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The Draughtsman's Contract

44 customer reviews

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Editorial Reviews

Product Description

Set in a richly exaggerated 17th-century England, Peter Greenaway's sumptuous and sensuously charged brainteaser catapulted him to the forefront of international art cinema. Adorned with intricate wordplay, extravagant costumes and opulent photography, Greenaway's first narrative feature weaves a labyrinthine mystery around the maxim "draw what you see, not what you know." An aristocratic wife (Janet Suzman) commissions a young, cocksure draughtsman (Anthony Higgins) to sketch her husband's property while he is away--in exchange for a fee, room and board, and one sexual favor for each of the twelve drawings. As the draughtsman becomes more entrenched in the devious schemings in this seemingly idyllic country home, curious details emerge in his drawings that may implicate a murder.

Bolstered by a majestic score by then-newcomer Michael Nyman and stunning cinematography by Curtis Clark that suggests Greenaway has the elements at his beck and call, The Draughtsman's Contract is a luscious cinematic banquet for eye, ear and mind.

- Restored anamorphic transfer, created from Hi-Def elements
- Peter Greenaway commentary and video introduction
- Four deleted scenes
- Behind-the-scenes footage and on-set interviews
- Interview with composer Michael Nyman
- Restoration demonstration
- Production photo and Draughtsman's sketch galleries
- English subtitles for the deaf and hearing impaired
- Original theatrical trailer
- Essays by Greenaway and cinematographer Curtis Clark


"Four Stars. What we have here is a tantalizing puzzle, wrapped in eroticism and presented with the utmost elegance. I have never seen a film quite like it.... His movie is like a crossword puzzle for the senses." --Roger Ebert, The Chicago Sun-Times

"The film is mannered and idiosyncratic; the speeches are so arch and twitty they seem to be pitched higher than a dog whistle, and the people talking are popinjays in perukes shaped as geometrically as the shrubs at Marienbad." --Pauline Kael

"Astonishingly elegant... extraordinarily detailed... mind-bendingly rich. The Draughtsman's Contract is fun." --Vincent Canby, The New York Times

Special Features


Product Details

  • Actors: Anthony Higgins, Anne-Louise Lambert, Janet Suzman
  • Directors: Peter Greenaway
  • Format: Multiple Formats, Anamorphic, Color, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Zeitgeist Films
  • DVD Release Date: February 12, 2008
  • Run Time: 108 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (44 customer reviews)
  • ASIN: B000Y14U5Q
  • Amazon Best Sellers Rank: #65,959 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

47 of 49 people found the following review helpful By A Customer on October 16, 1999
Format: VHS Tape
This is the only movie I've seen more than five times. The plot is always fascinating because every explanation I come up with has some flaw, although there seem to be clues everywhere. The arch dialog is delicious, and delivered by the actors with obvious relish. This is the only movie I find myself quoting lines from, simply for the fun of it. The cast is perfect. The music is wonderfully atmospheric. The scenery is luscious. It may require a decadent taste to enjoy this movie, but if you have that, it is the ideal entertainment. I haven't found anything else of Peter Greenaway's watchable. But The Draughtsman's Contract is a masterpiece.
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27 of 28 people found the following review helpful By Daniel Sutton on October 14, 2000
Format: DVD Verified Purchase
This beautifully shot, highly intelligent, somewhat surreal and shockingly unknown film was originally made by Peter Greenaway for the opening night of Channel Four Television in Britain, and represents, perhaps, the man at his peak. The story, which avoids any direct explanations of itself or its plot, centres around a draughtsman (Higgins) who is hired to produce twelve drawings of a stately home in England. While he draws, objects appear in the landscape around him, which he includes in his drawings... when a body finally surfaces, do the drawings contain evidence concerning the identities of its murderers, or has some clever person purposely placed the objects in order to frame someone else... possibly the draughtsman himself? One may watch the film many times, each time coming up with a different answer; the motives and dialogue contradict each other just enough to add to the mystery, but not enough to ruin any possible explanation. The sountrack (by Michael Nyman) is also interesting: the themes within it are based on eight-bar samples of Mozart which are repeated and improvised upon, to hypnotising and evocative effect. A fascinating film.
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Format: DVD
This new digital transfer looks quite nice but keep in mind the limitations of the format it was shot in--Super 16mm (most TV shows were shot in 16mm for British TV and this was financed by Channel 4--when watching this new digitally restored transfer of "The Draughtman's Contract". The plan was for a theatrical release and then a TV airing. The budget was quite small. Super 16mm doesn't yield the fine detail of 35mm or 70mm. The transfer is an improvement over the previously available DVD but it also reveals the flaws of the source so the high definition elements can't mask the limitations of Super 16mm.

The real reason to get this though is for the extras. We get a commentary track by director Peter Greenaway as well as an introduction that's almost long enough to be a featurette on the making of the film. We also get deleted scenes, an interview with composer Michael Nyman ("The Piano"--this was one of Nyman's first scores), a restoration demonstration, behind-the-scenes footage and on set interviews and the original theatrical trailer for the film. There is also a booklet with an essay by Greenaway (don't read it until AFTER you have seen the film if this is your first time viewing it)and an interview with Cinematographer Curtis Clark discussing how he and Greenaway decided to use Super 16mm and the challenge of shooting only by candlelight.

"The Draughtman's Contract" won't be for everyone. Director Peter Greenaway deliberately sought to subvert the way a traditional period piece was portrayed in film with this unusual and elliptic mystery. Part social commentary and avant garde period piece. Greenaway has his actors behave in a stiff, formal way often posing as often as performing.
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20 of 22 people found the following review helpful By Charles S. Tashiro on May 12, 2001
Format: DVD
Peter Greenaway may be the last indisputably distinctive Anglophone filmmaker. With "The Draughtsman's Contract," he broke through from relative obscurity as an experimental artist into feature-length narratives. While his subsequent films have been more conservative than his earlier work, he remains a highly original and innovative artist. "Contract" may be his most balanced film, integrating much of his earlier formal experimentation with the demands of narrative.
Greenaway is just about the only well-known filmmaker with an interest in the art and film theory of the past thirty-five years. His is a "meta-cinema," at least as much about the act of making and watching movies as about particular situations. Summarizing the story of "The Draughtsman's Contract," for example, gives only a limited sense of what watching the movie is like. As some of the reviews here have pointed out, you cannot watch "Contract" without noticing the perspective tools used by Mr. Neville. These technologies anticipate the optics used in photography and cinematography. As we are aware of how they contribute to 17th century draftsmanship we (in theory at least) recognize the construction of the very images we are viewing. In short, through these and other techniques, you are too aware of experiencing the film to become engrossed in it.
If you are not comfortable with such distancing, "The Draughtsman's Contract" may not be your cup of tea. On the other hand, there is certainly "much to be applauded" in "The Draughtsman's Contract." As in virtually all of Greenaway's work, the visual design and cinematography are exquisite and all the more remarkable given the film was shot in 16mm.
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