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It takes a bit to get into it because it starts off by describing this world as being a flat disk carried on the back of four giant elephants who in turn, are on top of a enormous turtle. Don't ask. Then we meet our heroes: A short tourist with four eyes who doesnt speak the language, and has enough gold to capture the attention of every lowlife thief and robber. The tourist's luggage which is made from the magical wood of a special pear tree and as a result- it has a mind of its own, many feet and teeth and follows the tourist everywhere. And the third main character is Rincewind... a failed, coward of a wizzard who can't learn any new spells because he accidentally memorized one of the eight most powerful spells on the disk- a spell so powerful that no one knows what it does and he dare not say it. In fact all other spells are AFRAID to go near it.
This is just the beginning. Pratchett's wit and spaced-out imagination take the reader on a wild ride where nothing in fantasy is sacred. Now these first two books come together in one book, and I say thats the way they should have come from the beginning. The first book ends with a cliff-hanger (disk-hanger) that is neatly resolved in the second story. And hardcover is a plus, because this IS a classic that belongs on any fan's shelf. It is highly recommended as a breath of fresh air to any fantasy fan- serious or not.
... Read more ›I don't usually like parody. Harvard Lampoon's "Bored of the Rings," for example, has never impressed me. But Pratchett has brought parody, and parody of the fantasy genre in particular, to a new level in the DiscWorld series.
Pratchett's writing in these early books, as you would expect, isn't nearly as good as it gets later, but his characters are just as wonderful and his sense of the absurd is working overtime. There are outright parodies (Cohen the Barbarian, a lifetime in his own legend), homages (Firtz Leiber's Ffahrd and the Grey Mouser) and horrible puns ("luters, I expect"). No fantasy novel emerges unscathed.
Like most parodists, the plotting here is weak, with Rincewind, the most incompetent wizard in literature, and Twoflowers, the quintessential tourist, careening from disaster to disaster. In later books, Pratchett's plotting is impeccable, but here it's just not that good. But you don't read these two books for the plot, you read them for the laughs, for the fun of recognizing characters and books, and for the sheer hysterical madness.
The books are a delight. I caution you against reading them in bed - your laughter will disturb your partner - but otherwise whole-heartedly recommend them.
Pratchett begins his exploration of the Disc with parody of the fantasy genre. Later on in the series he focuses more on developing the mechanisms and realism of the Discworld, but here there are more laughs, and more subversion of the genre.
The relationship between Rincewind the cowardly student wizard and Twoflower the naive, good natured tourist is always amusing and compelling. The plot is perhaps slightly less complicated than later books, but still strange and magical, while firmly rooted in the cynical common sense of the English.
Also the books feature my favourite Discworld character, the tenacious, slightly sinister Luggage! It's an easy read that flows well and has some spot-on humour.