The Fisher King 1991 R CC

Amazon Instant Video

(156) IMDb 7.6/10
Available in HD

A homeless history professor (Robin Williams) who lives in a world of fantasy plucks a N.Y. shock jock (Jeff Bridges) from disaster.

Starring:
Jeff Bridges, Caroline Cromelin
Runtime:
2 hours 13 minutes

Available in HD on supported devices.

The Fisher King

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Product Details

Genres Fantasy, Drama, Comedy
Director Terry Gilliam
Starring Jeff Bridges, Caroline Cromelin
Supporting actors Paul Lombardi, David Hyde Pierce, Ted Ross, Lara Harris, Warren Olney, Frazer Smith, Mercedes Ruehl, Kathy Najimy, Harry Shearer, Melinda Culea, James Remini, Mark Bowden, John Ottavino, Brian Michaels, Jayce Bartok, Dan Futterman, Robin Williams, Bradley Gregg
Studio TriStar Pictures
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

THe movie is wonderfully Acted and very meaningful.
Katherine E. Warwick
Robin Williams and Jeff Bridges along with Mercedes Ruehl and Amanda Plummer gave outstanding performances.
G. YEO
I 'like' his movies very much, but can rarely get close enough to 'love' them.
Mike Stone

Most Helpful Customer Reviews

125 of 131 people found the following review helpful By Reviewer on July 30, 2000
Format: VHS Tape
This is the one for which Robin Williams should have received an Oscar; for as Parry, the victim of a senseless tragedy, he is nothing short of brilliant in "The Fisher King," directed by Terry Gilliam and co-starring Jeff Bridges (who also gives an Oscar-worthy performance here). Gilliam has created the perfect mood and atmosphere to tell the story of successful radio talk-show host Jack Lucas (Bridges), and the homeless and mentally unhinged Parry, whose lives intersect in the wake of an act of unconscionable violence that leaves them both barely clinging to the memory of a reality that no longer exists for either of them. With this movie, Gilliam has deftly crafted a study of the symbiotic existence of mankind and the impact of human nature upon the space we all must share in a world growing smaller day by day. Through Jack's eyes, Gilliam examines the nature of cause and effect, and the results thereof, and Jack's story ultimately becomes Parry's story, and aptly illustrates how the needs of one become the necessity of another, and what it means to finally be able to look beyond ourselves and delve beneath those layers of contemporary frivolity we all manage to build, which in the end are nothing more than pretentious insulations that keep us from the things in life that really matter. Even as Jack's own act of irresponsibility comes back to haunt him and make him question his own values to the very core of his being, Parry receives the brunt of it all from the other end of the spectrum, with consequences even more dire, though for both the result of their shared circumstance is life-altering. Williams gives a masterful performance here that illuminates so well how thin the line between comedy and drama really is.Read more ›
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41 of 42 people found the following review helpful By Matt on August 29, 2001
Format: DVD
The Fisher King is a representational movie. It makes use of Arthurian legend, and parallels the legend of the Fisher King with the lives of the two main protagonists - Parry (Robin Williams) and Jack (Jeff Bridges). Symbolism and metaphorical techniques are utilisied extensively throughout the film, which makes it an extremely visual experience to watch. However, the symbolism extends beyond the visual plane, to a very psychological one. For example, Parry's creation of a fantastical world full of 'little fat people' and the 'Red Knight', is very much representative of his own mental condition; the fantasy world, minus the Red Knight, represents Parry's acceptance/ignorance of his mental trauma. At the same time the Red Knight is symbolic of the pain and suffering as caused by the trauma itself.
Whenever Parry shows glimpes of sanity (lucid speech, dating, feeling love again, etc.), the Red Knight always appears in his life. While the Red Knight is at bay Parry is not catatonic or overwrought by his trauma. To overcome/accept the trauma of seeing his wife murdered before his eyes, ultimately Parry has to confront the Red Knight and vanguish him. However, he lacks the insight and strength to do this on his own. Enter Jack - who ultimately feels responsible for Parry's condition! Jack is the equivalent of the fool or simpleton from the story of the Fisher King. Jack's intent is one of redemption, while he is absorbed into Parry's world. Eventually Jack begins to understand Parry's need for the Holy Grail, which represents Acceptance of Loss. If Parry is able to possess the Holy Grail, then he shall be able to vanguish Insanity as represented by the Red Knight.
While there are elements of fantasy and Arthurian legend woven into this story, there is also a theme of Christianity.
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34 of 34 people found the following review helpful By J. Angus Macdonald on May 15, 2002
Format: DVD
I have a passionate love for the Arthurian legends. To paraphrase Robertson Davies, however, these tales have a poor history of being adapted to stage or screen. "Camelot", "Excalibur", "First Knight", "Prince Valiant" -- if you really love the tales, you know just how short these films fall.
Then there is The Fisher King.
No, you won't find King Arthur here. You won't find Camelot or Guenivere or the Questing Beast. What you WILL find is the essence of the Grail story. Parry (Robin Williams) is Percival the Fool as well as The Fisher King himself; Jack (Jeff Bridges) is a fallen king-of-radio. Both are wounded and in a related manner. Neither faces his problems head on. Each needs another to pave the way to forgiveness, acceptance, and redemption. The ultimate physical object that leads to this may be a swimming trophy, but it is also the Holy Grail itself. Why? Because it truly is, if you only believe.
Along the way you meet the not-so-in-distress damsels (Mercedes Ruehl won an Oscar for best supporting actress; Amanda Plummer, who deserved one as well), the company of knights-errant (the homeless of New York City), an evil Red Knight, two even more evil local toughs, and the false-prophets from the land of television. Each of these is a person, or a type, from our own world. They also happen to fit the tales of the Holy Grail rather well. Forced comparisons? I leave that to the individual viewer to decide, but I found the characterizations marvelous. This is not a film about Real Life, but it is a film about something truer, something closer to the soul.
This is a film that deserves multiple veiwings.
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