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This framework is arguably beside the point; it's merely von Trier's way of entering a post-apocalyptic world of his own making, flooded and decaying, and filmed entirely in an amber-tinted tone punctuated only by blue police lights and sickly green fluorescents. By following principles of crime solving conceived by his mentor (played by British film veteran Esmond Knight), Fisher closes in on an awful revelation that spins The Element of Crime into another psychological dimension. Multilayered, deliberately paced, and atmospheric in the extreme (which less appreciative viewers may find intolerable), The Element of Crime elicits a dream state that is simultaneously oppressive and visually unforgettable, crammed with symbolic subtleties and cinematic references that can only be fully absorbed over multiple viewings. To say the least, this is a film that grows on you. --Jeff Shannon
ELEMENT OF CRIME is the confession, under hypnosis, of a german policeman to his aegyptian psychiatrist in Cairo. Suffering from severe headaches after a three months trip in Europa, the cop must find the cause of them in his memory. Then begins a journey in a near future Germany. Entirely shot in saturated yellow and orange tones, ELEMENT OF CRIME is a UFO in the european cinematographical production of the eighties.
If you've liked the movies of Terry Gilliam, specially BRAZIL, you will certainly fall in love with ELEMENT OF CRIME. I really think that this movie is one of the best science-fiction movies ever made, without interstellar battles nor special effects. It's also an hallucinated thriller involving a serial killer whose victims are young lottery tickets sellers. Finally, you can see it as a surrealistic essay about Europa.
With this Criterion release, you will have optional english subtitles (very useful), a theatrical trailer and a not-to-be missed 54 minutes documentary about Lars Von Trier with interviews of the danish author-director and the people who have worked with him. I was literally hypnotized by this documentary.
Don't be the last ones to discover this new Master, Movie History is written right in front of your eyes. You just have to consider ELEMENT OF CRIME as
A DVD for your library.
One can't help but compare this title to "Blade Runner", though I believe it makes Ridely Scotts film look like a Disney movie. Cross references throughout include homage to "Apocalypse Now", with equal success at capturing the creepy feel of great film noir classics such as "The Big Sleep". Von Trier creates a whole new world with nothing less then amazing sets and locations. One can only guess where or how he came up wiht these sites.
No doubt Von Trier is to current cinema what David Lynch was to film in the 80's. It seems to all come easy to him, but thats just what'd you'd expect from such a great master who's still far ahead of his time.
This is Lars Von Trier's first major film. It is truly a masterpeice debut. Read more