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As the novel edges toward Trujillo's inevitable murder, Urania's story gets a bit lost in the action; the remaining narratives however, are rarely short of mesmerizing. Trujillo's death unleashes a new order, but not the one expected by the conspirators. Enslaved by the soul of the dead chief, neither they nor the Trujillo family--who embark on a hideous spree of bloody reprisals--are able to fill the void. Llosa has them all skillfully outmaneuvered by the puppet-president Joaquín Belaguer, a former poet who is the very antithesis of the machismo Goat. Savage, touching, and bleakly funny, this compelling book gives an all too human face to one of Latin America's most destructive tyrants. --Travis Elborough, Amazon.co.uk --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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The story is told through three different viewpoints. The first is set in the present day, when a middle-aged female attorney who has lived in the United States since the age of 14, returns to the Dominican Republic. She's full of anger at her invalid father who was once an official in Trujillo's government, and it is only at the very end of the book that we understand why. But as she meets her relatives and finally lets them hear her personal story, two other compelling narratives are taking place in alternating chapters which are set in 1961.
The reader gets a chance to see into the mind's eye of Rafael Trujillo himself. He's 70 years old now. Always immaculately well groomed, he's embarrassed by bouts of incontinence. And he's also finding it difficult to consummate his erotic encounters with young women. He's upset about these matters, but his mind is razor sharp, deeply involved in the political intrigues that are his forte, and able to force his underlings to shiver in terror at the whims of his disfavor.
And then there is a group of assassins, who we first meet as they wait in the darkness to ambush his car on a lonely road. Each of these men has a good reason to hate the dictator. Each has a sorrowful story and as each story unfolds, I was able to better understand the vast mosaic of the evil regime and its effects on their lives and those of their relatives. I was horrified at the many acts of cruelty they had to endure. And I found myself worrying about the safety of their families.
Then it happens. We all knew it would. After all, it's in all the history books. Rafael Trujillo was assassinated.
But this is not a joyful conclusion. The regime didn't fall. And the punishments meted out to the perpetrators by Trujillo's son were the epitome of mercilessness. I wish the story wasn't true. It would be nice if I could think of it as a figment of the author's imagination. But alas, that is not the case.
I literally couldn't put the book down and I devoured the author's words, letting them take me to the place he intended. He brought me right into the Dominican Republic during those awful times and into the hearts and minds of the very real human beings who lived through it. It was a voyage into the evil mind of Trujillo. And it also gave me an understanding of the forces that shaped the Dominican Republic. And, weaving it all together is the story of a woman who seemed to escape. Or did she?
I give this book my highest recommendation.
Alan Cambeira
Author of AZUCAR! The Story of Sugar (a novel)
"Literature is fire," writes Vargas Llosa, a writer touted by critics to become the next Spanish-American writer to win the Nobel Prize for Literature, and his latest novel radiates with the incendiary heat of Machiavellian politics, sexual obsession, and bestial brutality.
To the inhabitants of the Dominican Republic, Rafael Leonidas Trujillo Molina was known as Chief, Generalissimo, the Benefactor, the Father of the New Nation, and His Excellency. To his enemies, Trujillo was the Beast and the Goat.
For more than three decades, Trujillo ruled the Dominican Republic with an iron fist. He had cut the Gordian knot of the "Haitian problem" by having between 10,000 and 15,000 Haitians slaughtered.
In 1961, writes Vargas Llosa, "the country had touched bottom, placed under quarantine because of the excesses of a regime which, although in the past it had performed services that could never be repaid, had degenerated into a tyranny that provoked universal revulsion."
On the mild, starry night of Tuesday, May 30, 1961, the 70-year-old Trujillo, suffering from bouts of incontinence and impotence, was being driven from his palace in Ciudad Trujillo (Santo Domingo de Guzman) to his Mahogany House in San Cristobal, for another of his orgies--"to prove again he was a man." On the highway to San Cristobal, seven men stationed in three cars lay in ambush to assassinate him.
THE FEAST OF THE GOAT has three storylines:
(1) The story of Urania Cabral, now 49, who returns to the Dominican Republic in 1996, after 35 years absence from her homeland. At age 14 she had been cynically betrayed by her own father, Sen. Augustin Cabral, one of the highest-ranking officials in the Trujillo regime.
(2) The story of those who plotted a military-civilian junta and were successful in tyrannicide but were captured by Trujillo's son.
(3) The story of Trujillo himself, who (like Joseph Stalin, but on a lesser scale) accomplished much good but was also "the person in whom all the strands of the dread spider web [of tyranny, corruption, and terror] converged."
THE FEAST OF THE GOAT is not for the squeamish. Its explicit language and shocking scenes of sex, violence, and torture depict the decadent life of "a small country, a huge hell."
In a novel of this type, however, such excesses are non-gratuitous; one cannot imagine an adequate or realistic description of the Trujillo Era apart from such graphic scenes.
The entire atmosphere of the Trujillo Era has a Kafkaesque quality. Like something in The Trial, a person could be arrested, tried, tortured, and executed and never discover his offense. Perhaps the greatest tragedy of Trujillo's dictatorship is that it caused men such as Sen. Augustin Cabral, who otherwise would have remained decent, to betray their own flesh and blood.
Although the word masterpiece often is overworked, I shall risk it here. THE FEAST OF THE GOAT may well be the best novel of the year.