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The Elements of Style: 50th Anniversary Edition Hardcover – October 25, 2008

ISBN-13: 978-0205632640 ISBN-10: 0205632645

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Product Details

  • Hardcover: 128 pages
  • Publisher: Longman (October 25, 2008)
  • Language: English
  • ISBN-10: 0205632645
  • ISBN-13: 978-0205632640
  • Product Dimensions: 5 x 0.5 x 8.1 inches
  • Shipping Weight: 10.6 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (176 customer reviews)
  • Amazon Best Sellers Rank: #85,566 in Books (See Top 100 in Books)

Editorial Reviews

From the Back Cover

You know the authors’ names. You recognize the title. You've probably used this book yourself. And now The Elements of Style—the most widely read and employed English style manual—is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic.

Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level.



Fifty Years of Acclaim for The Elements of Style, by William Strunk Jr. and E.B. White


“I first read Elements of Style during the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.'  It is the Bible for good, clear writing.”

                        -- Henry Louis Gates Jr.


“For writers of all kinds and sizes the world begins and ends with Strunk and White’s Elements of Style. Only something to actually write about trumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment.”

                        -- Jim Lehrer


The Elements of Style remains an unwavering beacon of light in these grammatically troubled times.  I would be lost without it.”

                        -- Ann Patchett


"To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967.  I taught them with a copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: ‘In case your reckless ways should strand you here, there's help.’  S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly way to go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you."

                        -- Richard Ford



The Elements of Style never seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within.”

                        -- David Remnick, editor of The New Yorker


 “It’s the toughness—the irreverence and implicit laughter—that attracted me to the little book when I was seventeen. I fell in love with Strunk & White’s loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission by The Elements of Style to break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from.”

                        -- Robert Pinsky


“In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential.”

                        -- Dan Rather


"Eschew surplusage! A perfect book."

                        --Jonathan Lethem


"Not until I started teaching writing and I reread The Elements of Style did I realize that

most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book."

                        -- Julia Alvarez


 “Strunk and White seared their way into my brain long ago, and I benefit from them daily.”

                        -- Stephen J. Dubner, co-author of Freakonomics


“Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalized The Elements of Style. But sometimes I get entangled in a paragraph that refuses to be ‘clear, brief, bold.’ I dip back into The Elements of Style and am refreshed.

     After Scott Simon interviewed me on NPR about whether the word ‘e-mail’ needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, ‘Are you a drunken white man?’ Those listeners misheard. ‘Strunk and White man’ was what Scott said.”

                        -- Roy Blount Jr.


“Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere."

                  -- Thomas Mallon


 “I used Strunk -- that’s what we called it, Strunk -- as a student at Berkeley fifty years ago.  I didn't know that it was new, and that we were the first generation to be educated in The Elements of Style.  I got a firm foundation in the English language, learned to write basically, and could depict the realistic world.  Then I was able to become an impressionist and expressionist.” 

                  -- Maxine Hong Kingston


 “Strunk and White's gigantic little book must be the most readable advice on writing ever written.  Side by side with Roget, Shakespeare, the Bible, and a dictionary, it's an essential for every writer's shelf.”

                        -- X.J. Kenned...

About the Author

William Strunk, Jr. was a Professor of English at Cornell University and first published a private editon of his "little book"  in 1919 for his own writing students. The book was published in 1935 by Oliver Strunk.

E. B. White was a student in Professor Strunk's class at Cornell, and used the small volume himself, during which time he became respectful and appreciative of its pithy and indispensable writing advice.  Commissioned by Macmillan to revise the book, White edited and created new material for the 1959 and 1972 editions of The Elements of Style.

Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

91 of 98 people found the following review helpful By Fuad Tabba on July 6, 2010
Format: Hardcover Verified Purchase
First of all, I want to make it clear that I love this book. I borrowed it from a friend a few years ago, which is why I thought it was high time I got my own copy. Unfortunately, once I did, I found that the actual quality of the printing of this edition is horrible. The paper feels cheap and the text looks as if it were poorly photocopied. You would definitely not expect this from an edition billed as "more durable and elegantly bound edition". The only good thing I could say about this edition is that the cover is indeed beautiful, which is a good thing if all you want is something that looks nice on a bookshelf.

I recommend the 4th edition instead.
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102 of 113 people found the following review helpful By Bryan Reynolds on April 2, 2009
Format: Hardcover
I picked this up sometime in December, after having read the original edition online for free. I know it has been getting a lot of bad reviews citing greed and whatnot, so I thought I'd add my thoughts on this newest edition of the most useful primer on the craft of writing.

In my opinion, the biggest draw of this new edition is the cover. It's black and professional looking; The perfect compliment for your shelf of writing books. I would recommend this edition to anyone willing to spend a little extra for a copy that isn't likely to fall apart after a few dozen reads. Long after you feel you've mastered all there is, you will still find yourself dipping into this now and again as a refresher. The advice is timeless and this high-quality edition does it justice.

If you're a student or don't care about a nicely bound hardcover, you could do just fine getting the ~$10 softcover edition.
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27 of 29 people found the following review helpful By Byron on January 23, 2014
Format: Kindle Edition
The by-line is misleading. This is NOT Strunk and White, but merely Strunk. It lacks the content by E. B. White. A careful examination of the sample reveals this -- it begins with the introduction by Professor Strunk rather than White's comments on the history and value of the book.
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45 of 51 people found the following review helpful By Suc Hamate on April 15, 2009
Format: Hardcover
It's concise.
It's humorous.
It's straightforward.
It's well balanced and reasonably biased.
It's articulate and persuading.
It's just handy if you'd like to write in English.
All in all, it's a must buy.
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14 of 14 people found the following review helpful By Browser on October 24, 2014
Format: Kindle Edition
"Elements of Style" deserves of course 5 stars, but NOT this kindle version: it's not the Strunk and White version -- it's the original 1918 version by Strunk only, which is in the public domain and available FOR FREE for kindle and other formats via Project Gutenberg ( The Gutenberg version looks better, too, if I go by the "look inside" pages here -- I can't imagine getting a book printed all in italics.

It's a real problem that clicking on the "kindle" version within the page of Strunk and White, Elements of Style, Fourth Edition (ISBN 0-205-30902-X), sends us to the original 1918 version. Never mind spending $3 for something you could get for free -- the bigger problem is that the setup is misleading and if you don't pay close attention, you might get a different book from what you expected.
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13 of 13 people found the following review helpful By Paige McCoy on May 1, 2011
Format: Hardcover Verified Purchase
Even people who haven't read through this book should know that it's the de facto manual for improving your writing. The information it contains is just as relevant today as when it was written.

Since the content of the book isn't any different this time around, let's talk about the edition itself. As some other reviewers have mentioned, this is a very attractive edition of The Elements of Style. Embossed lettering and a leatherette cover definitely make for a fancier copy than the basic soft and hardcover editions. Inside, it's beautifully printed with an easy-to-see contrast between paper and ink.

The biggest issue with this edition for me is how flimsy the paper is. This is essentially a reference book, but the paper's thinness makes me think it won't hold up to being thumbed through over time.

This would make a nice gift for a budding writer, or look good on a shelf if you don't plan to consult it often. For college students, professional writers or anyone else who might get heavy use out of The Elements of Style, go for one of the oversized paperbacks with the thick paper instead.
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28 of 32 people found the following review helpful By SP on May 28, 2010
Format: Hardcover
The Elements of Style is to contemporary writing what Aristotle's Poetics is to Western literature: it's so succinct that you don't realize at first just how much it has to tell you. It's easy to laugh when reading the table of contents; the thought of anyone summing up usage, composition, and style in so few chapters can seem like a joke. But once you read enough other books about writing--as I did this past year in university courses on linguistics, writing, and grammar--you realize that no other book gives such a wide range of advice with such depth. Best of all, perhaps, is Strunk and White's own style: simple, direct, and funny prose makes this book a gem (a favorite jab from the section about avoiding "a breezy manner" in one's writing: "'Spontaneous me,' sang Whitman, and, in his innocence, let loose the horde of uninspired scribblers who would one day confuse spontaneity with genius.").

Then again, you probably don't need me to point out this book's greatness; over fifty years of popularity and the acclaim of writers much more accomplished than I am probably speak for themselves. But let me address some common complaints I've heard about the book:

(1) "It's dated." Those who make this complaint probably see the word "style" in the title and, before reading a word between the covers, assume that the book is a bossy manifesto on the English language's ever-changing styles. Strunk and White are writing not about the popular literary styles of their time--nor, for that matter, the times at which the book's other editions were published (note the reference to Toni Morrison's Beloved in one of the chapters)--but on the specific elements of nonfiction prose that have been relatively stable over the past couple of centuries.
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