Pastiche is a form of literature that involves a new author using the characters and situations of another author. There are a few popular characters who exist in the public domain, who have been given this treatment quite a bit. There are dozens, if not hundreds, of Sherlock Holmes pastiches, for example. Some have been very good, and others miserable.
The trick with a good pastiche is to faithfully capture the essence of the original author's vision, but to reinterpret it in exciting new ways. Some writers slavishly recreate the original character, but fail to add anything new or interesting. Others launch into imaginative flights of fancy but stray so far from the original that fans are offended. The very best manage to meld the things that compell us about the original character with new and compelling situations.
THE ELDRICH NEW ADVENTURES OF BECKY SHARPE by Micah Harris is one of the best examples of pastiche I've seen in quite a while.
Micah starts with a very unlikely premise, placing the anti-heroine of William Makepeace Thachary's VANITY faire into the world of H.P. Lovecraft's ancient alien races and mind-shredding horrors. If you're familiar authors, you'd expect the combination to be bleak and pessimistic, but Mr. Harris has written this as a fast paced, and often funny, adventure.
It's amazing how beautifully this combination works. The story opens with Becky living in the dire straits that Thackary left her in. She is kidnapped by agents of a mysterious secret society and offered work as their agent. Becky, ever the self-interested pragmatist, agrees and finds herself caught up in something bigger, and stranger, than she could have imagined.
What follows is a series of adventures in the best tradition of Edgar Rice Burroughs or H. Ryder Haggard as Becky journeys to a hidden city in the depths of Africa, a time-lost island inhabited by dinosaurs and gigantic apes, and even to the center of the world. On the way she interacts with characters from the worlds of Jules Verne, Sir Arthur Conan Doyle, Russell Thorndike, Washington Irving, Herman Melville, and many more. All of this takes Backy across the world, and through the ages, to a confrontation with something that could destroy the world for, when the stars are right, great Cthulhu will rise from the sunken city of R'leyh and only Becky will stand between him and the destruction of humanity.
The different fictional worlds are woven together with a great deal of skill and an obvious love of the originals. It makes for a compelling adventure with a lot of clever literary references throughout. I had nearly as much fun catching all of Mr. Harris' allusions as I did just reading the adventure.
Though he introduces a number of larger than life characters, it is Becky who dominates the story. Harris gives us a character who is every bit as selfish, willfull, and manipulative as the original. While, in VANITY FAIRE these qualities were meant to make us hate Becky, he deals with her more sympathetically. Women in Becky's time lived at the whims of the men in their lives, and a modern audience can appreciate a owman who doesn't want to live that way. Her cunning and callousness make Becky an excellent spy, and her sense of irony makes her a lot more approachable than a hard-edged killer like 007.
In fact, Becky comes across as a very likable reluctant heroine when you get beneath her bad girl exterior. She's still a bad girl underneath, but one who can be loyal, loving, and even self-sacrificing, in the right circumstances.
The novel works on a number of levels, giving us effective moments of horror, high adventure, humor, and sharp(e) insight. Mr. Harris new version of Becky, and her adventures, will take your breath away.