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Summer Reading
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Unfortunately, the author's style is often ham-handed, leaving the reader with the unsettling feeling that the story should have been told differently. For one thing, the plot follows the project's timeline with mind-numbing accuracy. It's okay for journalism, but it leaves many of the juiciest details buried amongst mundane activities. In addition, the pacing does not change, giving the book a feel of bloodless efficiency rather than real passion or excitement.
A few years ago I read Paul Hoffman's "The Man Who Loved Only Numbers," the excellent biography of mathemetician Paul Erdos. The whole way through "Eudamonic Pie" I found myself wishing that Thomas Bass had emulated Hoffman's engaging intertwining of Erdos' life, the history of math and the obscure culture and argot of top mathemeticians. Instead, I found this book to be an interesting plot bogged down by a flat and lifeless style.
Sort of like Leonard Nimoy singing "Proud Mary."