The role of War in human events has been discussed by political philosophers for centuries. David Bell describes the early French traditions in his book; today, the argument continues: Authors like John Mueller claim that war is on the road to extinction (
Retreat from Doomsday: The Obsolescence of Major War), while others, "realists", think that it's very much here to stay (
The Independence of Nations). In "The First Total War", Bell describes not only the conversation but its consequences - how the discourse of Peace and War affect the practice of warfare. And Bell offers a paradoxical observation: that ideas about the obsolescence and even obscenity of war themselves cause war to be more terrible then otherwise.
There are two ways of thinking of Bell's book: you can read it as a pretty straight history of The French Revolution and the Napoleonic Era, a little strange in its focus but that nonetheless covering most of the basics, or as an illustration of the main idea: That one of the great renovations of the French Revolution was instituting a view of War as abnormal and unnatural; And, ironically, that this de-legitimization of War made the Wars of the French Revolution into modern - total - wars, much worse than the wars that came before.
Under the Ancient Regime, wars took place regularly. The European powers constantly fought one another. Every decade, at least one major European power fought another, and usually, more than one. The wars were perceived as a natural, inevitable part of international politics: Indeed, warfare had been the raison d'etre of the stae. War had been celebrated in Art, Literature and Poetry, and the great deeds of Kings and Generals universally acclaimed.
But with the Enlightenment, a new brand of thinking came into being: the view of war as unnatural, an abomination. Philosophers like Voltaire and the Baron d'Holbach and popular writers like Archbishop Fenelon argued not only that was is evil, but that it is on the way out: That the growth of commerce, and the increased knowledge and sophistication of mankind means that war would cease.
The French Revolution unleashed these ideas upon the world. The Revolutionaries, with faith in the rights of man, heralded a new age of perpetual peace. But first, the reactionary, counter revolutionary forces had to be destroyed...
For the irony is that the very visions of perpetual Peace led with them the willingness to achieve it regardless of the means; Thus the wars of the ancient regime which were limited and under control were replaced by mass scale feasts of destruction.
To put it in game theory terms (Which Bell doesn't do), the aristocrats who ran pre 1789 armies expected repeat engagements. They have had an incentive for moderation because they knew moderation would be returned. Cultural factors - such as the similarity between aristocratic leaders on all sides of the conflicts - helped enforce the moderation.
After the Revolution, France's new leaders did not expect repeat engagements: they believed in total defeat for the enemy, followed by eternal peace. Partially as a result of this new outlook, wars became a grim, disastrous affair. In the war against France's foreign neighbors, an element of moderation remained because of fear of reprisals. But when destroying internal enemies, no such checks existed: the wide spread destruction of the Vendee region, the heart of the counter revolutionary forces in France, is shocking. "The Vendee was not a genocide, but it nonetheless stirs memories of recent genocidal horrors". (p.184).
This theme sums up the first half of the book, and it might have ended here. Instead, Bell continues to chronicle the events of the Revolution, and the rise and fall of Napoleon Bonaparte. Here Bell's thesis is less clear, and the historical elements of the narrative move to the stage's front.
The argument Bell offers in this section is about the culture of the warrior not the horrors of warfare. Before the ancient regime, to be a solider - to be a commander - was part of the persona one wore. No full time professionals, Ancient Regime aristocrats took soldiering as one of the many facets of their personality. They danced; They wrote poetry; They seduced ladies; And they made war.
With the revolution, soldiering became professional. The army became separate from civilian life, housed separately in barracks and perceived as a different quality than the civil society. Indeed, only in the time of the French Revolution did the terms "Civilian" and "Military" come to detonate the different classes of people.
Napoleon, as the first political general, knew how to use the difference between Civilian and Military spheres to his political advantage. If Civil society seemed corrupt, selfish and incompetent, Napoleon appeared an embodiment of the military spirit - brilliant, powerful, successful, loyal and patriotic. "What have you done with the France that I left you so brilliant?" he asked before taking power. "The Republic exists almost nowhere but in the armies" he claimed. His soldiers called upon him to take the mantle for the good of the country. "General, you have saved France... now save the Republic!" (pp. 218-222). Could he do anything but heed the call?
The French Revolution doubtlessly changed Europe and the world in various respects. Bell's focuses on the transformation of warfare and of the military, of the birth of the professional soldier and the soldier cum political hero. And he offers an imperfect but lively history of the French Revolution and the Napoleonic Era, including short summaries of the major battles. Both intellectually exciting and historically illuminating, it should appeal to the expert and the neophyte alike.