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As the novel edges toward Trujillo's inevitable murder, Urania's story gets a bit lost in the action; the remaining narratives however, are rarely short of mesmerizing. Trujillo's death unleashes a new order, but not the one expected by the conspirators. Enslaved by the soul of the dead chief, neither they nor the Trujillo family--who embark on a hideous spree of bloody reprisals--are able to fill the void. Llosa has them all skillfully outmaneuvered by the puppet-president Joaquín Belaguer, a former poet who is the very antithesis of the machismo Goat. Savage, touching, and bleakly funny, this compelling book gives an all too human face to one of Latin America's most destructive tyrants. --Travis Elborough, Amazon.co.uk --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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The story is told through three different viewpoints. The first is set in the present day, when a middle-aged female attorney who has lived in the United States since the age of 14, returns to the Dominican Republic. She's full of anger at her invalid father who was once an official in Trujillo's government, and it is only at the very end of the book that we understand why. But as she meets her relatives and finally lets them hear her personal story, two other compelling narratives are taking place in alternating chapters which are set in 1961.
The reader gets a chance to see into the mind's eye of Rafael Trujillo himself. He's 70 years old now. Always immaculately well groomed, he's embarrassed by bouts of incontinence. And he's also finding it difficult to consummate his erotic encounters with young women. He's upset about these matters, but his mind is razor sharp, deeply involved in the political intrigues that are his forte, and able to force his underlings to shiver in terror at the whims of his disfavor.
... Read more ›"Literature is fire," writes Vargas Llosa, a writer touted by critics to become the next Spanish-American writer to win the Nobel Prize for Literature, and his latest novel radiates with the incendiary heat of Machiavellian politics, sexual obsession, and bestial brutality.
To the inhabitants of the Dominican Republic, Rafael Leonidas Trujillo Molina was known as Chief, Generalissimo, the Benefactor, the Father of the New Nation, and His Excellency. To his enemies, Trujillo was the Beast and the Goat.
For more than three decades, Trujillo ruled the Dominican Republic with an iron fist. He had cut the Gordian knot of the "Haitian problem" by having between 10,000 and 15,000 Haitians slaughtered.
In 1961, writes Vargas Llosa, "the country had touched bottom, placed under quarantine because of the excesses of a regime which, although in the past it had performed services that could never be repaid, had degenerated into a tyranny that provoked universal revulsion."
On the mild, starry night of Tuesday, May 30, 1961, the 70-year-old Trujillo, suffering from bouts of incontinence and impotence, was being driven from his palace in Ciudad Trujillo (Santo Domingo de Guzman) to his Mahogany House in San Cristobal, for another of his orgies--"to prove again he was a man." On the highway to San Cristobal, seven men stationed in three cars lay in ambush to assassinate him.
THE FEAST OF THE GOAT has three storylines:
(1) The story of Urania Cabral, now 49, who returns to the Dominican Republic in 1996, after 35 years absence from her homeland.