songs, and where he has taken license with the story. The second disc is filled with featurettes and production notes. Looking at the Technical info for the other edition ("The Collectors") it seems to be longer by 30 minutes and may have some extras not included with this one, but it is not in the 5.1 which for me was the deciding factor in this film featuring this exciting soundtrack.

So get out those mood rings and leather fringe vests and get ready to rock with "The Doors".....
"This Is The End"...........Laurie

also recommended:The Very Best of the Doors

9 of 10 people found the following review helpful:

2.0 out of 5 stars Similar contradictions and problems I have with most of Stone's movies..., March 23, 2008

By 

T. P. Watt - See all my reviews
(REAL NAME)   

This review is from: The Doors (Special Edition) (DVD)

The Doors suffers the same problems that Stone's other films about real people and events (JFK and Nixon) do; Stone uses the docu-drama format as a license to condense times and events, while simultaneously inventing composite characters and situations that never existed. All too often, these films, while containing exciting filmic and visual elements, ring a bit hollow.

The upside of The Doors is the performance of Val Kilmer, who threw himself into the role with ferocity and conviction; that he comes up short in the end isn't due to his acting abilities as much as the choice of episodes and Morrison's characteristics (both real and invented) that Stone chose to film. Simply put, Stone's Morrison comes across as little more than a sporatically gifted poet who sublimates his poetic callings to all the cliched rock star trappings. Perhaps this does describe some of Morrison's personality to a degree, but after seeing Morrison get stoned, drunk and act like a spoiled child throwing a tantrum for 2 hours plus, one wonders if Oliver thought of Morrison as basically an obnoxious drunk (possessed by the soul of a bald, silly-looking, half-naked dead indian that continually wanders around the movie) and, if so, what it was that turned Stone onto making the film in the first place...

The downside, in addition to the lack of scope regarding Morrison, comes in the numerous episodes that never happened (The Doors tripping on acid in the desert, Patricia Kennealy being present at the New Haven show Morrison got arrested at, Particia Kennealy and Pam Courson having a catfight, Buick actually making a commercial using the song Light My Fire and Jim finding out about it by watching tv, Jim setting fire to his and Pam's house while Pam was smacked up in the closet...and on and on). Also, the years of 1967 to early 1969 take up about an hour and a half of the movie, while the remainder of 1969 through to mid 1971 take about twenty minutes.

It's a shame that Stone went to such trouble to set up and film some great concert sequences, and Kilmer really made a terrific attempt at playing Morrison, but in the end both were content to rest the character on both the various myths about the singer and the confirmed instances of Morrison at his drunken worst. A well-shot film that, in the end, has little to do with reality.