The Double [Kindle Edition]

Fyodor Dostoevsky (Author)

Editorial Reviews

Review

''One of the most outstanding and influential writers of modern literature.'' --The Reader's Encyclopedia

''The novels of Dostoevsky are seething whirlpools, gyrating sandstorms, waterspouts which hiss and boil and suck us in. They are composed purely and wholly of the stuff of the soul. Against our wills we are drawn in, whirled round, blinded, suffocated, and at the same time filled with a giddy rapture.'' --Virginia Woolf

Product Description

The Double: A Petersburg Poem is a novella written by Fyodor Dostoevsky. The novella was first published in 1846. The Double deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin. The motif of the novella is a doppelgänger, known throughout the world in various guises such as the fetch. The Double is the most Gogolesque of Dostoevsky's works; its subtitle "A Petersburg Poem" echoes that of Gogol's Dead Souls. Vladimir Nabokov called it a parody of "The Overcoat". The story is told in great detail with a style intensely saturated by phonetic and rhythmical expressiveness. The novella centers on a government clerk who goes mad, obsessed by the idea that a fellow clerk has usurped his identity. The novella may, however, be viewed simply as the documentation of a schizophrenic break from reality with the realistic description of symptomatic mental degenerations, including broken speech patterns and free association. The most obvious example is the hallucination where the hero of the story sees himself everywhere he goes, especially in socially awkward situations. The man's quick downfall is characteristic of the disease. With the accurate depictions of its symptoms, the reader might wonder if a close friend or acquaintance of Dostoevsky had fallen prey to the affliction.

Fyodor Mikhaylovich Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian fiction writer, essayist and philosopher whose works include Crime and Punishment and The Brothers Karamazov. Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written." Dostoyevsky is recognized as one of the greatest and most influential writers of all time. - Wikipedia

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Product Details

• Format: Kindle Edition
• File Size: 190 KB
• Publisher: Cybraria LLC (April 7, 2009)
• Sold by: Amazon Digital Services
• Language: English
• ASIN: B0025VKZQ6
• Text-to-Speech: Enabled
• Lending: Enabled
• Average Customer Review: 3.2 out of 5 stars  See all reviews (18 customer reviews)
• Amazon Best Sellers Rank: #253,211 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
  • #22 in Kindle Store > Kindle eBooks > Fiction > Children's Fiction > Historical Fiction > Exploration & Discoveries
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29 of 30 people found the following review helpful:

4.0 out of 5 stars Hilarious and haunting early Dostoevsky., February 9, 2001

By 

darragh o'donoghue - See all my reviews

This review is from: The Double (Dover Thrift Editions) (Paperback)

Dostoevsky's second novel comes pretty late in the day of the first European doppelganger/double cycle. it's the usual thing - a complacently respectable civil servant, Mr. Golyadkin, is publicly humiliated. Soon, an exact replica of himself enters his life, receiving undeserved favour from the hero's superiors, while behaving atrociously and getting Golyadkin blamed. Does the second Golyadkin really exist? Does he represent the hero's dark side, the Id lurking in his subconscious, performing the transgressions his bourgeois public persona would dare not? Is it all a nightmare? Is Golyadkin a schizophrenic? Mad? All par for the course.

The novel's subtitle gives a clue to its real worth - 'a poem of St. Petersburg'. Dostoevsky's descriptions of this snow- and wind-lashed city, with its dank, claustrophobic, labyrinthine streets, squelching with mud, its menacing tenements and restaurants, and the bordering restless, gloomy river, are a vivid backdrop to Golyadkin's circular nightmare - the storm scene when he discovers his double is an atmospheric tour de force.

Dostoevsky's style in this novel was apparently modelled on Gogol - certainly it is immediate, intrusive, sarcastic, ironic, bathetic, fast, very funny, yet always unsettling, even poetic. Golyadkin should deserve our sympathy, yet his self-importance, long-windedness and cowardice are rendered comically ridiculous, and from the beginning, with the strange ball, the elliptical narrative and ambiguous point of view, the reader's sympathies and interpretations are constantly shifting.

Written in 1846, before the arrest and spiritual crisis, there is no contrived redemption here, and the novel's resolution is more satisfying than some of the later work's, although the author himself was surely right when he said later that the first half is far superior to the second. Best of all are the public set-pieces that frame Golyadkin's identity crisis.

(I recommend Jessie Coulson's fluid Penguin translation, which, a few infelicities aside, captures something of the book's rapidity and playfulness).

14 of 15 people found the following review helpful:

5.0 out of 5 stars A novel way ahead of its time, January 31, 1999

By A Customer

This review is from: The Double (Dover Thrift Editions) (Paperback)

The Double was Dostoyevskys second book. The author thought it was his greatest work yet, but to the literary critics, who considered it weird and insane, it was a disappointment. This was not strange, because D. had really started to explore new territories of the human mind. The language and style was close to that of Gogol, but what D. wrote here was simply revolutionary! He describes insanity from within, a person who is followed by a double through the cold streets of StPetersburg. It's no wonder this book amazed Freud and the psycho-analysts of the 20th century. You can also clearly see who Kafka learned from... However, this is a great book and it is invaluable if you want to get further into the genius of Fyodor Dostoyevsky.

10 of 11 people found the following review helpful:

5.0 out of 5 stars Hoisted like a Drunken Hammock, February 5, 2002

By 

peter wild - See all my reviews

This review is from: The Double (Dover Thrift Editions) (Paperback)

Mr Golyadkin is something of an odd fish. He hires a carriage to take himself to a party he has not been invited to, only to retreat from an attack of nerves before he is even halfway there. Following an abortive trip to his doctor (who doesn't appear to like him very much), he goes shopping. Or at least he attempts to create the impression of shopping (in that he enters several shops, makes a lot of noise and invariably leaves without having made a transaction). You learn one or two things about Golyadkin pretty quickly. He appears to have enemies. Or at least, he refers to his enemies (and thinks about his enemies) quite a lot. There is also a woman somewhere thereabouts in the shadows who may or may not believe that Golyadkin has wronged her.

Way before any double appears on the scene, you understand that (a) Golyadkin is an odd fish and (b) you should not quite trust everything he tells you. There is something more than a little neurotic about Golyadkin, and that sense of unease only increases as you read.

It is like you find yourself in the middle of a crowd (and it is like you have been asleep), and there are people all around. There are so many people that you cannot see beyond them. You do not know where you are. You just know that you are in the midst of people. Next thing, they have their hands on you. There are hands on your arms and hands on your legs and feet. You find yourself hoisted off the ground as the people around you start to swing your body as if they thought you were a hammock. You have no control over anything. They swing you backward and forward, each arc hoisting you just that bity higher. When you think you cannot go any higher, they let you go and you fly, out over the top of the crowd and into the sea. It isn't until you hit the sea that you realise you cannot swim.

That feeling (the tension, the lack of control, the blank incomprehension) sits on your shoulder like an enormous black bird all the time you are reading "The Double."

Golyadkin sneaks into the party he was not invited to, and finds himself rather rudely ejected. Wandering through a stormy night (a storm akin to the fog that opens "Bleak House"), he sees another version of himself and gives chase. The phantom Golyadkin appears again at work the following morning. Only it is not a phantom. It is another man. Just because the man shares his face and his name, just because the man happens to have been born in the same place. There is no need to worry. It is all just coincidence. (You can hear Golyadkin reassuring himself.) Only it seems he does have reason to worry. His job is under threat. People look at him oddly. He does not understand what it going on (and we, as readers, share the puzzle with him: why is everybody behaving so oddly?).

This is an oddly contemporary nightmare, the story of a man lost in the fog of the modern world. Whatever your expectations of this book (or for that matter Dostoyevsky), you will be surprised. Where books like "Crime and Punishment" or "The Brothers Karamazov" share a direct novelistic lineage with the great novels of Dickens, "The Double" is more at home in the company of Kafka or Sartre (specifically "Nausea"). The ground beneath your feet is never sure, the peculiarities you are faced with mount up, the book is like extreme drunkenness.

There may well be a great tradition of doppelganger fiction, but I guarantee you: nothing is quite like this.