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The Doors

June 19, -1023 | Format: MP3

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Product Details

  • Original Release Date: January 4, 1967
  • Release Date: January 4, 1967
  • Label: Rhino/Elektra
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 44:06
  • Genres:
  • ASIN: B0018B1O7I
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (512 customer reviews)
  • Amazon Best Sellers Rank: #17,725 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

120 of 125 people found the following review helpful By Matthew Comegys VINE VOICE on October 20, 2007
Format: Audio CD
Now this is a frustrating release. Up to now, all releases of this album has been a bit too slow and this CD thankfully corrects that. The band sounds more youthful and charged while plowing through their seminal debut.

But there's a catch; this is not the original mix either. The surviving Doors and engineer/producer Bruce Botnick have taken it upon themselves to completely remix the album. It's more like a modern mix now, and the sound is clearer and punchier. Unfortunately, this also does away with the creepy, compressed atmosphere that was a trademark of the original mixes. The balance has swung away from the psychedelic into more typical classic rock territory.

As is common with more modern mixes, the drums are also more front and center. It's fun to hear John Densmore's creative and musical drumming clearly, but it obscures the rest of the band more than I'd like.

After hearing this, I have trouble listening to the original mix's slightly flat sound, but I miss the original's atmosphere with the new mix. I guess the best thing to do is never listen to this, and grab a copy of the still fine 1999 remaster (which also includes the infamous lost vocals on "Break On Through" and "The End"). If you're new to the Doors, this new disc may serve it's purpose, I feel it's missing the aural mystery and majesty of the original.
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158 of 168 people found the following review helpful By Adam S. Carter on June 30, 2007
Format: Audio CD
This remixed debut album is supposedly the correct speed after decades of being mastered at a slower speed. Apparently, only the 45 RPM single of Light My Fire was the only record off this album cut at the correct speed, but every subsequent release has actually been a little too slow. Inside the 1st album remixed CD there is be an explanation by Bruce Botnick stating why this is so. That really piqued my curiosity.

I have also previously owned most of the Gold CDs, 1988 releases, and 1999 remasters. I have listened to the 1999 remasters and compared them to the 1988 remasters. The 1988 releases were tinny and flat sounding, while the 1999 version of this album was rich and full. I have also compared both of them with this 2007 remix. Clearly, this remix is the way to go. I CANNOT SAY THE SAME FOR THE DOORS REMIX ALBUMS AFTER STRANGE DAYS. After that, they sound waaaaay different which is not what I am pursuing. Some of you probably want a different sound and that's fine. The bottom line: the 2007 remix of the 1st album is "brighter" and "crispier" than the 1999 remasters and the 1988 CD release. I believe the 1999 release might sound a bit "fuller" than this 2007 remix, but I will definitely listen to this version from now on hopefully. Jim's voice is a tad more distant on some of the songs on the "2007" remix. It's plain as day to hear that. I think the instruments are turned up a bit higher and his voice level remains the same as before. The stereo separation is about the same as the 1999 and 1988 CD release, but the cymbals really come crashing through a lot louder and are more crisp and the drum are punchy. Any way you slice it, the remix gives your tweeters more work to do, but the organ and cymbals do tend to drown Jim out somewhat (but not too bad).
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76 of 88 people found the following review helpful By D.M. Cross on March 24, 2008
Format: Audio CD
This is NOT the original recording. It has been remixed. Bad idea. I don't understand why the Doors albums were remastered in 1999, but only released in the US in that box set. The '99 remasters sounded great. But now they're remixed?? I think even the average listener would be able to tell that something just doesn't sound right here. It isn't the same classic recordings you're used to hearing.

Now, why am I against the remixes? Well, for one, it opens the door to reinterpretation. I mean, why not get a whole host of remixers for the project? You could have today's top DJs remixing classic albums from every era. You could buy the Timbaland version of Light My Fire for when you want that combination of Jim Morrison and super sexy deep club beats. Why not just put the raw tracks on DVD audio and let the listener "remix" for themselves? Maybe you could get some guest musicians to add tracks to the original recordings. I mean, maybe what LA Woman really needs is a Slash guitar solo. Or how about getting Napalm Death to add some crunchy heaviness to Roadhouse Blues?

Do you get the point? If you start rearranging the past, where do you stop? And now these remixed CDs are taking the place of the original catalog, so new listeners will be hearing something totally different than what we originally heard and fell in love with. Classics are classics for a reason. Remastering for higher fidelity is one thing, but remixing, rearranging, and reinterpreting are quite another.
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36 of 40 people found the following review helpful By James M. Shertzer on July 15, 1999
Format: Audio CD
Unquestionably one of the four or five great American rock albums of the '60s, the Doors first album is a total stunner in this gold CD version. I have heard this music in almost all formats, from the first Elektra pressings through open reel to the audiophile Mobile Fidelity LP to the various CD incarnations. In the late 70s, I also attended a press preview of "Apocalypse Now" at a 70mm six-track stereo installation in New York City where Coppola had personally checked the sound just before the showing. "The End" sounds almost a good here at it did that night. I haven't been crazy about all Steve Hoffman's audiophile LP and CD remasterings at DCC, but this one is simply terrific. The sound has a presence and depth you don't hear on the aluminum version, and Morrison's vocals are just lacerating! Highly recommended, and the DCC version of "L.A. Woman," the other Doors album that really matters, is damn near as good!
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